Your landscape sickens with a dry disease
Even in May, Virginia, and your sweet pines
Like Frenchmen runted in a hundred wars
Are of a child’s height in these battlefields.
For Wilson sowed his teeth where generals prayed
—High-sounding Lafayette and sick-eyed Lee—
The loud Elizabethan crashed your swamps
Like elephants and the subtle Indian fell.
Is it for love, you ancient-minded towns,
That on the tidy grass of your great graves
And on your roads and riverways serene
Between the corn with green flags in a row,
Wheat amorous as hair and hills like breasts
Each generation, ignorant of the last,
Mumbling in sheds, embarrassed to salute,
Comes back to choke on etiquette of hate?
You manufacture history like jute—
Labor is cheap, Virginia, for high deeds,
But in your British dream of reputation
The black man is your conscience and your cost.
Here on the plains perfect for civil war
The clapboard city like a weak mirage
Of order rises from the sand to house
These thousands and the paranoid Monroe;
The sunrise gun rasps in the throat of heaven;
The lungs of dawn are heavy and corrupt;
We hawk and spit; our flag walks through the air
Breathing hysteria thickly in each face.
Through the long school of day, absent in heart,
Distant in every thought but self we tread,
Wheeling in blocks like large expensive toys
That never understand except through fun.
To steal aside as aimlessly as curs
Is our desire; to stare at corporals
As sceptically as boys; not to believe
The misty-eyed letter and the cheap snapshot.
To cross the unnatural frontier of your name
Is our free dream, Virginia, and beyond,
White and unpatriotic in our beds,
To rise from sleep like driftwood out of surf.
But stricter than parole is this same wall
And these green clothes, a secret on the fields,
In towns betray us to the arresting touch
Of lady-wardens, good and evil wives.
And far and fabulous is the word “Outside”
Like “Europe” when the midnight liners sailed,
Leaving a wake of ermine on the tide
Where rubies drowned and eyes were softly drunk.
Still we abhor your news and every voice
Except the Personal Enemy’s, and songs
That pumped by the great central heart of love
On tides of energy at evening come.
Instinctively to break your compact law
Box within box, Virginia, and throw down
The dangerous bright habits of pure form
We struggle hideously and cry for fear.
And like a very tired whore who stands
Wrapped in the sensual crimson of her art
High in the tired doorway of a street
And beckons half-concealed the passerby,
The sun, Virginia, on your Western stairs
Pauses and smiles away between the trees,
Motioning the soldier overhill to town
To his determined hungry burst of joy.
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Comments about this poem (Conscription Camp by Karl Shapiro )
Still I Rise
The Road Not Taken
If You Forget Me
Edgar Allan Poe
I Know Why The Caged Bird Sings
Stopping by Woods on a Snowy Evening
A Dream Within A Dream
Edgar Allan Poe
(4 April 1928 - 28 May 2014)
(27 January 1832 – 14 January 1898)
(March 26, 1874 – January 29, 1963)
(12 July 1904 – 23 September 1973)
(1 February 1902 – 22 May 1967)
(10 December 1830 – 15 May 1886)
(26 April 1564 - 23 April 1616)
- Henry Wadsworth Longfellow
Edgar Allan Poe
(19 January 1809 - 7 October 1849)
(28 November 1757 – 12 August 1827)
- Still I Rise, Maya Angelou
- If, Rudyard Kipling
- If You Forget Me, Pablo Neruda
- The Road Not Taken, Robert Frost
- Daffodils, William Wordsworth
- Do Not Stand At My Grave And Weep, Mary Elizabeth Frye
- A Thing of Beauty (Endymion), John Keats
- Dreams, Langston Hughes
- Tonight I can write the saddest lines, Pablo Neruda
- Phenomenal Woman, Maya Angelou