Poems Of Recanted Bachelorhood Poem by Michael Burch

Poems of Recanted Bachelorhood

bachelorhoodwinked
by Michael R. Burch

u
are
charming
& disarming,
but mostly ALARMING
since my resolve
dissolved!



Disconcerted
by Michael R. Burch

Beth, my sweet,
fresh as a daisy,
when I'm with you
my heart beats like crazy
& my future gets hazy...



What Goes Around, Comes
by Michael R. Burch

This is a poem about loss
so why do you toss your dark hair,
unaccountably glowing?

How can you be sure of my heart
when it's beyond my own knowing?
Or is it love's pheromones you trust,
my eyes magnetized by your bust
and the mysterious alchemies of lust?

Now I am truly lost!



Once
by Michael R. Burch

Once when her kisses were fire incarnate
and left in their imprint bright lipstick, and flame,
when her breath rose and fell over smoldering dunes,
leaving me listlessly sighing her name...

Once when her breasts were as pale, as beguiling,
as wan rivers of sand shedding heat like a mist,
when her words would at times softly, mildly rebuke me
all the while as her lips did more wildly insist...

Once when the thought of her echoed and whispered
through vast wastelands of need like a Bedouin chant,
I ached for the touch of her lips with such longing
that I vowed all my former vows to recant...

Once, only once, something bloomed, of a desiccate seed...
this implausible blossom her wild rains of kisses decreed.



Warming Her Pearls
by Michael R. Burch

Warming her pearls,
her breasts gleam like constellations.
Her belly is a bit rotund...
she might have stepped out of a Rubens.



Sappho, fragment 22
loose translation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



Sappho, fragment 42
translation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains
uprooting oaks.



I Loved You
by Alexander Sergeyevich Pushkin
translation by Michael R. Burch

I loved you... perhaps I love you still...
perhaps for a while such emotions may remain.
But please don't let my feelings trouble you;
I do not wish to cause you further pain.

I loved you... thus the hopelessness I knew...
The jealousy, the diffidence, the pain
resulted in two hearts so wholly true
the gods might grant us leave to love again.




Ben Sana Mecburum: 'You are indispensable'
by Attila Ilhan
translation by Nurgül Yayman and Michael R. Burch

You are indispensable; how can you not know
that you're like nails riveting my brain?
I see your eyes as ever-expanding dimensions.
You are indispensable; how can you not know
that I burn within, at the thought of you?

Trees prepare themselves for autumn;
can this city be our lost Istanbul?
Now clouds disintegrate in the darkness
as the street lights flicker
and the streets reek with rain.
You are indispensable, and yet you are absent...

Love sometimes seems akin to terror:
a man tires suddenly at nightfall,
of living enslaved to the razor at his neck.
Sometimes he wrings his hands,
expunging other lives from his existence.
Sometimes whichever door he knocks
echoes back only heartache.

A screechy phonograph is playing in Fatih...
a song about some Friday long ago.
I stop to listen from a vacant corner,
longing to bring you an untouched sky,
but time disintegrates in my hands.
Whatever I do, wherever I go,
you are indispensable, and yet you are absent...

Are you the blue child of June?
Ah, no one knows you―no one knows!
Your deserted eyes are like distant freighters...

Perhaps you are boarding in Yesilköy?
Are you drenched there, shivering with the rain
that leaves you blind, beset, broken,
with wind-disheveled hair?

Whenever I think of life
seated at the wolves' table,
shameless, yet without soiling our hands...
Yes, whenever I think of life,
I begin with your name, defying the silence,
and your secret tides surge within me
making this voyage inevitable.
You are indispensable; how can you not know?



Fragments
by Attila Ilhan
loose English translations/interpretations by Michael R. Burch

***

The night is a cloudy-feathered owl,
its quills like fine-spun glass.

It gazes out the window,
perched on my right shoulder,
its wings outspread and huge.

If the encroaching darkness seems devastating at first glance,
the sovereign of everything,
its reach infinite...

