Poetics and Poetry Discussion
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Olta Qejvani
(6/15/2013 12:58:00 PM)
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Nice work, I enjoyed it at all, especially when the end came so strong and powerful, maybe as a release of pain, or maybe as the moment when everything ends the pain and brings that to the reader.
I am still thinking about your point of view. Anyway, this the purpose of writing and reading a poem............... -
Alice Vedral Rivera
(6/15/2013 12:10:00 PM)
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JC - here is a poem where I purposely used cliches. Albeit it is not my best but I was going for a certain effect.
Addicted
My flame lights your torch
So you fuel my fire
My being needs your touch
So you fill my desire
As bodies connect
Our spirits - they soar
As we intersect
Our hearts cry for more
We revel in the beauty of the moment
for the moment is all we have
Obsessed and addicted
Spinning out of control
Our worlds are affected
Until they are no more
Seekers of salvation
We speak words of love
Afraid of damnation
From forces above
We are tossed into waters of oblivion
for oblivion is our only hope
We run from ourselves
We run to each other
Like babes in the woods
Seeking their mother
Living we mimic
Playing the same tunes
Manic in panic
We've made our own tombsReplies for this message:-
Lamont Palmer
(6/15/2013 4:55:00 PM)
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Artifact For three years you lived in your house just as it was before she died: your wedding portrait on the mantel, her clothes hanging in the closet, her hair still on the brush. You hav ... more
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Lamont Palmer
(6/15/2013 4:36:00 PM)
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I would differ with JC here a bit. While writing sonnets and villanelles is no longer necessary, (yes, rhyme will never come back, it just sounds too lilting and unnatural to the modern ear) learning ... more
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Jefferson Carter
(6/15/2013 2:07:00 PM)
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Alice, I suppose those cliches —babes in the woods, waters of oblivion—would be all right if you somehow re-vitalized them, gave them a new context, played with their sound, until the cliches themselv ... more
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Lamont Palmer
(6/15/2013 4:55:00 PM)
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Jefferson Carter
(6/15/2013 10:58:00 AM)
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Well, as Lamont, points out, simple doesn't equal trite. Simple can clear away the underbrush, reveal the poem's heart; trite means worn-out and hackneyed. I can't think of any reason to purposively write a cliche, except to ridicule it or revivify it in a new context. One's first job as a poet is to shear away ALL cliches....
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Lee Rolls
(6/14/2013 4:39:00 PM)
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Rap as poetry or poetry rap?
From Langston Hughes, via Amira Baraka, to NWA
Langston Hughes (Who but the lord?) - Amira Baraka - (assassin poems) - NWA - F**** tha PoliceReplies for this message:-
Jefferson Carter
(6/15/2013 10:47:00 AM)
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Rap on the page = poor poetry, mundane ideas and obvious rhythms....
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Jefferson Carter
(6/15/2013 10:47:00 AM)
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Olta Qejvani
(6/13/2013 10:32:00 AM)
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Listening " Stranger on the bus" ; one of my favorite songs, I have written as following:
Stranger on the bus
Like a stranger on a bus
trying to make his way home
is everybody's heart in this world.
People who never gonna meet
may be better than those we ever met.
What can we do
when the world let us to be
always " stranger on the bus" .....Replies for this message:-
Peter Stavropoulos
(6/16/2013 8:00:00 PM)
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I like the sensitivity of these lyrics. Thanks.
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[- W@king Up -]
(6/14/2013 8:45:00 PM)
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I don't think this is too bad :) you write of an intriguing concept. Perhaps if you wrote more on this topic and had a rhyme scheme it would be better?But nice work :)
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Jefferson Carter
(6/14/2013 12:50:00 PM)
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O, this is pretty awful. I wonder how it would sound in your first language? A lot better, I suspect.
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Peter Stavropoulos
(6/16/2013 8:00:00 PM)
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Lyn Pendleton
(6/13/2013 9:05:00 AM)
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Here is a simple poem I wrote the other day,
from an elderly women's perspective. Thought
someone might find of interest. Not writing much
at all anymore, so a new fish caught is a rare surprize.
After all
I'm under the weather
and over the hill
my skin feels like leather
did I take my pill?
and I always say better
when they ask how I feel
but I know it's forget her
cause they're not in the will
and my bones make more noises
than the creaks in this chair
and I kind of hear voices
when there's nobody there
and I know the day's nearing
when I won't be around
and I'm tired of fearing
being stuck in the ground
there's a picture of family
there still up on the wall
I'll be joining them finally
guess I won, after all
Lyn Pendleton
6-10-13Replies for this message:-
metamorphhh (aka jim crawford)
(6/18/2013 5:39:00 AM)
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Bless your heart.
