Benjamin Jonson was an English Renaissance dramatist, poet and actor. A contemporary of William Shakespeare, he is best known for his satirical plays, particularly Volpone, The Alchemist, and Bartholomew Fair, which are considered his best, and his lyric poems. A man of vast reading and a seemingly insatiable appetite for controversy, Jonson had an unparalleled breadth of influence on Jacobean and Caroline playwrights and poets.
Jonson's poetry, like his drama, is informed by his classical learning. Some of his better-known poems are close translations of Greek or Roman models; all display the careful attention to form and style that often came naturally ... more »
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- On My First Son
- To Celia
- His Excuse for Loving
- A Farewell to the World
- Conditions of Living
- The Noble Nature
- An Ode to Himself
- On My First Daughter
- Song to Celia II
- A Fit of Rhyme against Rhyme
- Come, My Celia
- To John Donne
- For a Girl in a Book
- Begging Another
Quotationsmore quotations »
''Blueness doth express trueness.''Ben Jonson (1573-1637), British dramatist, poet. Amorphus, in Cynthia's Revels, act 5, sc. 2.
''I do honour the very flea of his dog.''Ben Jonson (c. 1572-1637), British dramatist, poet. repr. In The Complete Plays, vol. 1, ed. G.A. Wilkes (1981). Cob, in Every Man in His Humour, act ...
''Donne, for not keeping of accent, deserved hanging ... Shakespeare wanted art ... Sharpham, Day, Dekker, were all rogues.''Ben Jonson (c. 1572-1637), British dramatist, poet. repr. In Ben Jonson's Conversations with William Drummond of Hawthornden, ed. R.F. Patterson (1923...
''For I loved the man and do honour his memory, on this side of idolatry, as much as any.''Ben Jonson (1573-1637), British dramatist, poet. "De Shakespeare Nostrati," Timber, or Discoveries Made upon Men and Matter (1641).
'''Tis the common disease of all your musicians that they know no mean, to be entreated, either to begin or end.''Ben Jonson (c. 1572-1637), British dramatist, poet. repr. In The Complete Plays, vol. 2, ed. G.A. Wilkes (1981). Julia, in The Poetaster, act 2, sc. 2...
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