Inside Things Poem by John Allen Richter

Inside Things



They don't tell you, you see
about the things
the inside things
the real things
the things that matter
they hold them in, you see
to trick you

Those apocryphal angels
obscuring truth
hiding the meaning of life
pointing you this way
pointing you that
but don't let out the things
that matter

Life isn't real
it's about what you feel
and they laugh
they laugh when you feel
and make you think
life isn't real
That you shouldn't feel

And so those hordes
those denizens of deceit
have stolen you
stolen your inside things
locked them in a dusty trunk
in the attic
marred only by your tiny fingerprints

And you, alone
thoughts roaming
inadequate
selfish pig!
How dare you feel?
How dare you need?
How curdled this bile they puke on you

But you were there once
so long, long ago
stooping in that tiny attic
knees finding splinters in the wood
touching that great black trunk
breathing its moldy waft
your hands and eyes but a childs

Oh, those treasures within-
inside that trunk
a lost life
memories gone rancid
gathering dust
alone in the attic
mere traces of someone's heart

Your eyes ablaze
senses attuned
as you rape those memories
defile that lost soul trapped there
steal the thing he once was
and can never be again
that part of him locked away, gathering dust

To think of him
another man
another time
another place
and that he once had feelings
the deceivers laughed at him too
and so locked him away

And there you sat
a child rummaging that trunk
a mantle clock
a photo or two
an old Army uniform
moth-eaten and stinking
He lived then, but a thousand lifetimes before

And so how could it be?
This young soldier, your father
who wound his clock
and gazed his photos
loved and laughed
before you knew him, a thousand lifetimes ago
he had feelings too

But he was locked away
another time, another man
whom he can never be again
the demons laughed at him
and expelled him to this trunk
his young heart, his lost feelings
and left him just a shell, the man you knew

And so where are you now
how have you come to be
that same man?
living, loving, lost
feelings sprouting from your core
another trunk, another attic
your young heart locked away forever

And will another child come?
Scrape his knees on a bit of plywood plank
bump his head on a short rafter
to find you, alone
gathering dust in a trunk
your cares and your feelings growing yellow
age losing you, leaving you just a shell

And what would you tell that child?
what note to lay
beside the tokens of your life?
Tell him to care?
To feel, to love, to share?
or just to be aware
of the demons lying snare?

Or tell him to hide them-
those inside things
never let anyone see
those feelings that don't belong
not to you, not to me
harden your heart
or end up like me

The best part of me
locked away with trinkets
mere novelties of my life
a love, my life, you
a time ago, elsewhen
I loved you so
And I still do

I would tell that child to love
to laugh
to wonder
to see
what your love
has done for me……….
It's worth a thousand trunks, and a thousand years

Wednesday, January 21, 2015
Topic(s) of this poem: love
POET'S NOTES ABOUT THE POEM
'elsewhen' is not really a word..... yet. But it should be.
COMMENTS OF THE POEM
Daniel Brick 20 March 2015

WOW John - This is not just a poem: you have created a new myth that explains, in the way myths do, the origins of a puzzling aspect of our lives. How I put this into words will limit the scope of what you wrote, and that doesn't just refer to the length and complexity of your poem but also the nature of mythic thinking. Mythic thinking is all about resonance, which means it keeps developing over time. Those ELSEWHENS you cite. And that means anything I write is provisional. Humankind cannot bear much reality, T. S. Eliot wrote somewhere. I thought of that line because that may be one reason why people surrender to the demons and then surrender the brightest things on their lives to be locked away. The child's discovery is also a rescue. It may not save the mortal life of the person whose inner being is in that found chest but in some mysterious way it rescues his/her humanity by putting those human things back in a human context, so they're not subject to the slow decay of neglect. And the child-discoverer just by daring to look, investigate, itemize what he finds takes power from the demons. They can only steal and hoard, but he can cherish and treasure, he can build on is discovery and they will have no power to intimidate him. He will belong to a free generation.

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John Richter 23 March 2015

Daniel, and Patty too - thank you so much for your kind words. Sylvia Plath said once that her intention when writing poetry was not to have others read it - though she expressed that one of the greatest feelings in life was the great happiness she felt when others did find her poetry beautiful. Her intention was just to let out what was trapped inside of herself. Her poem 'Daddy' reflects that so vigorously I think. Anyway, this is one of the few - rare poems of my own that was not written for others. Though inspired by a friend, and the likes of Plath and so many other great writers, 'Inside Things' was truly written only for me. Eventually I did share it with the friend who inspired it - but lost that friendship. And in the fray of that I came to post it on my personal blog and then here when I became a member. If poets are permitted to have their own personal favorite writes then this one would be in my top handful of mine. I think Sylvia was absolutely right. The poet is not his words or what he wishes to reveal - the poet is who he is inside. To reveal or not, to face the critic - those deceitful masters who might imply we are odd or somehow lesser than they for experiencing what we feel - is tormenting. Our decisions as poets, I think, shouldn't be based on what others think about it. So disregarding them - I think - creating the piece without concern for them - their thoughts or peering critical eyes - allows the poet to truly reveal his inside things. I think that was Sylvia's thinking and I must say that I agree with that. I've written another poem - probably several now that I think about it - that follow this same circle - the same path. 'Odd Little Man' is what I've called it and if it's not posted here then I should hope to get a round tuit very soon... Thank you so much for visiting. I really enjoy it...

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Patti Masterman 24 January 2015

This poem is smoking hot. I could see the attic, the trunk, the tears, the questioning.. Real poetry is saying what's never really been said, and you just did that. Very. D. Well.

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