Adam Lindsay Gordon
Thou art moulded in marble impassive,
False goddess, fair statue of strife,
Yet standest on pedestal massive,
A symbol and token of life.
Thou art still, not with stillness of languor,
And calm, not with calm boding rest;
For thine is all wrath and all anger
That throbs far and near in the breast
Of man, by thy presence possess'd.
With the brow of a fallen archangel,
The lips of a beautiful fiend,
And locks that are snake-like to strangle,
And eyes from whose depths may be glean'd
The presence of passions, that tremble
Unbidden, yet shine as they may
Through features too proud to dissemble,
Too cold and too calm to betray
Their secrets to creatures of clay.
Thy breath stirreth faction and party,
Men rise, and no voice can avail
To stay them — rose-tinted Astarte
Herself at thy presence turns pale.
For deeper and richer the crimson
That gathers behind thee throws forth
A halo thy raiment and limbs on,
And leaves a red track in the path
That flows from thy wine-press of wrath.
For behind thee red rivulets trickle,
Men fall by thy hands swift and lithe,
As corn falleth down to the sickle,
As grass falleth down to the scythe,
Thine arm, strong and cruel, and shapely,
Lifts high the sharp, pitiless lance,
And rapine and ruin and rape lie
Around thee. The Furies advance,
And Ares awakes from his trance.
We, too, with our bodies thus weakly,
With hearts hard and dangerous, thus
We owe thee — the saints suffered meekly
Their wrongs — it is not so with us.
Some share of thy strength thou hast given
To mortals refusing in vain
Thine aid. We have suffered and striven
Till we have grown reckless of pain,
Though feeble of heart and of brain.
Fair spirit, alluring if wicked,
False deity, terribly real,
Our senses are trapp'd, our souls tricked
By thee and thy hollow ideal.
The soldier who falls in his harness,
And strikes his last stroke with slack hand,
On his dead face thy wrath and thy scorn is
Imprinted. Oh! seeks he a land
Where he shall escape thy command?
When the blood of thy victims lies red on
That stricken field, fiercest and last,
In the sunset that gilds Armageddon
With battle-drift still overcast —
When the smoke of thy hot conflagrations
O'ershadows the earth as with wings,
Where nations have fought against nations,
And kings have encounter'd with kings,
When cometh the end of all things —
Then those who have patiently waited,
And borne, unresisting, the pain
Of thy vengeance unglutted, unsated,
Shall they be rewarded again?
Then those who, enticed by thy laurels,
Or urged by thy promptings unblest,
Have striven and stricken in quarrels,
Shall they, too, find pardon and rest?
We know not, yet hope for the best.
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Comments about this poem (Bellona by Adam Lindsay Gordon )
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Edgar Allan Poe
(4 April 1928 - 28 May 2014)
(March 26, 1874 – January 29, 1963)
(1 February 1902 – 22 May 1967)
(10 December 1830 – 15 May 1886)
(12 July 1904 – 23 September 1973)
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(13 June 1865 – 28 January 1939)
Edgar Allan Poe
(19 January 1809 - 7 October 1849)
William Carlos Williams
(17 September 1883 – 4 March 1963)
(16 August 1920 – 9 March 1994)
- Still I Rise, Maya Angelou
- The Road Not Taken, Robert Frost
- Phenomenal Woman, Maya Angelou
- If You Forget Me, Pablo Neruda
- If, Rudyard Kipling
- A Dream Within A Dream, Edgar Allan Poe
- Dreams, Langston Hughes
- Do Not Go Gentle Into That Good Night, Dylan Thomas
- Daffodils, William Wordsworth
- Stopping by Woods on a Snowy Evening, Robert Frost