Edward Hirsch
Edward Hirsch Poems
A hook shot kisses the rim and
hangs there, helplessly, but doesn't drop,
and for once our gangly starting center
boxes out his man and times his jump
...
Saturday morning in late March.
I was alone and took a long walk,
though I also carried a book
of the Alone, which companioned me.
...
Lay these words into the dead man's grave
next to the almonds and black cherries---
tiny skulls and flowering blood-drops, eyes,
and Thou, O bitterness that pillows his head.
...
Tonight I want to say something wonderful
for the sleepwalkers who have so much faith
in their legs, so much faith in the invisible
...
I used to mock my father and his chums
for getting up early on Sunday morning
and drinking coffee at a local spot
but now I’m one of those chumps.
...
I walked down to the sea in the early morning
after a long insomniac night.
I climbed over the giant gull-colored rocks
and moved past the trees,
...
Out here in the exact middle of the day,
This strange, gawky house has the expression
Of someone being stared at, someone holding
His breath underwater, hushed and expectant;
...
Fall, falling, fallen. That's the way the season
Changes its tense in the long-haired maples
That dot the road; the veiny hand-shaped leaves
Redden on their branches (in a fiery competition
...
At this hour the soul floats weightlessly
through the city streets, speechless and invisible,
astonished by the smoky blend of grays and golds
seeping out of the air, the dark half-tones
...
I am so small walking on the beach
at night under the widening sky.
The wet sand quickens beneath my feet
and the waves thunder against the shore.
...
My father in the night shuffling from room to room
on an obscure mission through the hallway.
Help me, spirits, to penetrate his dream
and ease his restless passage.
...
Tonight when I knelt down next to our cat, Zooey,
And put my fingers into her clean cat's mouth,
And rubbed her swollen belly that will never know kittens,
And watched her wriggle onto her side, pawing the air,
...
Don’t desert me
just because I stayed up last night
watching The Lost Weekend.
...
You're sitting at a small bay window
in an empty café by the sea.
It's nightfall, and the owner is locking up,
though you're still hunched over the radiator,
...
I wish I could find that skinny, long-beaked boy
who perched in the branches of the old branch library.
He spent the Sabbath flying between the wobbly stacks
and the flimsy wooden tables on the second floor,
...
Today I am pulling on a green wool sweater
and walking across the park in a dusky snowfall.
The trees stand like twenty-seven prophets in a field,
each a station in a pilgrimage—silent, pondering.
...
Twelve years old and lovesick, bumbling
and terrified for the first time in my life,
but strangely hopeful, too, and stunned,
definitely stunned—I wanted to cry,
...
We walked on the bridge over the Chicago River
for what turned out to be the last time,
and I ate cotton candy, that sugary air,
...
The nights were long and cold and bittersweet,
And he made a song for the hell of it.
...
Traveling over your body I found
The failing olive and the cajoling flute,
Where I knelt down, as if in prayer,
And sucked a moist pit
...
Edward Hirsch Biography
Edward Hirsch is an American poet and critic who wrote a national bestseller about reading poetry. He has published eight books of poems, including The Living Fire: New and Selected Poems (2010), which brings together thirty-five years of work. He is president of the John Simon Guggenheim Memorial Foundation in New York City (not to be mistaken with E. D. Hirsch, Jr.). Life Hirsch was born in Chicago. He had a childhood involvement with poetry, which he later explored at Grinnell College and the University of Pennsylvania, where he received a Ph.D. in folklore. Hirsch was a professor of English at Wayne State University. In 1985, he joined the faculty at the University of Houston, where he spent 17 years as a professor in the Creative Writing Program and Department of English. He was appointed the fourth president of the John Simon Guggenheim Foundation on September 3, 2002. He holds seven honorary degrees. Hirsch is a well-known advocate for poetry whose essays have been published in the American Poetry Review, The New York Times Book Review, The New York Review of Books, and elsewhere. He wrote a weekly column on poetry for The Washington Post Book World from 2002-2005, which resulted in his book Poet’s Choice (2006). His other prose books include Responsive Reading (1999) and The Demon and the Angel: Searching for the Source of Artistic Inspiration (2002). He is the editor of Transforming Vision: Writers on Art (1994), Theodore Roethke’s Selected Poems (2005) and To a Nightingale (2007). He is the co-editor of A William Maxwell Portrait: Memories and Appreciations and The Making of a Sonnet: A Norton Anthology (2008). He also edits the series “The Writer’s World” (Trinity University Press). Hirsch's first collection of poems, For the Sleepwalkers, received the Lavan Younger Poets Award from the Academy of American Poets and the Delmore Schwartz Memorial Award from New York University. His second book, Wild Gratitude, received the National Book Critics Circle Award in 1986. He was awarded a Guggenheim Fellowship in 1985 and a five-year MacArthur Fellowship in 1997. He received the William Park Riley Prize from the Modern Language Association for the best scholarly essay in PMLA for the year 1991. He has also received an Ingram Merrill Foundation Award, a National Endowment for the Arts Fellowship, the Rome Prize from the American Academy in Rome, a Pablo Neruda Presidential Medal of Honor, and the American Academy of Arts and Letters Award for Literature. He is a Chancellor of the Academy of American Poets. Hirsch’s book, How to Read a Poem and Fall in Love with Poetry (1999), was a surprise bestseller and remains in print through multiple printings.)
The Best Poem Of Edward Hirsch
Fast Break
In Memory of Dennis Turner, 1946-1984
A hook shot kisses the rim and
hangs there, helplessly, but doesn't drop,
and for once our gangly starting center
boxes out his man and times his jump
perfectly, gathering the orange leather
from the air like a cherished possession
and spinning around to throw a strike
to the outlet who is already shoveling
an underhand pass toward the other guard
scissoring past a flat-footed defender
who looks stunned and nailed to the floor
in the wrong direction, trying to catch sight
of a high, gliding dribble and a man
letting the play develop in front of him
in slow motion, almost exactly
like a coach's drawing on the blackboard,
both forwards racing down the court
the way that forwards should, fanning out
and filling the lanes in tandem, moving
together as brothers passing the ball
between them without a dribble, without
a single bounce hitting the hardwood
until the guard finally lunges out
and commits to the wrong man
while the power-forward explodes past them
in a fury, taking the ball into the air
by himself now and laying it gently
against the glass for a lay-up,
but losing his balance in the process,
inexplicably falling, hitting the floor
with a wild, headlong motion
for the game he loved like a country
and swiveling back to see an orange blur
floating perfectly though the net.
Edward Hirsch Comments
Edward Hirsch is the most inspiring poet that I learned from his books. I find myself through his words, like if we came from the same world now or even in another life I don't know, but that what I feel.
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11/21/2024 11:53:44 AM # 1.0.0
Edward Hirsch is killing me softly. Each poem speaks deep into my heart.