Ronald Stuart Thomas
A Welsh Testament
All right, I was Welsh. Does it matter?
I spoke a tongue that was passed on
To me in the place I happened to be,
A place huddled between grey walls
Of cloud for at least half the year.
My word for heaven was not yours.
The word for hell had a sharp edge
Put on it by the hand of the wind
Honing, honing with a shrill sound
Day and night. Nothing that Glyn Dwr
Knew was armour against the rain's
Missiles. What was descent from him?
Even God had a Welsh name:
He spoke to him in the old language;
He was to have a peculiar care
For the Welsh people. History showed us
He was too big to be nailed to the wall
Of a stone chapel, yet still we crammed him
Between the boards of a black book.
Yet men sought us despite this.
My high cheek-bones, my length of skull
Drew them as to a rare portrait
By a dead master. I saw them stare
From their long cars, as I passed knee-deep
In ewes and wethers. I saw them stand
By the thorn hedges, watching me string
The far flocks on a shrill whistle.
And always there was their eyes; strong
Pressure on me: You are Welsh, they said;
Speak to us so; keep your fields free
Of the smell of petrol, the loud roar
Of hot tractors; we must have peace
Is a museum
Peace? I asked. Am I the keeper
Of the heart's relics, blowing the dust
In my own eyes? I am a man;
I never wanted the drab role
Life assigned me, an actor playing
To the past's audience upon a stage
Of earth and stone; the absurd label
Of birth, of race hanging askew
About my shoulders. I was in prison
Until you came; your voice was a key
Turning in the enormous lock
Of hopelessness. Did the door open
To let me out or yourselves in?
Submitted by Andrew Mayers
Ronald Stuart Thomas's Other Poems
Read this poem in other languages
This poem has not been translated into any other language yet.
Comments about this poem (A Welsh Testament by Ronald Stuart Thomas )
The Road Not Taken
If You Forget Me
Still I Rise
Edgar Allan Poe
Stopping by Woods on a Snowy Evening
I Know Why The Caged Bird Sings
William Ernest Henley
- Concrete Fill, Prasad Natarajan
- Sonnet # 512, Luis Estable
- In born, hasmukh amathalal
- Sonnet # 511, Luis Estable
- Point for struggle, hasmukh amathalal
- Good lien, hasmukh amathalal
- Darkness Surrounds, Shalom Freedman
- Sonnet # 510, Luis Estable
- Paryusana…festival on card, hasmukh amathalal
- A Kind Exit, Mae AC.