Still somewhere within a kernel of light glows secretly
creating an enlightened forest of dialectics.

***

In September's waning days one thinks wanly of the arrival of fall
like a ship appearing on the horizon with untrimmed, tattered sails;
for some unfathomable reason fall is the time to consider one's own demise―
the body smothered by yellowed leaves like a corpse rotting in a ghoulish photograph...

***

Bitter words
crack like whips
snapping across prison yards...

Then there are words like pomegranate trees in bloom,
words like the sun igniting the sea beyond mountainous horizons,
flashing like mysterious knives...

Such words are the burning roses of an infinite imagination;
they are born and they die with the flutterings of butterflies;
we carry those words in our hearts like pregnant shotguns until the day we expire,
martyred for the words we were prepared to die for...

***

What I wrote and what you understood? Curious and curiouser!



don't forget...
by Michael R. Burch

don't forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.

NOTE: The opening lines were inspired by a famous love poem by e. e. cummings.



The Stake
by Michael R. Burch

Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.

Originally published by The Lyric



Oasis
by Michael R. Burch

for Beth

I want tears to form again
in the shriveled glands of these eyes
dried all these long years
by too much heated knowing.

I want tears to course down
these parched cheeks,
to star these cracked lips
like an improbable dew

in the heart of a desert.
I want words to burble up
like happiness, like the thought of love,
like the overwhelming, shimmering thought of you

to a nomad who
has only known drought.



Because You Came to Me
by Michael R. Burch

Because you came to me with sweet compassion
and kissed my furrowed brow and smoothed my hair,
I do not love you after any fashion,
but wildly, in despair.

Because you came to me in my black torment
and kissed me fiercely, blazing like the sun
upon parched desert dunes, till in dawn's foment
they melt, I am undone.

Because I am undone, you have remade me
as suns bring life, as brilliant rains endow
the earth below with leaves, where you now shade me
and bower me, somehow.



Besieged
by Michael R. Burch

Life—the disintegration of the flesh
before the fitful elevation of the soul
upon improbable wings?

Life—it is all we know,
the travail one bright season brings...

Now the fruit hangs,
impendent, pregnant with death,
as the hurricane builds and flings
its white columns and banners of snow

and the rout begins.



These are poems about Ann Rutledge and her romantic relationship with Abraham Lincoln.

Winter Thoughts of Ann Rutledge
by Michael R. Burch

Winter was not easy,
nor would the spring return.
I knew you by your absence,
as men are wont to burn
with strange indwelling fire —
such longings you inspire!

But winter was not easy,
nor would the sun relent
from sculpting virgin images
and how could I repent?
I left quaint offerings in the snow,
more maiden than I care to know.



Ann Rutledge's Irregular Quilt
by Michael R. Burch

based on 'Lincoln the Unknown' by Dale Carnegie

I.
Her fingers 'plied the needle' with 'unusual swiftness and art'
till Abe knelt down beside her: then her demoralized heart
set Eros's dart a-quiver; thus a crazy quilt emerged:
strange stitches all a-kilter, all patterns lost. (Her host
kept her vicarious laughter barely submerged.)

II.
Years later she'd show off the quilt with its uncertain stitches
as evidence love undermines men's plans and women's strictures
(and a plethora of scriptures.)

III.
But O the sacred tenderness Ann's reckless stitch contains
and all the world's felicities: rich cloth, for love's fine gains,
for sweethearts' tremulous fingers and their bright, uncertain vows
and all love's blithe, erratic hopes (like now's) .

IV.
Years later on a pilgrimage, by tenderness obsessed,
Dale Carnegie, drawn to her grave, found weeds in her place of rest
and mowed them back, revealing the spot of the Railsplitter's joy and grief
(and his hope and his disbelief) .

V.
For such is the tenderness of love, and such are its disappointments.
Love is a book of rhapsodic poems. Love is an grab bag of ointments.
Love is the finger poised, the smile, the Question — perhaps the Answer?
Love is the pain of betrayal, the two left feet of the dancer.

