Amelia Opie

Amelia Opie Poems

Not one kind look....one friendly word!
Wilt thou in chilling silence sit;
Nor through the social hour afford
One cheering smile, or beam of wit?
...

How dear to me the twilight hour!
It breathes, it speaks of pleasures past;
When Laura sought this humble bower,
And o'er it courtly splendours cast.
...

3.

I am wearing away like the snow in the sun,
I am wearing away from the pain in my heart;
But ne'er shall he know, who my peace has undone,
How bitter, how lasting, how deep is my smart.
...

Too heedless friend, why thus augment the flame
That glows resistless in my beating breast?
Why with thy praises grace his fatal name,
Who robs thy Emma's hapless heart of rest?
...

[A Report, though false, at that time generally believed.]


Fallen are thy towers, Byzantium! towers that stood
...

Then thou hast learnt the secret of my soul,
Officious Friendship has its trust betrayed;
No more I need the bursting sigh control,
Nor summon pride my struggling soul to aid.
...

Hail to thy pencil! well its glowing art
Has traced those features painted on my heart;
Now, though in distant scenes she soon will rove,
Still here I behold the friend I love--
...

Round youthful Henry's restless bed
His weeping friends and parents pressed;
But she who raised his languid head
He loved far more than all the rest.
...

Farewell gay Summer! now the changing wind
That Autumn brings commands thee to retreat;
It fades the roses which thy temples bind,
And the green sandals which adorn thy feet.
...

IN CUMBERLAND.

Hail , Derwent's beauteous pride!
Whose charms rough rocks in threatening grandeur guard,
...

Spring! thy impatient bloom restrain,
Nor wake so soon thy genial pow'r,
For, deeds of death must hail thy reign,
...

Stranger, that massy, mouldering pile,
Whose ivied ruins load the ground,
Reechoed once to pious strains
By holy sisters breathed around.
...

[Originally called the Place de Louis Seize,--next the Place de la
Revolution, where the perpetual guillotine stood.]
...

14.

I am wearing away like the snow in the sun,
I am wearing away from the pain in my heart;
...

LOW hung the dark clouds on Plinlimmon's tall peak,
And slowly, yet surely, the winter drew near;
When Ellen, sweet Ellen, a tear on her cheek,
...

PROUD Seine, along thy winding tide
Fair smiles yon plain expanding wide,
And, deckt with art and nature's pride,
Seems formed for jocund revelry.
...

Yes, Mary Ann, I freely grant,
The charms of Henry's eyes I see;
But while I gaze, I something want,
I want those eyes -- to gaze on me.
...

Lo! Winter drives his horrors round;
Wide o'er the rugged soil they fly;
In their cold spells each stream is bound,
...

Sir Walter returned from the far Holy Land,
And a blood-tinctured falchion he bore;
But such precious blood as now darkened his sword
Had never distained it before.
...

Hail, lonely shore! hail, desert cave!
To you, o'erjoyed, from men I fly,
And here I'll make my early grave....
For what can misery do but die?
...

Amelia Opie Biography

Amelia Alderson was the daughter of James Alderson, a physician, and Amelia Briggs of Norwich, England. She was a cousin of notable judge Edward Hall Alderson, with whom she corresponded throughout her life, and also a cousin of notable artist Henry Perronet Briggs. Miss Alderson had inherited radical principles and was an ardent admirer of John Horne Tooke. She was close to activists John Philip Kemble, Sarah Siddons, William Godwin and Mary Wollstonecraft. Marriage and family In 1798 Alderson married John Opie, the painter. The nine years of her married life before her husband's death were happy, although her husband did not share her love of society. With his encouragement, in 1801 she completed a novel entitled Father and Daughter, which showed genuine fancy and pathos. Writing career Amelia Opie published regularly after her first novel. In 1802 she completed a volume of verse. Additional books followed: Adeline Mowbray (1804), Simple Tales (1806), Temper (1812), Tales of Real Life (1813), Valentine's Eve (1816), Tales of the Heart (1818), and Madeline (1822). Opie wrote The dangers of Coquetry at age 18. Her novel Father and Daughter (1801) is about misled virtue and family reconciliation. Encouraged by Mary Wollstonecraft, she wrote Adeline Mowbray (1804), an exploration of relationship between mother and daughter. Adeline Mowbray uses frank language to deliver the moral that the desires of women as much as those of men can override their families' wishes and thus jeopardise their future Amelia Opie divided her time between London and Norwich. She was a friend of writers Sir Walter Scott, Richard Brinsley Sheridan and Madame de Stael. In 1825, through the influence of Joseph John Gurney, she joined the Society of Friends. After a book entitled Detraction Displayed and contributions to periodicals, she wrote nothing more. The rest of her life was spent travelling and working at charity. Even late in life, Opie maintained connections with writers, for instance receiving George Borrow as a guest. After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom. A year later on 2 December 1853, she died at Norwich. Ms. Opie was said to retain her vivacity to the last. She was buried at the Gildencroft Quaker Cemetery, Norwich. A biography of her, A Life, by Miss C.L. Brightwell, was published in 1854.)

