Yusef Komunyakaa

My black face fades,
hiding inside the black granite.
I said I wouldn't,
dammit: No tears.
...

On Fridays he'd open a can of Jax
After coming home from the mill,
& ask me to write a letter to my mother
Who sent postcards of desert flowers
...

Usually at the helipad
I see them stumble-dance
across the hot asphalt
with crokersacks over their heads,
...

I sit beside two women, kitty-corner
to the stage, as Elvin's sticks blur
the club into a blue fantasia.
I thought my body had forgotten the Deep
...

The old woman made mint
Candy for the children
Who'd bolt through her front door,
Silhouettes of the great blue
...

The hills my brothers & I created
Never balanced, & it took years
To discover how the world worked.
We could look at a tree of blackbirds
...

The seven o'clock whistle
Made the morning air fulvous
With a metallic syncopation,
A key to a door in the sky---opening
...

Zeus always introduces himself
As one who needs stitching
Back together with kisses.
...

Someone says Tristan
& Isolde, the shared cup
& broken vows binding them,
...

When the plowblade struck
An old stump hiding under
The soil like a beggar's
...

At six, she chewed off
The seven porcelain buttons
From her sister's christening gown
& hid them in a Prince Albert can

On a sill crisscrossing the house
In the spidery crawlspace.
She'd weigh a peach in her hands
Till it rotted. At sixteen,

She gazed at her little brother's
Junebugs pinned to a sheet of cork,
Assaying their glimmer, till she
Buried them beneath a fig tree's wide,

Green skirt. Now, twenty-six,
Locked in the beauty of her bones,
She counts eight engagement rings
At least twelve times each day.
...

We can cut out Nemesis's tongue
By omission or simple analysis.
Doesn't this sin have to marry
Another, like a wishbone

Worked into meat, to grow
Deadly? Snared within
The blood's quick night,
Our old gods made sex

& wit, of nitrate & titanium,
Hurl midnight thunderbolts
& lightning. Are we here
Because they must question

Every death in an alley,
Every meltdown? We know
We wouldn't be much, if thorns
Didn't drive light into wet blooms.
...

They came as Congo, Guinea, & Angola,
feet tuned to rhythms of a thumb piano.
They came to work fields of barley & flax,

livestock, stone & slab, brick & mortar,
to make wooden barrels, some going
from slave to servant & half-freeman.

They built tongue & groove - wedged
into their place in New Amsterdam.
Decades of seasons changed the city

from Dutch to York, & dream-footed
hard work rattled their bones.
They danced Ashanti. They lived

& died. Shrouded in cloth, in cedar
& pine coffins, Trinity Church
owned them in six & a half acres

of sloping soil. Before speculators
arrived grass & weeds overtook
what was most easily forgotten,

& tannery shops drained there.
Did descendants & newcomers
shoulder rock & heave loose gravel

into the landfill before building crews
came, their guitars & harmonicas
chasing away ghosts at lunch break?

Soon, footsteps of lower Manhattan
strutted overhead, back & forth
between old denials & new arrivals,

going from major to minor pieties,
always on the go. The click of heels
the tap of a drum awaking the dead.
...

Ghost sun half
hidden, where did you go?

There's always a mother
of some other creature
born to fight for her young.

But crawl out of your hide,
walk upright like a man,
& you may ask if hunger is the only passion
as you again lose yourself
in a white field's point of view.

In this glacial quiet
nothing moves except-
then a flash of eyes & nerves.

If cornered in your head by cries from a cave
in another season, you can't forget
in this landscape a pretty horse
translates into a man holding a gun.
...

I went into the forest searching
for fire inside pleading wood,
but I can't say for how long
I was moored between worlds.
I heard a magpie's rumination,
but I don't know if its wings
lifted the moon or let it drift
slow as a little straw boat
set ablaze on a winding river.
I learned the yellow-eyed wolf
is a dog & a man. A small boy
with a star pinned to his sleeve
was hiding among thorn bushes,
or it was how the restless dark
wounded the pale linden tree
outside a Warsaw apartment.
Night crawls under each stone
quick as a cry held in the throat.
All I remember is my left hand
was holding your right breast
when I forced my eyes shut.
Then I could hear something
in the room, magnanimous
but small, half outside & half
inside, no more than a song—
an insomniac's one prophecy
pressed against the curtains,
forcing the ferns to bloom.
...

If you're one of seven
Downfalls, up in your kingdom
Of mulberry leaves, there are men
Betting you aren't worth a bullet,


That your skin won't tan into a good
Wallet. As if drugged in the womb
& limboed in a honeyed languor,
By the time you open your eyes


A thousand species have lived
& died. Born on a Sunday
Morning, with old-world algae
In your long hair, a goodness


Disguised your two-toed claws
Bright as flensing knives. In this
Upside-down haven, you're reincarnated
As a fallen angel trying to go home.
...

Icarus imitated the golden plover,
Drawn toward a blue folly
Above, looping through echoes
Of a boy's prankish laughter,

Through an airy labyrinth
Of conjecture. A lifetime
Ahead of Daedalus, with noon sun
In his eyes, he outflew the bird's

Equilibrium, wondering how this
Small creature of doubt braved
The briny trade winds. Surely,
In a fanfare of uneclipsed wings

Driven by dash & breathless style,
He could outdo the plover's soars
& dares. But he couldn't stop
Counting feathers against salty sky.
...

If only he could touch her,
Her name like an old wish
In the stopped weather of salt
On a snail. He longs to be

Words, juicy as passionfruit
On her tongue. He'd do anything,
Would dance three days & nights
To make the most terrible gods

Rise out of ashes of the yew,
To step from the naked
Fray, to be as tender
As meat imagined off

The bluegill's pearlish
Bones. He longs to be
An orange, to feel fingernails
Run a seam through him.
...

In a country of splendor & high
Ritual, in a fat land of zeros,
Sits a man with string & bone
For stylus, hunched over his easel,

Captured by perfection.
But also afflictions live behind
Electric fences, among hedges
& a whirlwind of roses, down

To where he sits beside a gully
Pooling desires. He squints
Till the mechanical horizon is one
Shadowplay against bruised sky,

Till the smoky perfume limps
Into undergrowth. He balls up
Another sheet in unblessed fingers, always
Ready to draw the thing that is all mouth.
...

First you must have
unbelievable faith in water,
in women dancing like hands playing harps
...