Biography of Vachel Lindsay
Nicholas Vachel Lindsay was born on November 10, 1879 in Springfield, Illinois. The second of six children and the only son of Dr. Vachel Thomas Lindsay and Esther Catharine Frazee Lindsay. Vachel did not attend school until he was eight. He was taught at home by his mother, who had been a teacher and artist before her marriage. Grimm’s Fairy Tales is said to have been his primer. He graduated from Stuart School in 1893, having skipped the seventh grade and winning several prizes for his writing compositions.
During his youth, Vachel was encouraged to follow in his father’s footsteps, therefore as a dutiful son, he enrolled at Hiram College, as a premedical student in 1897. Three years later, he wrote home and asked his parents to allow him to attend art school. In 1901 he was accepted as a student at the Art Institute of Chicago and began his pursuit of a career as an illustrator. He spent time reading the works of English mystic poet William Blake and writing poetry in earnest.
He moved in 1904 to continue his studies at the New York School of Art and, while there, began to combine poetry and art. After hearing Lindsay recite one of his illustrated poems, "The Tree of the Laughing Bells," Robert Henri, a painter and teacher at the New York School, suggested to Lindsay that he devote himself to poetry. It was a turning point in the poet’s life.
The years 1906 through 1912 were Lindsay’s troubadour years as he took his poetry to the people. He ventured out into the world on walking tours of the countryside, taking no money with him, instead trading his poetry for food and shelter. In 1920, Lindsay became the first American poet invited to recite at Oxford University and undertook his first national lecturing tour.
Nicholas Vachel Lindsay died in 1931, his funeral attended by hundreds. Cables expressing Lindsay’s popularity and people’s great sorrow at his death came from all over the nation.
This page is based on the copyrighted Wikipedia Vachel Lindsay; it is used under the Creative Commons Attribution-ShareAlike 3.0 Unported License. You may redistribute it, verbatim or modified, providing that you comply with the terms of the CC-BY-SA.
Vachel Lindsay Poems
The Congo: A Study Of The Negro Race
I. THEIR BASIC SAVAGERY Fat black bucks in a wine-barrel room, Barrel-house kings, with feet unstable,
Abraham Lincoln Walks At Midnight
It is portentous, and a thing of state That here at midnight, in our little town A mourning figure walks, and will not rest, Near the old court-house pacing up and down.
An Indian Summer Day On The Prairie
(IN THE BEGINNING) The sun is a huntress young, The sun is a red, red joy,
Let not young souls be smothered out before They do quaint deeds and fully flaunt their pride. It is the world's one crime its babes grow dull, Its poor are ox-like, limp and leaden-eyed.
The Moon's The North Wind's Cooky
The Moon's the North Wind's cooky. He bites it, day by day, Until there's but a rim of scraps That crumble all away.
A Sense Of Humor
No man should stand before the moon To make sweet song thereon, With dandified importance, His sense of humor gone.
The Flower-Fed Buffaloes
The flower-fed buffaloes of the spring In the days of long ago, Ranged where the locomotives sing And the prarie flowers lie low:
The Little Turtle
A Recitation for Martha Wakefield, Three Years Old There was a little turtle.
This Section Is A Christmas Tree
This section is a Christmas tree: Loaded with pretty toys for you. Behold the blocks, the Noah's arks, The popguns painted red and blue.
Darling Daughter Of Babylon
Too soon you wearied of our tears. And then you danced with spangled feet, Leading Belshazzar's chattering court A-tinkling through the shadowy street.
A Dirge For A Righteous Kitten
To be intoned, all but the two italicized lines, which are to be spoken in a snappy, matter-of-fact way. Ding-dong, ding-dong, ding-dong.
Beyond The Moon
[Written to the Most Beautiful Woman in the World] M< Sweetheart is the TRUTH BEYOND THE MOON,
Love And Law
True Love is founded in rocks of Remembrance In stones of Forbearance and mortar of pain. The workman lays wearily granite on granite, And bleeds for his castle, 'mid sunshine and rain.
By The Spring, At Sunset
Sometimes we remember kisses, Remember the dear heart-leap when they came: Not always, but sometimes we remember The kindness, the dumbness, the good flame
Heart Of God
O great heart of God,
Once vague and lost to me,
Why do I throb with your throb to-night,
In this land, eternity?
O little heart of God,
Sweet intruding stranger,
You are laughing in my human breast,
A Christ-child in a manger.