Wonders In The North Poem by Odelana Rapheal

Wonders In The North

The Gbagi, in divine dance, move,
Nupe voices sing, rhythms prove,
Hausa relish their gooey fare,
While I, a wandering soul, do dare.

Not a drop, though April's here,
At thirteen, she's betrothed, literacy unclear.
Long nights, short days, in May's hot embrace,
Sweat flows like summer's fervent chase,
Like sunrise, I yearn for a new grace.

I hear the wind's clarion call,
Echoes eerie, as if from a cemetery's sprawl.
The heavens sing, seemingly insane,
Yet on the 7th, still no rain.
As the sun sets, crime holds its domain.

Religion shapes the North's very core,
Mockery may lead to a chilling encore.
Your head may spin in fear's dread,
To Tradition's grip, where paradise turns lead.

Tuwo and okra, the day's delight,
Pap and bean cakes greet morning light,
Delicacies await with coins paid,
Donkwa adds protein, from peanuts laid.

Now in my bed, where dreams take flight,
Prayers whispered in the still of night,
Awaiting dawn, a new day's gain,
Then remember, I serve my land's reign.
Thanks to spirits, on April's 13th, it rained.

Wonders In The North
POET'S NOTES ABOUT THE POEM
Glossary 1. Gbagi: Refers to a group of people known for their traditional dances and cultural practices.2. Nupe: Denotes another ethnic group, known for their musical traditions and cultural heritage.3. Hausa: Represents yet another ethnic group, known for their culinary traditions and distinct taste preferences.4. Tuwo: A Nigerian dish made from starchy ingredients like maize, rice, or sorghum, often served with soups or sauces.5. Okra: A vegetable commonly used in Nigerian cuisine, known for its slimy texture when cooked.6. Pap: Also known as 'ogi' or 'akamu, ' it is a traditional Nigerian breakfast food made from fermented grains like maize or millet.7. Donkwa: A Nigerian snack made from roasted groundnuts (peanuts) mixed with spices and other ingredients.8. Tradoc: Likely a portmanteau of 'tradition' and 'orthodoxy, ' referring to strict adherence to traditional beliefs and customs.9. Paradise hell: An oxymoron indicating a situation or place that appears desirable but is actually unpleasant or oppressive.10. Serving my father's land: An expression often used to refer to serving one's country, typically through national service programs like military service or the National Youth Service Corps (NYSC) in Nigeria. Setting The poem unfolds against the backdrop of Niger State, Nigeria, a place teeming with vibrant cultures and diverse communities, including the Nupe people who feature prominently in its verses. In the heart of Niger State, the poem captures the essence of everyday life, reflecting the warmth of its people, the richness of its traditions, and the beauty of its landscapes. From the spirited dances of the Gbagi to the soulful melodies of the Nupe songs, the poem paints a vivid picture of the region's cultural tapestry. References to beloved foods like tuwo, okra, pap, and donkwa evoke the tantalizing flavors and aromas that fill the air. Yet amid the tapestry of life in Niger State, the poem also touches on its challenges. Issues like early marriage and illiteracy are portrayed with sensitivity, highlighting the struggles faced by many in the community. The longing for rain, essential for sustenance and growth, reflects the shared hopes and anxieties of those living off the land. By rooting the poem in Niger State, Nigeria, the poet invites readers to journey into the heart of this vibrant community, where the joys and sorrows of everyday life unfold against a backdrop of resilience and unity. Background The poem offers a personal window into my experiences during my time with the National Youth Service Corps (NYSC) in Niger State, Nigeria. Immersed in the everyday rhythms and cultural fabric of the region, I weave a narrative rich with the sights, sounds, and emotions of my journey. Penned amidst my NYSC service, the poem reflects my deep connection to the land and its people. It captures the essence of Niger State's vibrant communities, from the spirited dances of the Gbagi to the soul-stirring songs of the Nupe and the tantalizing flavors of Hausa cuisine. Against this backdrop, I grapple with the challenges faced by the community, such as early marriage and illiteracy, while also celebrating its resilience and communal spirit. Through my words, I invite readers to join me on a heartfelt exploration of life in Niger State, Nigeria. I share moments of joy, longing, and reflection, offering a deeply human perspective on the complexities and beauty of my NYSC experience in this culturally rich and diverse region.
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