John Banim

John Banim Poems

John Banim Biography

John Banim (April 3, 1798 – August 30, 1842), Irish novelist, sometimes called the "Scott of Ireland," was born in Kilkenny. In his thirteenth year he entered Kilkenny College and devoted himself specially to drawing and miniature painting. He pursued his artistic education for two years in the schools of the Royal Dublin Society, and afterwards taught drawing in Kilkenny, where he fell in love with one of his pupils. His affection was returned, but the parents of the young lady interfered and removed her from Kilkenny. She pined away and died in two months. Her death made a deep impression on Banim, whose health suffered severely and permanently. In 1820 he went to Dublin and settled finally to the work of literature. He published a poem, The Celt's Paradise, and his Damon and Pythias was performed at Covent Garden in 1821. During a short visit to Kilkenny he married, and in 1822 planned in conjunction with his elder brother, Michael (1796–1874), a series of tales illustrative of Irish life, which should be for Ireland what the Waverley Novels were for Scotland; and the influence of his model is distinctly traceable in his writings. He then set out for London, and supported himself by writing for magazines and for the stage, a volume of miscellaneous essays was published anonymously in 1824, called Revelations of the Dead Alive. In April 1825 appeared the first series of Tales of the O'Hara Family, which achieved immediate and decided success. One of the most powerful of them, Crohoore of the Bill Hook, was by Michael Banim. In 1826, a second series was published, containing the Irish novel, The Nowlans. John's health had given way, and the next effort of the "O'Hara family" was almost entirely the production of his brother Michael. The Croppy, a Tale of 1798 (1828) is hardly equal to the earlier tales, though it contains some wonderfully vigorous passages. The Mayor of Windgap, The Ghost Hunter (by Michael Banim), The Denounced (1830) and The Smuggler (1831) followed in quick succession, and were received with considerable favour. Most of these deal with the darker and more painful phases of life, but the feeling shown in his last, Father Connell, is brighter and tenderer. John Banim, meanwhile, had suffered from illness and consequent poverty. In 1829, he went to France, and while he was abroad a movement to relieve his wants was set on foot by the English press, headed by John Sterling in The Times. A sufficient sum was obtained to remove him from any danger of actual want. Another notable work written by Banim is The Boyne Water, a story of Protestant - Catholic relations during the Williamite War. He returned to Ireland in 1835, and settled in Windgap Cottage, a short distance from Kilkenny; and there, a complete invalid, he passed the remainder of his life, dying on 13 August 1842. His strength lies in the delineation of the characters of the Irish lower classes, and the impulses, often misguided and criminal, by which they are influenced, and in this he showed remarkable power. Michael Banim had acquired a considerable fortune which he lost in 1840 through the bankruptcy of a firm with which he had business relations. After this disaster he wrote Father Connell (1842), Clough Fionn (1852), The Town of the Cascades (1862). Michael Banim died at Booterstown. An assessment in the Encyclopædia Britannica Eleventh Edition (1911) reads: The true place of the Banims in literature is to be estimated from the merits of the O'Hara Tales; their later works, though of considerable ability, are sometimes prolix and are marked by too evident an imitation of the Waverley Novels. The Tales, however, are masterpieces of faithful delineation. The strong passions, the lights and shadows of Irish peasant character, have rarely been so ably and truly depicted. The incidents are striking, sometimes even horrible, and the authors have been accused of straining after melodramatic effect. The lighter, more joyous side of Irish character, which appears so strongly in Samuel Lover, receives little attention from the Banims.)

The Best Poem Of John Banim

The Irish Soldier

The Irish soldier, cast for fight,
Stood to his arms at dead of night,
Watching the east, until its ray
To the battle--field should show his way;--
Soldier, soldier, soldier brave,
You will fight though they call you slave,
And though you but help a bandit hand
Uncheck'd to kill in your native land.

The soldier thought on his chance of doom--
How the trampled sod might be his tomb--
How, in evening's dusk, his sightless stare
To the small pale stars might upward glare;--
Soldier, soldier, soldier brave,
You will fight though you think of the grave--
Though it yawn so near you, black and chill,
Honor and courage man you still.

And o'er his solemn brow he made
The Christian sign, and humbly said--
``Your prayers, good saints, if I should fall;
And for mercy, O Lord, on you I call!''--
Irish soldier, soldier brave,
You will fight, although you crave
The prayers of the saints your own to aid,
And the sign of the cross on your brow have made.

The morning broke--the bugle blew--
The voice of command the soldier knew,
And stern and straight in the van he stood,
And shouting, he rush'd to the work of blood;--
Irish soldier, soldier bold,
Thousands lay round you, crimson'd and cold--
But over their bodies you still fought on,
Till down you sank as the day was won.

And the Irish soldier now hath come,
Worn, and wounded, and crippled, home,
The hated, and slander'd, and scorn'd of those
Who safely slept while he faced their foes;--
Irish soldier, soldier bold,
In your native land you now are told
'Twas traitor--blood on that field you lost,
For you call'd on the saints, and your brow you cross'd!

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