William Canton

William Canton Poems

With rakish eye and plenished crop,
Oblivious of the farmer's gun,
Upon the naked ash-tree top
...

2.

In the heart of the white summer mist lay a green little piece of the world;
And the tops of the beeches were lost in the mist, and the
...

Abba, in Thine eternal years
Bethink Thee of our fleeting day;
We are but clay;
Bear with our foolish joys, our foolish tears,
...

Oh, had I but a plot of earth, on plain or vale or hill,
With running water babbling through, in torrent, spring, or rill,

I'd plant a tree, an o ...
...

I WRITE. He sits beside my chair,
And scribbles, too, in hushed delight;
He dips his pen in charméd air:
What is it he pretends to write?
...

In the orchard blithely waking,
Through the blossom, loud and clear,
Pipes the goldfinch, “Day is breaking;
Waken, Babsie; May is here!
...

In the April sun at baby-house she plays.
Her rooms are traced with stones and bits of bricks;
For warmth she lays a hearth with little sticks,
...

8.

When the herds were watching
In the midnight chill,
Came a spotless lambkin
From the heavenly hill.
...

Far down upon the plain the large round moon
Sank red in jungle mist; but on the heights
The cold clear darkness burned with restless stars:
...

Did you ever read or hear
How the Aid—(God bless the Aid!
More earnest prayer than that was never prayed.)
...

Last June—how slight a thing to tell!—
One straggling leaf beneath the limes
Against the sunset rose and fell,
...

He walked in glory on the hills;
We dalesmen envied from afar
The heights and rose-lit pinnacles
Which placed him nigh the evening star.
...

In praise of little children I will say
God first made man, then found a better way
For woman, but his third way was the best.
...

Enormous sea; immeasurable night!
The shoreless waters, heaving spectral-white,
Vibrate with showers and chains of golden sparks.
...

Oh, what has been born in the night
To bask in this blithe summer morn?
She peers, in a dream of delight,
For something new-made or new-born.
...

He knows no home; he only knows
Hunger and cold and pain;
The four winds are his bedfellows;
...

This grace vouchsase me for the rhymes I write.
If any last, nor perish quick and quite,
Lord, let them be
My little images, to stand for me
...

O the merry bells of Chester, ancient Chester on the Dee!
On that glittering autumn morning, eighteen five,
Every Englishman was glad to be alive.
...

William Canton Biography

William Canton (27 October 1845 – 2 May 1926) was a British poet, journalist and writer, now best known for his contributions to children's literature. These include his series of three books, beginning with The Invisible Playmate, written for his daughter Winifred Vida (1891-1901). In his lifetime he was known for his use of recent archeological evidence of prehistory in his poetry. Canton's early poetry was highly regarded in his lifetime for its attempt to represent in verse recent scientific theories, especially Darwinism, which he addressed in his poem Through the Ages (1879). Thomas Huxley supported Canton's attempts to introduce scientific terminology into verse. The Sanskritist Max Müller also praised Canton's works, writing that "I look upon them as equal to Matthew Arnold's poems, and having been an old friend and sincere admirer of Arnold, I could give no higher praise". Walter Pater, wrote to Canton that he gave expression to "primeval, pre-adamite, or pre-historic subjects...you have certainly made their poetic side your own". Canton's later work was more religious in emphasis, but his output almost ceased after the death of his daughter. In 1913 Canton began a new religious poem The Mask of Veronica, but it was unfinished at his death.)

The Best Poem Of William Canton

The Crow

With rakish eye and plenished crop,
Oblivious of the farmer's gun,
Upon the naked ash-tree top
The Crow sits basking in the sun.

An old ungodly rogue, I wot!
For, perched in black against the blue,
His feathers, torn with beak and shot,
Let woeful glints of April through.

The year's new grass, and, golden-eyed,
The daisies sparkle underneath,
And chestnut-trees on either side
Have opened every ruddy sheath.

But doubtful still of frost and snow,
The ash alone stands stark and bare,
And on its topmost twig the Crow
Takes the glad morning's sun and air.

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