VI.
There were ladies of ill repute in his past. Or so he thought. Was it true?
And yet he loved them, Ann (sweet Ann!) , as tenderly as he loved you.

Keywords/Tags: Ann Rutledge, Abraham Lincoln, poem, poems, poetry, love, lover, mistress, paramour, romance, romantic, quilt, grave, Dale Carnegie, William Herndon



Burn
by Michael R. Burch

for Trump

Sunbathe,
ozone baby,
till your parched skin cracks
in the white-hot flash
of radiation.

Incantation
from your pale parched lips
shall not avail;
you made this hell.
Now burn.




Leave Taking
by Michael R. Burch


Brilliant leaves abandon battered limbs
to waltz upon ecstatic winds
until they die.


But the barren and embittered trees
lament the frolic of the leaves
and curse the bleak November sky...


Now, as I watch the leaves' high flight
before the fading autumn light,
I think that, perhaps, at last I may

have learned what it means to say―
goodbye.

Published by The Lyric, Mindful of Poetry, There is Something in the Autumn (anthology) Several of my early poems were about aging, loss and death. Young poets can be so morbid! Like 'Styx' this poem is the parings of a longer poem. This poem started out as a stanza in a much longer poem, 'Jessamyn's Song, ' that dates to around age 14 or 15.



Styx
by Michael R. Burch


Black waters,
deep and dark and still...
all men have passed this way,
or will.


Published by The Raintown Review and Blue Unicorn. Also translated into Romanian and published by Petru Dimofte. This is one of my early poems, written as a teenager. I believe it was my first epigram after 'Bible Libel.'



Bible Libel
by Michael R. Burch


If God
is good,
half the Bible
is libel.

I believe this was my first epigram, written after reading the Bible from cover to cover at age eleven. But I think I came up with the epigram a bit later, sometime around age thirteen, when I started writing poetry.



Burn, Ovid
by Michael R. Burch

'Burn Ovid'—Austin Clarke

Sunday School,
Faith Free Will Baptist,1973:
I sat imagining watery folds
of pale silk encircling her waist.
Explicit sex was the day's 'hot' topic
(how breathlessly I imagined hers)
as she taught us the perils of lust
fraught with inhibition.

I found her unaccountably beautiful,
rolling implausible nouns off the edge of her tongue:
adultery, fornication, masturbation, sodomy.
Acts made suddenly plausible by the faint blush
of her unrouged cheeks,
by her pale lips
accented only by a slight quiver,
a trepidation.

What did those lustrous folds foretell
of our uncommon desire?
Why did she cross and uncross her legs
lovely and long in their taupe sheaths?
Why did her breasts rise pointedly,
as if indicating a direction?

'Come unto me,
(unto me) , '
together, we sang,

cheek to breast,
lips on lips,
devout, afire,

my hands
up her skirt,
her pants at her knees:

all night long,
all night long,
in the heavenly choir.

This poem is set at Faith Christian Academy, which I attended for a year during the ninth grade, in 1972-1973. While the poem definitely had its genesis there, I believe I revised it more than once and didn't finish it till 2001, nearly 28 years later, according to my notes on the poem. Another poem, 'Sex 101, ' was also written about my experiences at FCA that year.



Sex 101
by Michael R. Burch

That day the late spring heat
steamed through the windows of a Crayola-yellow schoolbus
crawling its way up the backwards slopes
of Nowheresville, North Carolina...

Where we sat exhausted
from the day's skulldrudgery
and the unexpected waves of muggy,
summer-like humidity...

Giggly first graders sat two abreast
behind senior high students
sprouting their first sparse beards,
their implausible bosoms, their stranger affections...

The most unlikely coupling—

Lambert,18, the only college prospect
on the varsity basketball team,
the proverbial talldarkhandsome
swashbuckling cocksman, grinning...

Beside him, Wanda,13,
bespectacled, in her primproper attire
and pigtails, staring up at him,
fawneyed, disbelieving...

