Patricia Monaghan

Patricia Monaghan Poems

Sand sifts down, one grain at a time,
forming a small hill. When it grows high
enough, a tiny avalanche begins. Let
...

Patricia Monaghan Biography

Patricia Monaghan (February 15, 1946, – November 11, 2012) was a poet, a writer, a spiritual activist, and an influential figure in the contemporary women's spirituality movement. Monaghan wrote over 20 books on a range of topics including Goddess spirituality, earth spirituality, Celtic mythology, the landscape of Ireland, and techniques of meditation. In 1979, she published the first encyclopedia of female divinities, a book which has remained steadily in print since then and was republished in 2009 in a two volume set as The Encyclopedia of Goddesses and Heroines. She was a mentor to many scholars and writers including biologist Cristina Eisenberg, poet Annie Finch, theologian Charlene Spretnak, and anthropologist Dawn Work-MaKinne, and was the founding member of the Association for the Study of Women and Mythology, which brought together artists, scholars, and researchers of women-centered mythology and Goddess spirituality for the first time in a national academic organization. Patricia Monaghan was born on February 15, 1946. Her parents, Mary Gordon and Edward Monaghan, were Irish-American. Patricia spent her early years on Long Island surrounded by a large extended family. Several years of illness kept her housebound during formative years, during which time she read voraciously as well as learning to embroider, the first of many traditional crafts that were an important part of her leisure throughout her life. When Patricia was in fourth grade, her family moved to Colorado, following the transfer of her father, an Air Force officer. From there, they moved to Alaska. Monaghan earned her B.A. and her first graduate degree at the University of Minnesota, where she studied English and French literature. She maintained an ongoing interest in French literature, especially in the symbolist poets. After graduate school, she worked as a journalist in both Minnesota and Alaska, writing about culture, nature, and the intersection of the two. She also earned an MFA in creative writing (poetry) from the University of Alaska and a Ph.D in Interdisciplinary Studies (science and literature) from Union Institute in Cincinnati. In 1995, Patricia Monaghan joined the faculty of the School for New Learning at DePaul University, where she taught classes in arts and environmental sciences until 2011, eventually attaining he rank of Full Professor. .)

The Best Poem Of Patricia Monaghan

The Poised Edge of Chaos

Sand sifts down, one grain at a time,
forming a small hill. When it grows high
enough, a tiny avalanche begins. Let
sand continue to sift down, and avalanches
will occur irregularly, in no predictable order,
until there is a tiny mountain range of sand.
Peaks will appear, and valleys, and as
sand continues to descend, the relentless
sand, piling up and slipping down, piling
up and slipping down, piling up - eventually
a single grain will cause a catastrophe, all
the hills and valleys erased, the whole face
of the landscape changed in an instant.

Walking yesterday, my heels crushed chamomile
and released intoxicating memories of home.
Earlier this week, I wrote an old love, flooded
with need and desire. Last month I planted
new flowers in an old garden bed -

one grain at a time, a pattern is formed,
one grain at a time, a pattern is destroyed,
and there is no way to know which grain
will build the tiny mountain higher, which
grain will tilt the mountain into avalanche,
whether the avalanche will be small or
catastrophic, enormous or inconsequential.

We are always dancing with chaos, even when
we think we move too gracefully to disrupt
anything in the careful order of our lives,
even when we deny the choreography of passion,
hoping to avoid earthquakes and avalanches,
turbulence and elemental violence and pain.
We are always dancing with chaos, for the grains
sift down upon the landscape of our lives, one,
then another, one, then another, one then another.

Today I rose early and walked by the sea,
watching the changing patterns of the light
and the otters rising and the gulls descending,

and the boats steaming off into the dawn,
and the smoke drifting up into the sky,
and the waves drumming on the dock,

and I sang. An old song came upon me,
>one with no harbour nor dawn nor dock,
no woman walking in the mist, no gulls,
no boats departing for the salmon shoals.

I sang, but not to make order of the sea
nor of the dawn, nor of my life. Not to make
order at all. Only to sing, clear notes over sand.
Only to walk, footsteps in sand. Only to live.

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