Biography of Robert Southwell
Robert Southwell was born at Horsham St. Faith's, Norfolk, England, in 1561; hanged at Tyburn, 21 February, 1595. His grandfather, Sir Richard Southwell, had been a wealthy man and a prominent courtier in the reign of Henry VIII. His grandfather had been a prominent man in Henry VIII's court and the family remained among the elite of the land. He was so beautiful as a young boy that a gypsy stole him. He was soon recovered by his family and became a short, handsome man, with gray eyes and red hair.
It was Richard Southwell who in 1547 had brought the poet Henry Howard, Earl of Surrey, to the block, and Surrey had vainly begged to be allowed to "fight him in his shirt". Curiously enough their respective grandsons, Robert Southwell and Philip, Earl of Arundel, were to be the most devoted of friends and fellow-prisoners for the Faith. On his mother's side the Jesuit was descended from the Copley and Shelley families, whence a remote connexion may be established between him an the poet Percy Bysshe Shelley.
Even as a child, Southwell was distinguished by his attraction to the old religion. Protestantism had come to England, and it was actually a crime for any Englishman who had been ordained as a Catholic priest to remain in England more than forty days at a time. In order to keep the faith alive, William Allen had opened a school at Douai, where he made a Catholic translation of the Bible, the well-known Douai version. Southwell attended this school and asked to be admitted into the Jesuits. At first the Jesuits refused his application, but eventually his earnest appeals moved them to accept him. He was ordained a priest in 1584. Two years later, at his own request, he was sent as a missionary to England, well knowing the dangers he faced.
Southwell's arrival in England was reported to the authorities. For six years they kept him under surveillance. He assumed the last alias "Cotton" and found employment as a chaplain to Lady Arundel. He wrote a prose elegy, Triumphs over Death, to the earl to console him for a sister's premature death. Although he lived mostly in London, he traveled in disguise and preached secretly throughout England. His downfall and capture came about when he became friendly with a Catholic family named Bellamy. They were arrested on charges of treason and Southwell was tricked into the clutches of Richard Topcliffe, a notorious agent of the anti-Catholic persecution.
Southwell was in prison for three years. Tortured thirteen times, he nonetheless refused to reveal the names of fellow Catholics. During his incarceration, he was allowed to write. His works had already circulated widely and seen print, although their authorship was well known and one might have expected the government to suppress them. Now he added to them poems intended to sustain himself and comfort his fellow prisoners. On February 21, 1595 Southwell was brought to Tyburn, where he was hanged and then quartered for treason, although no treasonous word or act had been shown against him. It was enough that he held a variation of the Christian faith that frightened many Englishmen because of rumors of Catholic plots
Southwell's writings, both in prose and verse, were extremely popular with his contemporaries, and his religious pieces were sold openly by the booksellers though their authorship was known. Imitations abounded, and Ben Jonson declared of one of Southwell's pieces, The Burning Babe, that to have written it he would readily forfeit many of his own poems. Mary Magdalene's Tears, the Jesuit's earliest work, licensed in 1591, probably represents a deliberate attempt to employ in the cause of piety the euphuistic prose style, then so popular. Triumphs over Death, also in prose, exhibits the same characteristics; but this artificiality of structure is not so marked in the Short Rule of Good Life, the Letter to His Father, the Humble Supplication to Her Majesty, the Epistle of Comfort and the Hundred Meditations. Southwell's longest poem, St. Peter's Complaint (132 six-line stanzas), is imitated, from the Italian Lagrime di S. Pietro of Luigi Tansillo. This with some other smaller pieces was printed, with license, in 1595, the year of his death. Another volume of short poems appeared later in the same year under the title of Maeoniae. Perhaps no higher testimony can be found of the esteem in which Southwell's verse was held by his contemporaries than the fact that, while it is probable that Southwell had read Shakespeare, it is practically certain that Shakespeare had read Southwell and imitated him.
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Robert Southwell Poems
A Child My Choice
Let folly praise that fancy loves, I praise and love that Child Whose heart no thought, whose tongue no word, whose hand no deed defiled. I praise Him most, I love Him best, all praise and love is His;
The Burning Babe
AS I in hoary winter's night Stood shivering in the snow, Surprised I was with sudden heat Which made my heart to glow;
Man's Civil War
MY hovering thoughts would fly to heaven And quiet nestle in the sky, Fain would my ship in Virtue's shore Without remove at anchor lie.
The Nativity Of Christ
Behold the father is his daughter's son, The bird that built the nest is hatched therein, The old of years an hour hath not outrun, Eternal life to live doth now begin,
New Prince New Pomp
Behold, a seely tender babe In freezing winter night In homely manger trembling lies; Alas, a piteous sight!
Retired thoughts enjoy their own delights, As beauty doth in self-beholding eye ; Man's mind a mirror is of heavenly sights, A brief wherein all marvels summed lie,
Love's Servile Lot
LOVE, mistress is of many minds, Yet few know whom they serve; They reckon least how little Love Their service doth deserve.
Upon The Image Of Death
Before my face the picture hangs That daily should put me in mind Of those cold names and bitter pangs That shortly I am like to find;
Content And Rich
I dwell in Grace's court, Enriched with Virtue's rights; Faith guides my wit, Love leads my will, Hope all my mind delights.
New Heaven, New War
Come to your heaven, you heavenly choirs, Earth hath the heaven of your desires; Remove your dwelling to your God, A stall is now his best abode;
A Child My Choice
Let folly praise that fancy loves, I praise and love that Child
Whose heart no thought, whose tongue no word, whose hand no deed defiled.
I praise Him most, I love Him best, all praise and love is His;
While Him I love, in Him I live, and cannot live amiss.
Love's sweetest mark, laud's highest theme, man's most desired light,
To love Him life, to leave Him death, to live in Him delight.