And as the bus filled with the improbable musk of her,
as she twitched impaled on his finger
like a dead frog jarred to life by electrodes,
I knew...

that love is a forlorn enterprise,
that I would never understand it.

This companion poem to 'Burn, Ovid' is also set at Faith Christian Academy, in 1972-1973.



Resurrecting Passion
by Michael R. Burch

Last night, while dawn was far away
and rain streaked gray, tumescent skies,
as thunder boomed and lightning railed,
I conjured words, where passion failed...

But, oh, that you were mine tonight,
sprawled in this bed, held in these arms,
your breasts pale baubles in my hands,
our bodies bent to old demands...

Such passions we might resurrect,
if only time and distance waned
and brought us back together; now
I pray that this might be, somehow.

But time has left us twisted, torn,
and we are more apart than miles.
How have you come to be so far—
as distant as an unseen star?

So that, while dawn is far away,
my thoughts might not return to you,
I feed your portrait to the flames,
but as they feast, I burn for you.

Published in Songs of Innocence and The Chained Muse. Keywords/Tags: resurrecting, passion, desire, lust, sex, night, dawn, rain, thunder, lightning, bodies, breasts, arms, portrait, flames



Princess Diana Poems

Fairest Diana
by Michael R. Burch

Fairest Diana, princess of dreams,
born to be loved and yet distant and lone,
why did you linger—so solemn, so lovely—
an orchid ablaze in a crevice of stone?

Was not your heart meant for tenderest passions?
Surely your lips―for wild kisses, not vows!
Why then did you languish, though lustrous, becoming
a pearl of enchantment cast before sows?

Fairest Diana, as fragile as lilac,
as willful as rainfall, as true as the rose;
how did a stanza of silver-bright verse
come to be bound in a book of dull prose?



Will There Be Starlight
for Princess Diana
by Michael R. Burch

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Will there be starlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?



She Was Very Strange, and Beautiful
for Princess Diana
by Michael R. Burch

She was very strange, and beautiful,
like a violet mist enshrouding hills
before night falls
when the hoot owl calls
and the cricket trills
and the envapored moon hangs low and full.

She was very strange, in a pleasant way,
as the hummingbird
flies madly still,
so I drank my fill
of her every word.
What she knew of love, she demurred to say.

She was meant to leave, as the wind must blow,
as the sun must set,
as the rain must fall.
Though she gave her all,
we had nothing left...
yet we smiled, bereft, in her receding glow.



The Peripheries of Love
for Princess Diana
by Michael R. Burch

Through waning afternoons we glide
the watery peripheries of love.
A silence, a quietude falls.
Above us—the sagging pavilions of clouds.
Below us—rough pebbles slowly worn smooth
grate in the gentle turbulence
of yesterday's forgotten rains.

Later, the moon like a virgin
lifts her stricken white face
and the waters rise
toward some unfathomable shore.

We sway gently in the wake
of what stirs beneath us,
yet leaves us unmoved...
curiously motionless,
as though twilight might blur
the effects of proximity and distance,
as though love might be near—
as near
as a single cupped tear of resilient dew
or a long-awaited face.



The Aery Faery Princess
for Princess Diana
by Michael R. Burch

There once was a princess lighter than fluff
made of such gossamer stuff—
the down of a thistle, butterflies' wings,
the faintest high note the hummingbird sings,
moonbeams on garlands, stands of bright hair...
I think she's just you when you're floating on air.



I Pray Tonight
for Princess Diana
by Michael R. Burch

I pray tonight
the starry light
might
surround you.

I pray
by day
that, come what may,
no dark thing confound you.

I pray ere tomorrow
an end to your sorrow.
May angels' white chorales
sing, and astound you.



Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that death is merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



The Quickening
by Michael R. Burch

for Beth

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own—
such kisses I had never known,
nor a heartbeat in my fingertips!



Ah! Sunflower
by Michael R. Burch

after William Blake

O little yellow flower
like a star...
how beautiful,
how wonderful
we are!



Poems of Recanted Bachelorhood