The Appendage Police Poem by J. Barrett Wolf

The Appendage Police



The appendage police came the other day and threatened to confiscate my hands.
They said I was writing subversive songs and anti-status-quo articles and screw-the-system poetry. They told me to straighten up and fly right 'cause after all, they knew what was good for me and how would I like to go around with no hands to write or eat or touch with?
Later the brain police arrived and told me to stop having subversive, anti-status-quo, screw-the-system thoughts. They offered me an all expense paid surgical procedure that would help me fit in with the rest of their designer world.
'Just wait, ' they said, 'If you don't come around, you'll be sorry... We can adjust those little gray cells of yours and you'll be just fine.'
After that, the emotion police showed up and suggested (very strongly) that I stop caring about war and poverty and spirituality and making the world a better place. They implored me to work hard and make more money. Then they told me to stop hurting so much for what could be and accept the world for what it is. They said they had these chemicals I could take that would make me happy — all the time.
When the sex police pulled up, I slipped out a window,
jumped on my bike and left town...

COMMENTS OF THE POEM
Christine Austin Cole 17 July 2008

(As if I needed to tell you this....) Whatever you do - don't listen to any of them. I'm not a big Picasso fan (with the notable exception of his fabulous Don Quixote drawing) , but I completely adore the slogan of his Cubist movement - 'Paint not what you see but what you know is there.' An artist HAS to, I believe. Any alternative would be a devastating endeavor, really - to accept what the collective seems have accepted as acceptable (the world's so-called reality) - would be completely detrimental to the artist, it seems to me. But, too... attempting to allow both to co-exist in your consciousness is risking insanity. (It is no surprise really that so many artists are deemed mad, you know?) Either way, I suppose, an artist lives the bulk of their life standing on the rooftop of some ridiculously tall building - ever a heartbeat away from throwing his/herself off or perhaps getting locked up in a padded room. Personally, if one is to teeter there in such precarious position, I'd suggest (agree, really) that it's considerably more appealing to do so for the rightest of reasons. Rage on, poet. Christine

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