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Lamont Palmer
(6/15/2013 10:31:00 AM)
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It has to be noted that a poem can be simple without being trite. Simplicity and triteness are not necessarily synonomous. Often complexity is in the arrangement of the words, (which speaks to content ... more
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Alice Vedral Rivera
(6/15/2013 9:13:00 AM)
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I like this poem, but comments like those from JC and Lamont helped me rethink my writing and, I believe, helped me become a better poet. That said, sometimes I purposely write simple, trite and poems ... more
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Angela Gunnell
(6/15/2013 7:44:00 AM)
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As long as this is a public forum, and p ... more
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Lamont Palmer
(6/15/2013 7:27:00 AM)
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I would only disagree with JC in that, t ... more
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[- W@king Up -]
(6/14/2013 8:46:00 PM)
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In the end the elderly feels satisfactio ... more
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Donnaj York
(6/14/2013 7:51:00 PM)
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I like it. But I can relate, and don't ... more
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Jefferson Carter
(6/14/2013 11:36:00 AM)
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This reads like mediocre 19th-century ma ... more
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Chuck Audette
(6/13/2013 2:11:00 PM)
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Liked it.
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Olta Qejvani
(6/13/2013 10:40:00 AM)
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In Albanian language we use " my sk ... more
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metamorphhh (aka jim crawford)
(6/18/2013 5:39:00 AM)
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Lamont Palmer
(6/12/2013 2:37:00 PM)
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Hard Pressed Night Owls
Dead leaves are strewn and blown, wildly like drunken men.
They’ve brought the beaten road to its lowest level;
To the beacon where trucks mimic life, moving
Almost stately, pass ruins and dilapidated homes
Which were built to withstand common weather; wry
Rains, combative snows, all the more gorgeous in rage.
It is blasphemy to think you won’t go on selecting
Trifle battles to wage; pink slips one can
Almost wear; a lingerie of the proletariat
A slattern might don in hopes of revelation.
There is work to be done when worlds draw taut breaths.
Each night, third shift workers go by like children having
A time of it; a solemnity lives even in desperate
Darkness; it lives and envelopes the working poor
Who still behave like dreams breathe deeply for them.
They see a sort of Kafkaesque nightlife which absorbs
For them reality; the hustle and bustle reduced
To a nightmarish aria, like a man turning into
A breast that even a hungry life won’t suckle.
They see the moon and know it’s a steady clock
Keeping time, assured from the beginning,
Its singularity, supporting you, as you go
In through cruel barriers. Streets now safe
For traveling, its gravel chooses to be loved.Replies for this message:-
Angela Gunnell
(6/13/2013 7:17:00 AM)
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This feels very heavy to me, Lamont - perhaps you meant for it to - given the subject matter, but I feel that although your vocabulary is very wide, it adds too much weight to this poem. It's just my ... more
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Angela Gunnell
(6/13/2013 7:17:00 AM)
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Olta Qejvani
(6/12/2013 11:27:00 AM)
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Nowadays, people find harder and harder to find themselves reading a poem, writing a poem. I think that a poem is the best short answer to hit the nail of the head. Reading and writing a poem helps us to scan ourselves better.
THE PHENOMENAL WOMAN was the poem i red yesterday and made me express the following conclusion. Anyway, enjoy Xhevahir Spahiu, the very famous Albanian author:
My Debts
I am going to die,
Die drowning in debt,
Suffocating in water or a gas chamber is nothing by comparison,
I'm in debt to my mother for I raised her no tombstone,
I'm in debt to the oak tree for I made it no trellis,
I'm in debt to love for I stole it last Sunday,
I'm in debt to crime for I called it not by name.
I'm going to die,
Die drowning in debt.
I'm in debt to the word for I saw it not in my dreams,
I'm in debt to the raven for I whitened not its feathers,
I'm in debt to the year 1913 for I cleansed not its wounds,
I'm in debt to the future for I left on its doorstep
The darkness of a distant age.
I'm going to die,
Die drowning in debt.
I'm in debt to the living,
I'm in debt to the dead,
I will have to sell my tombstone
To pay my debts,
And place a full stop here.
Now it is your turn to speak
Of the debts you owe me.
(1989)Replies for this message:-
Peter Stavropoulos
(6/12/2013 3:53:00 PM)
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Thanks Olta, I enjoyed this. I especially enjoyed the non-Anglo sensibility of this fine poet.
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Peter Stavropoulos
(6/12/2013 3:53:00 PM)
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Mary Morstan
(6/12/2013 5:42:00 AM)
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CAUL
I was wrapped in mine
On arrival, and it hit me,
The orange undersea light
Of the day of birth.
I was safe, though,
Unafraid of drowning
In the strange, new element
I had dropped into,
A man in a bathyscape
Of throwaway skin,
Old veins, post-natal,
Making his way in the world.
Some spoke of greatness,
Others of safety at sea.
Of the lying-in ward
Three pillars remain
And a great emotion.
Mother, am I beloved,
Or who else wears it now,
My dried skin cap,
For luck, on another ocean?
By Harry CliftonReplies for this message:-
Lamont Palmer
(6/14/2013 3:08:00 PM)
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I like Clifton's work. The Europeans haven't forgotten how to write poetry. -LP
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Lamont Palmer
(6/14/2013 3:08:00 PM)
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Allan james Saywell
(6/12/2013 4:13:00 AM)
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A Womans Mirror
On any given day
She will see only love
On any other day, she will embrace hate
Then she combs her hair
Puts on a pretty face
Her mirror sees' all
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