Kofi Awoonor Poems

On this dirty patch
a tree once stood
shedding incense on the infant corn;
its boughs stretched across a heaven
brightened by the last fires of a tribe.
They sent surveyors and builders
who cut that tree
planting in its place
a huge senseless cathedral of doom.
...

Sometimes, we read the
lines in the green leaf
...

The weaver bird built in our house
And laid its eggs on our only tree.
We did not want to send it away.
We watched the building of the nest
And supervised the egg-laying.
And the weaver returned in the guise of the owner.
Preaching salvation to us that owned the house.
They say it came from the west
Where the storms at sea had felled the gulls
And the fishers dried their nets by lantern light.
Its sermon is the divination of ourselves
And our new horizon limits at its nest.
But we cannot join the prayers and answers of the communicants.
We look for new homes every day,
For new altars we strive to rebuild
The old shrines defiled by the weaver's excrement.
...

When our tears are dry on the shore
and the fishermen carry their nets home
and the seagulls return to bird island
and the laughter of the children recedes at night,
there shall still linger here the communion we forged,
the feast of oneness which we partook of.
There shall still be the eternal gateman
Who will close the cemetery doors
And send the late mourners away.
It cannot be the music we heard that night
That still lingers in the chambers of memory.
It is the new chorus of our forgotten comrades
And the halleluyahs of our second selves.
...

The dawn crack of sounds known
rending our air
...

She did not call me by name
Not by the name my mother gave me
...

I crossed quite a few of your rivers,
my gods, into this plain
...

Sometimes, the pain and the sorrow return
particularly at night.
I will grieve again and again tomorrow
for the memory of a death foretold.
I grieve again tomorrow
cull a flower across the yard
listen to the birds in the tree.

I grieve again tomorrow
for a pain that grows on
a pain a friend of my solitude
in a bed long emptied by choice;
I grieve again this grievance
immemorial for
this pain
this load under which I wreathe and grieve

Yesterday I could not go
for my obligatory walk,
instead I used the hour
to recall the lanes, the trees
the birds, the occasional snarling dog
the brown sheep in a penned field
the dwarf mango tree heavy with fruit
the martian palms tall and erect
the sentry-pines swaying
in a distant field.

I believe in the possibility of freedom
in the coming of the bees in summer
in mild winters and furious hurricanes;
I believe in the arrival of American tornadoes
before I go to hunt
on that island of youth
where I smelt the heady smell
of the wild guinea fowl
and heard her chuckle for her child
in the opening light of an April day.

I believe in hope and the future
of hope, in victory before death
collective, inexorable, obligatory;
in the enduring prospect of love
though the bed is empty,
in the child's happiness
though the meal is meagre.
I believe in light and day
beyond the tomb far from the solitude
of the womb, and the mystical might,
in the coming of fruits
the striped salmon and the crooked crab;
I believe in men and the gods
in the spirit and the substance,
in death and the reawakening
in the promised festival and denial
in our heroes and the nation
in the wisdom of the people
the certainty of victory
the validity of struggle.

Beyond the fields and the shout
of the youth, beyond the pine trees
and the gnarled mangoes
redolent of childhood and prenativity,
I am affronted by a vision
apparitional, scaly
lumbering over a wall
raising a collosal bellow.
His name is struggle.
He is may comrade and my brother
intimate, hurt, urgent
and enduring.

I will not grieve again tomorrow.
I will not grieve again
...

A name only once
crammed into the child's fitful memory
in malnourished villages,
vast deliriums like the galloping foothills of the Colorado:
of Mohawks and the Chippewa,
horsey penny-movies
brought cheap at the tail of the war
to Africa. Where indeed is the Mississippi panorama
and the girl that played the piano and
kept her hand on her heart
as Flanagan drank a quart of moonshine
before the eyes of the town's gentlemen?
What happened to your locomotive in Winter, Walt,
and my ride across the prairies in the trail
of the stage-coach, the gold-rush and the Swanee River?
Where did they bury Geronimo,
heroic chieftain, lonely horseman of this apocalypse
who led his tribesmen across deserts of cholla
and emerald hills
in pursuit of despoilers,
half-starved immigrants
from a despoiled Europe?
What happened to Archibald's
soul's harvest on this raw earth
of raw hates?
To those that have none
a festival is preparing at graves' ends
where the mockingbird's hymn
closes evening of prayers
and supplication as
new winds blow from graves
flowered in multi-colored cemeteries even
where they say the races are intact.
...

1.

the flat end of sorrow here
two crows fighting over New Year's Party
leftovers. From my cell, I see a cold
hard world.


2.

So this is the abscess that
hurts the nation—
jails, torture, blood
and hunger.
One day it will burst;
it must burst.


3.

When I heard you were taken
we speculated, those of us at large
where you would be
in what nightmare will you star?
That night I heard the moans
wondering whose child could now
be lost in the cellars of oppression.
Then you emerged, tall, and bloody-eyed.

It was the first time
I wept.


4.

The long nights I dread most
the voices from behind the bars
the early glow of dawn before
the guard's steps wake me up,
the desire to leap and stretch
and yawn in anticipation
of another dark home-coming day
only to find that
I cannot.
riding the car into town,
hemmed in between them
their guns poking me in the ribs,
I never had known that my people
wore such sad faces, so sad
they were, on New Year's Eve,
so very sad.
...