The Best Poem Of Amelia Opie

Secret Love

Not one kind look....one friendly word!
Wilt thou in chilling silence sit;
Nor through the social hour afford
One cheering smile, or beam of wit?

Yet still, absorbed in studious care,
Neglect to waste one look on me;
For then my happy eyes may dare
To gaze and dwell unchecked on thee.

And still in silence sit, nor deign
One gentle precious word to say;
For silent I may then remain,
Nor let my voice my soul betray.

This faltering voice, these conscious eyes,
My throbbing heart too plainly speak:
There timid hopeless passion lies,
And bids it silence keep, and break .

To me how dear this twilight hour,
Cheered by the faggot's varying blaze!
If this be mine, I ask no more
On morn's refulgent light to gaze:

For now, while on HIS glowing cheek
I see the fire's red radiance fall,
The darkest seat I softly seek,
And gaze on HIM , unseen by all.

His folded arms, his studious brow,
His thoughtful eye, unmarked, I see;
Nor could his voice or words bestow
So dear, so true a joy on me.

But he forgets that I am near....
Fame, future fame, in thought he seeks:
To him ambition's paths appear,
And bright the sun of science breaks.

His heart with ardent hope is filled;
His prospects full of beauty bloom:
But, oh! my heart despair has chilled,
My only prospect is....the tomb!

One only boon from Heaven I claim,
And may it grant the fond desire!
That I may live to hear his fame,
And in that throb of joy expire .

Oft hast thou marked my chilling eye,
And mourned my cold reserve to see,
Resolved the fickle friend to fly,
Who seemed unjust to worth and thee:

While I, o'erjoyed, thy anger saw....
Blest proof I had not tried in vain
To give imperious passion law,
And hide my bosom's conscious pain.

But when night's sheltering darkness came,
And none the conscious wretch could view,
How fiercely burned the smothered flame!
How deep was every sigh I drew!

Yet still to thee I'll clothe my brow
In all that jealous pride requires;
My look the type of Ætna's snow....
My heart, of Ætna's secret fires.

One little moment, short as blest,
Compassion Love's soft semblance wore;
My meagre form he fondly pressed,
And on his beating bosom bore.

His frame with strong emotion shook,
And kindness tuned each faltering word;
While I, surprised, with anxious look
The meaning of his glance explored.

But soon my too experienced heart
Read nought but generous pity there;
I felt presumptuous hope depart,
And all again was dark despair.

Yet still, in memory still, my heart
Lives o'er that fleeting bliss again;
I feel his glance, his touch, impart
Emotion through each bursting vein.

And "Once ," I cry, "those eyes so sweet
On me with fondness deigned to shine;
For once I felt his bosom beat
Against the conscious throbs of mine!"

Nor shall the dear remembrance die
While aught of life to me is given;
But soothe my last convulsive sigh,
And be, till then, my joy....my heaven!

Amelia Opie Comments

Jesus Diaz Llorico 31 October 2015

One of my few poetess that I admire. The classical style format just shows that preparation is needed when writing a poem. Her secret love surely ranks as one of the best poems ever written.

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