Margaret Walker

Margaret Walker Poems

For my people everywhere singing their slave songs
repeatedly: their dirges and their ditties and their blues
and jubilees, praying their prayers nightly to an
unknown god, bending their knees humbly to an
...

My roots are deep in southern life; deeper than John Brown
or Nat Turner or Robert Lee. I was sired and weaned
in a tropic world. The palm tree and banana leaf,
...

Our birth and death are easy hours, like sleep
and food and drink. The struggle staggers us
for bread, for pride, for simple dignity.
And this is more than fighting to exist;
...

When I was a child I knew red miners
dressed raggedly and wearing carbide lamps.
I saw them come down red hills to their camps
dyed with red dust from old Ishkooda mines.
Night after night I met them on the roads,
or on the streets in town I caught their glance;
the swing of dinner buckets in their hands,
and grumbling undermining all their words.

I also lived in low cotton country
where moonlight hovered over ripe haystacks,
or stumps of trees, and croppers' rotting shacks
with famine, terror, flood, and plague near by;
where sentiment and hatred still held sway
and only bitter land was washed away.
...

All you violated ones with gentle hearts;
You violent dreamers whose cries shout heartbreak;
Whose voices echo clamors of our cool capers,
And whose black faces have hollowed pits for eyes.
All you gambling sons and hooked children and bowery bums
Hating white devils and black bourgeoisie,
Thumbing your noses at your burning red suns,
Gather round this coffin and mourn your dying swan.

Snow-white moslem head-dress around a dead black face!
Beautiful were your sand-papering words against our skins!
Our blood and water pour from your flowing wounds.
You have cut open our breasts and dug scalpels in our brains.
When and Where will another come to take your holy place?
Old man mumbling in his dotage, crying child, unborn?
...

My grandmothers were strong.
They followed plows and bent to toil.
They moved through fields sowing seed.
They touched earth and grain grew.
They were full of sturdiness and singing.
My grandmothers were strong.

My grandmothers are full of memories
Smelling of soap and onions and wet clay
With veins rolling roughly over quick hands
They have many clean words to say.
My grandmothers were strong.
Why am I not as they?
...

My monkey-wrench man is my sweet patootie;
the lover of my life, my youth and age.
My heart belongs to him and to him only;
the children of my flesh are his and bear his rage
Now grown to years advancing through the dozens
the honeyed kiss, the lips of wine and fire
fade blissfully into the distant years of yonder
but all my days of Happiness and wonder
are cradled in his arms and eyes entire.
They carry us under the waters of the world
out past the starposts of a distant planet
And creeping through the seaweed of the ocean
they tangle us with ropes and yarn of memories
where we have been together, you and I.
...

There were bizarre beginnings in old lands for the making
of me. There were sugar sands and islands of fern and
pearl, palm jungles and stretches of a never-ending sea.

There were the wooing nights of tropical lands and the cool
discretion of flowering plains between two stalwart
hills. They nurtured my coming with wanderlust. I
sucked fevers of adventure through my veins with my
mother's milk.

Someday I shall go to the tropical lands of my birth, to the
coasts of continents and the tiny wharves of island
shores. I shall roam the Balkans and the hot lanes of
Africa and Asia. I shall stand on mountain tops and
gaze on fertile homes below.

And when I return to Mobile I shall go by the way of
Panama and Bocas del Toro to the littered streets and
the one-room shacks of my old poverty, and blazing suns
of other lands may struggle then to reconcile the pride
and pain in me.
...

I want to write
I want to write the songs of my people.
I want to hear them singing melodies in the dark.
I want to catch the last floating strains from their sob-torn
throats.
I want to frame their dreams into words; their souls into
notes.
I want to catch their sunshine laughter in a bowl;
fling dark hands to a darker sky
and fill them full of stars
then crush and mix such lights till they become
a mirrored pool of brilliance in the dawn.
...

We have been believers believing in the black gods of an old
land, believing in the secrets of the seeress and the
magic of the charmers and the power of the devil's evil
ones.

