There's a certain Slant of light,
Winter Afternoons--
That oppresses, like the Heft
Of Cathedral Tunes--
Heavenly Hurt, it gives us--
We can find no scar,
But internal difference,
Where the Meanings, are--
None may teach it--Any--
'Tis the Seal Despair--
An imperial affliction
Sent us of the air--
When it comes, the Landscape listens--
Shadows--hold their breath--
When it goes, 'tis like the Distance
On the look of Death--
'There's a certain Slant of light' can also be read mythically through the ancient tradition of the nekyia, the underworld journey. But since Odysseus, Aeneas, and Dante all return with a knowledge that ultimately permits them to complete their human and/or spiritual quests, the question arising about Dickinson's poem is: what knowledge is brought back as a result of the 'descent'? The knowledge is not entirely a morbid one since it has resulted in a meeting with the 'internal difference, / Where the Meanings, are-' and the further knowledge that 'None may teach it, ' and that 'When it comes the Landscape listens.' The knowledge implies a depth difficult to be prepared for, especially since the closure of the poem evokes the idea that 'Death' has a face, and the speaker has seen it. From 'Her Reduceless Mine, ' an Ameroot Broadside Essay (1995) . dorenrobbins.com
This poem has not been translated into any other language yet.
I would like to translate this poem
Four simple couplets that capture with devastating precision our mortality.