And in the white gods of a new land we have been believers
believing in the mercy of our masters and the beauty of
our brothers, believing in the conjure of the humble
and the faithful and the pure.

Neither the slaves' whip nor the lynchers' rope nor the
bayonet could kill our black belief. In our hunger we
beheld the welcome table and in our nakedness the
glory of a long white robe. We have been believers in
the new Jerusalem.

We have been believers feeding greedy grinning gods, like a
Moloch demanding our sons and our daughters, our
strength and our wills and our spirits of pain. We have
been believers, silent and stolid and stubborn and
strong.

We have been believers yielding substance for the world.
With our hands have we fed a people and out of our
strength have they wrung the necessities of a nation.
Our song has filled the twilight and our hope has
heralded the dawn.

Now we stand ready for the touch of one fiery iron, for the
cleansing breath of many molten truths, that the eyes
of the blind may see and the ears of the deaf may hear
and the tongues of the people be filled with living fire.

Where are our gods that they leave us asleep? Surely the
priests and the preachers and the powers will hear.
Surely now that our hands are empty and our hearts too
full to pray they will understand. Surely the sires of
the people will send us a sign.

We have been believers believing in our burdens and our
demigods too long. Now the needy no longer weep and
pray; the long-suffering arise, and our fists bleed
against the bars with a strange insistency
...

Old Molly means was a hag and a witch;
Chile of the devil, the dark, and sitch.
Her heavy hair hung thick in ropes
And her blazing eyes was black as picch.
Imp at three and wench at 'leben
She counted her husbands to the number seben.
O Molly, Molly, Molly Means
There goes the ghost of Molly Means.

Some say she was born with a veil on her face
So she could look through unnatural space
Through the future and through the past
And charm a body or an evil place
And every man could well despise
The evil look in her coal black eyes.
Old Molly, Molly, Molly Means
Dark is the ghost of Molly Means.

And when the tale begun to spread
Of evil and of holy dread:
Her black-hand arts and her evil powers
How she could cast her spells and called the dead,
The younguns was afraid at night
And the farmers feared their crops would blight.
Old Molly, Molly, Molly Means
Cold is the ghost of Molly Means.

Then one dark day she put a spell
On a young gal-bride just come to dwell
In the lane just down from Molly's shack
And when her husband come riding back
His wife was barking like a dog
And on all fours like a common hog.
O Molly, Molly, Molly Means
Where is the ghost of Molly Means?

The neighbors come and they went away
And said she'd die before break of day
But her husband held her in his arms
And swore he'd break the wicked charms;
He'd search all up and down the land
And turn the spell on Molly's hand.
O Molly, Molly, Molly Means
Sharp is the ghost of Molly Means.

So he rode all day and he rode all night
And at the dawn he come in sight
Of a man who said he could move the spell
And cause the awful thing to dwell
On Molly Means, to bark and bleed
Till she died at the hands of her evil deed.
Old Molly, Molly, Molly Means
This is the ghost of Molly Means.

Sometimes at night through the shadowy trees
She rides along on a winter breeze.
You can hear her holler and whine and cry.
Her voice is thin and her moan is high,
And her cackling laugh or her barking cold
Bring terror to the young and old.
O Molly, Molly, Molly Means
Lean is the ghost of Molly Means.
...

I want my body bathed again by southern suns, my soul
reclaimed again from southern land. I want to rest
again in southern fields, in grass and hay and clover
bloom; to lay my hand again upon the clay baked by a
southern sun, to touch the rain-soaked earth and smell
the smell of soil.

I want my rest unbroken in the fields of southern earth;
freedom to watch the corn wave silver in the sun and
mark the splashing of a brook, a pond with ducks and
frogs and count the clouds.

I want no mobs to wrench me from my southern rest; no
forms to take me in the night and burn my shack and
make for me a nightmare full of oil and flame.

I want my careless song to strike no minor key; no fiend to
stand between my body's soutnern song- the fusion of
the South, my body's song and me.
...

Big John Henry
This here's a tale of a sho-nuff man
Whut lived one time in the delta lan'
His hand was big as a hog's fat ham
And he useta work for Uncle Sam.
His gums was blue, his voice was mellow
And he talked to mules, fellow to fellow.
The day he was born in the Mississippi bottom
He made a meal on buttermilk and sorghum
A mess o' peas and a bait o' tunnips
And when he finished he smacked his lips
And went outside to help pick cotton.
And he growed up taller than a six-foot
shooter Skinnin' mules and catchin' barracuda
And stronger than a team of oxen
And he even could beat the champion
boxin' An' ain't nary man in Dixie's forgotten
How he could raise two bales of cotton
While one hand anchored down the
steamboat. Oh, they ain't no tale was ever wrote
'Bout Big John Henry that could start to tell
All the things that Big Boy knowed so well:
How he learned to whistle from the
whippoorwills, And turned the wheels whut ran the mills;
How the witches taught him how to cunjer,
And cyo the colic and ride the thunder;
And how he made friends with a long lean
houn' Sayin', 'It's jes' John Henry a-giftin' roun'.'
But a ten-poun' hammer done ki-ilt John Henry,
Yeah, a ten-poun' hammer ki-ilt John Henry,
Bust him open, wide Lawd!
Drapped him ovah, wide Lawd!
Po' John Henry, he cold and dead.
...

14.

I

I am a child of the valley.
Mud and muck and misery of lowlands
are on thin tracks of my feet.
Damp draughts of mist and fog hovering over valleys
are on my feverish breath.
Red clay from feet of beasts colors my mouth
and there is blood on my tongue.
I go up and down and through this valley
and my heart bleeds for our fate.
I turn to each stick and stone, marking them for
my own; here where muddy water flows at our shanty door
and levees stand like a swollen bump on our
backyard.
I watch rivulets flow
trickling into one great river
running through little towns
through swampy thickets and smoky cities
through fields of rice and marshes
where the marsh hen comes to stand
and buzzards draw thin blue streaks against evening
sky. I listen to crooning of familiar lullabies;
the honky-tonks are open and the blues are ringing
far. In cities a thousand red lamps glow,
but the lights fail to stir me
and the music cannot lift me
and my despair only deepens with the wailing of a million
voices strong.
O valley of my moaning brothers!
Valley of my sorrowing sisters!
Valley of lost forgotten men.
O hunted desperate people
stricken and silently submissive
seeking yet sullen ones!
If only from this valley we might rise with song!
With singing that is ours.

II

Here in this valley of cotton and cane and banana
wharves we labor.
Our mothers and fathers labored before us
here in this low valley.
High above us and round about us stand high
mountains rise the towering snow-capped mountains
while we are beaten and broken and bowed
here in this dark valley.
The river passes us by.
Boats slip by on the edge of horizons.
Daily we fill boats with cargoes of our need
and send them out to sea.
Orange and plantain and cotton grow
here in this wide valley.
Wood fern and sour grass and wild onion grow
here in this sweet valley.
We tend the crop and gather the harvest
but not for ourselves do we labor,
not for ourselves do we sweat and starve and spend
under these mountains we dare not claim,
here on this earth we dare not claim,
here by the river we dare not claim.
Yet we are an age of years in this valley;
yet we are bound till death to this valley.
Nights in the valley are full of haunting murmurings
of our musical prayers
of our rhythmical loving
of our fumbling thinking aloud.
Nights in the houses of our miserable poor
are wakeful and tormenting,
for out of a deep slumber we are 'roused
to our brother who is ill
and our sister who is ravished
and our mother who is starving.
Out of a deep slumber truth rides upon us
and we wonder why we are helpless
and we wonder why we are dumb.
Out of a deep slumber truth rides upon us
and makes us restless and wakeful
and full of a hundred unfulfilled dreams of today;
our blood eats through our veins with the terrible destruction
of radium in our bones and rebellion in our brains
and we wish no longer to rest.

III

Now burst the dams of years
and winter snows melt with an onrush of a turbulent
spring. Now rises sap in slumbering elms
and floods overwhelm us
here in this low valley.
Here there is a thundering sound in our ears.
All the day we are disturbed;
nothing ever moved our valley more.
The cannons boom in our brains
and there is a dawning understanding
in the valleys of our spirits;
there is a crystalline hope
there is a new way to be worn and a path to be broken
from the past.
Into our troubled living flows the valley
flooding our lives with a passion for freedom.
Our silence is broken in twain
even as brush is broken before terrible rain
even as pines rush in paths of hurricanes.
Our blood rises and bursts in great heart spasms
hungering down through valleys in pain
and the storm begins.
We are dazed in wonder and caught in the downpour.
Danger and death stalk the valley.
Robbers and murderers rape the valley
taking cabins and children from us
seeking to threaten us out of this valley.
Then with a longing dearer than breathing
love for the valley arises within us
love to possess and thrive in this valley
love to possess our vineyards and pastures
our orchards and cattle
our harvest of cotton, tobacco, and cane.
Love overwhelms our living with longing
strengthening flesh and blood within us
banding the iron of our muscles with anger
making us men in the fields we have tended
standing defending the land we have rendered
rich and abiding and heavy with plenty.
We with our blood have watered these fields
and they belong to us.
Valleys and dust of our bodies are blood brothers
and they belong to us:
the long golden grain for bread
and the ripe purple fruit for wine
the hills beyond for peace
and the grass beneath for rest
the music in the wind for us
the nights for loving
the days for living
and the circling lines in the sky
for dreams.
We are like the sensitive Spring
walking valleys like a slim young girl
full breasted and precious limbed
and carrying on our lips the kiss of the world.
Only the naked arm of Time
can measure the ground we know
and thresh the air we breathe.
Neither earth nor star nor water's host
can sever us from our life to be
for we are beyond your reach O mighty winnowing flail!
infinite and free
...

Traveller take heed for journeys undertaken in the dark of
the year. Go in the bright blaze of Autumn's equinox.
Carry protection against ravages of a sun-robber, a vandal,
a thief. Cross no bright expanse of water in the full of the
moon. Choose no dangerous summer nights;
no heavy tempting hours of spring;
October journeys are safest, brightest, and best.

I want to tell you what hills are like in October
when colors gush down mountainsides
and little streams are freighted with a caravan of leaves,
I want to tell you how they blush and turn in fiery shame
and joy, how their love burns with flames consuming and terrible
until we wake one morning and woods are like a smoldering
plain- a glowing caldron full of jewelled fire;
the emerald earth a dragon's eye
the poplars drenched with yellow light
and dogwoods blazing bloody red.
Travelling southward earth changes from gray rock to green
velvet. Earth changes to red clay
with green grass growing brightly
with saffron skies of evening setting dully
with muddy rivers moving sluggishly.
In the early spring when the peach tree blooms
wearing a veil like a lavender haze
and the pear and plum in their bridal hair
gently snow their petals on earth's grassy bosom below
then the soughing breeze is soothing
and the world seems bathed in tenderness,
but in October
blossoms have long since fallen.
A few red apples hang on leafless boughs;
wind whips bushes briskly
And where a blue stream sings cautiously
a barren land feeds hungrily.
An evil moon bleeds drops of death.
The earth burns brown.
Grass shrivels and dries to a yellowish mass.
Earth wears a dun-colored dress
like an old woman wooing the sun to be her lover,
be her sweetheart and her husband bound in one.
Farmers heap hay in stacks and bind corn in shocks
against the biting breath of frost.
The train wheels hum, 'I am going home, I am going home,
I am moving toward the South.'
Soon cypress swamps and muskrat marshes
and black fields touched with cotton will appear.
I dream again of my childhood land
of a neighbor's yard with a red-bud tree
the smell of pine for turpentine
an Easter dress, a Christmas eve
and winding roads from the top of a hill.
A music sings within my flesh
I feel the pulse within my throat
my heart fills up with hungry fear
while hills and flat lands stark and staring
before my dark eyes sad and haunting
appear and disappear.
Then when I touch this land again
the promise of a sun-lit hour dies.
The greenness of an apple seems
to dry and rot before my eyes.
The sullen winter rains
are tears of grief I cannot shed.
The windless days are static lives.
The clock runs down
timeless and still.
The days and nights turn hours to years
and water in a gutter marks the circle of another world
hating, resentful, and afraid,
stagnant, and green, and full of slimy things.
...

Margaret Walker Biography

Margaret Walker (Margaret Abigail Walker Alexander by marriage; July 7, 1915 – November 30, 1998) was an American poet and writer. She was part of the African-American literary movement in Chicago. Her notable works include the award-winning poem For My People (1942) and the novel Jubilee (1966), set in the South during the American Civil War. Walker was born in Birmingham, Alabama, to Sigismund C. Walker, a Methodist minister, and Marion (née Dozier) Walker, who helped their daughter by teaching her philosophy and poetry as a child. Her family moved to New Orleans when Walker was a young girl. She attended school there, including several years of college, before she moved north to Chicago. In 1935, Walker received her Bachelor of Arts Degree from Northwestern University. In 1936 she began work with the Federal Writers' Project under the Works Progress Administration of the President Franklin D. Roosevelt administration during the Great Depression. She was a member of the South Side Writers Group, which included authors such as Richard Wright, Arna Bontemps, Fenton Johnson, Theodore Ward, and Frank Marshall Davis. In 1942, she received her master's degree in creative writing from the University of Iowa. In 1965, she returned to that school to earn her Ph.D. Walker married Firnist Alexander in 1943 and moved to Mississippi to be with him. They had four children together and lived in the capital of Jackson, Mississippi.)

The Best Poem Of Margaret Walker

For My People

For my people everywhere singing their slave songs
repeatedly: their dirges and their ditties and their blues
and jubilees, praying their prayers nightly to an
unknown god, bending their knees humbly to an
unseen power;

For my people lending their strength to the years, to the
gone years and the now years and the maybe years,
washing ironing cooking scrubbing sewing mending
hoeing plowing digging planting pruning patching
dragging along never gaining never reaping never
knowing and never understanding;

For my playmates in the clay and dust and sand of Alabama
backyards playing baptizing and preaching and doctor
and jail and soldier and school and mama and cooking
and playhouse and concert and store and hair and
Miss Choomby and company;

For the cramped bewildered years we went to school to learn
to know the reasons why and the answers to and the
people who and the places where and the days when, in
memory of the bitter hours when we discovered we
were black and poor and small and different and nobody
cared and nobody wondered and nobody understood;

For the boys and girls who grew in spite of these things to
be man and woman, to laugh and dance and sing and
play and drink their wine and religion and success, to
marry their playmates and bear children and then die
of consumption and anemia and lynching;

For my people thronging 47th Street in Chicago and Lenox
Avenue in New York and Rampart Street in New
Orleans, lost disinherited dispossessed and happy
people filling the cabarets and taverns and other
people's pockets and needing bread and shoes and milk and
land and money and something—something all our own;

For my people walking blindly spreading joy, losing time
being lazy, sleeping when hungry, shouting when
burdened, drinking when hopeless, tied, and shackled
and tangled among ourselves by the unseen creatures
who tower over us omnisciently and laugh;

For my people blundering and groping and floundering in
the dark of churches and schools and clubs
and societies, associations and councils and committees and
conventions, distressed and disturbed and deceived and
devoured by money-hungry glory-craving leeches,
preyed on by facile force of state and fad and novelty, by
false prophet and holy believer;

For my people standing staring trying to fashion a better way
from confusion, from hypocrisy and misunderstanding,
trying to fashion a world that will hold all the people,
all the faces, all the adams and eves and their countless generations;

Let a new earth rise. Let another world be born. Let a
bloody peace be written in the sky. Let a second
generation full of courage issue forth; let a people
loving freedom come to growth. Let a beauty full of
healing and a strength of final clenching be the pulsing
in our spirits and our blood. Let the martial songs
be written, let the dirges disappear. Let a race of men now
rise and take control.

Margaret Walker Comments

LL3gibby 30 September 2020

Most of these poems are deep and touching. :)

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