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Quotations From GEOFFREY CHAUCER

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1   

  A yeman hadde he and servantz namo
At that tyme, for hym liste ride so,
And he was clad in cote and hood of grene.

 
(Geoffrey Chaucer (1340?-1400), British poet. General Prologue (l. 101-103). . ; from THE CANTERBURY TALES Oxford Anthology of English Literature, The, Vols. I-II. Frank Kermode and John Hollander, general eds. (1973) Oxford University Press (Also published as six paperback vols.: Medieval English Literature, J. B. Trapp, ed.; The Literature of Renaissance England, John Hollander and Frank Kermode, eds.; The Restoration and the Eighteenth Century, Martin Price, ed.; Romantic Poetry and Prose, Harold Bloom and Lionel Trilling, eds.; Victorian Prose and Poetry, Lionel Trilling and Harold Bloom, eds.; Modern British Literature, Frank Kermode and John Hollander, eds.).)
     
     

2   

  "Woman is mannes joy and all his bliss."
For when I feel a-night your softe side,
Albeit that I may not on you ride,
For that our perch is made so narrowe, alas!
I am so full of joy and of solace
That I defye bothe sweven and dream.'

 
(Geoffrey Chaucer (1340?-1400), British poet. The Nun's Priest's Tale (l. 400-405). . ; from THE CANTERBURY TALES Oxford Anthology of English Literature, The, Vols. I-II. Frank Kermode and John Hollander, general eds. (1973) Oxford University Press (Also published as six paperback vols.: Medieval English Literature, J. B. Trapp, ed.; The Literature of Renaissance England, John Hollander and Frank Kermode, eds.; The Restoration and the Eighteenth Century, Martin Price, ed.; Romantic Poetry and Prose, Harold Bloom and Lionel Trilling, eds.; Victorian Prose and Poetry, Lionel Trilling and Harold Bloom, eds.; Modern British Literature, Frank Kermode and John Hollander, eds.).)
Read more quotations about / on: joy, dream, night, woman
     
     

3   

  Right as the humour of melancholy
Causeth full many a man in sleep to cry
For fear of blacke bears, or bulles black,
Or elles blacke devils will them take.

 
(Geoffrey Chaucer (1340?-1400), British poet. The Nun's Priest's Tale (l. 167-170). . ; from THE CANTERBURY TALES Oxford Anthology of English Literature, The, Vols. I-II. Frank Kermode and John Hollander, general eds. (1973) Oxford University Press (Also published as six paperback vols.: Medieval English Literature, J. B. Trapp, ed.; The Literature of Renaissance England, John Hollander and Frank Kermode, eds.; The Restoration and the Eighteenth Century, Martin Price, ed.; Romantic Poetry and Prose, Harold Bloom and Lionel Trilling, eds.; Victorian Prose and Poetry, Lionel Trilling and Harold Bloom, eds.; Modern British Literature, Frank Kermode and John Hollander, eds.).)
Read more quotations about / on: sleep, black, fear
     
     

4   

  Jalous he was, and heeld hire narwe in cage,
For she was wilde and yong, and he was old,

 
(Geoffrey Chaucer (1340?-1400), British poet. The Miller's Tale (l. 116-117). . ; from THE CANTERBURY TALES Oxford Anthology of English Literature, The, Vols. I-II. Frank Kermode and John Hollander, general eds. (1973) Oxford University Press (Also published as six paperback vols.: Medieval English Literature, J. B. Trapp, ed.; The Literature of Renaissance England, John Hollander and Frank Kermode, eds.; The Restoration and the Eighteenth Century, Martin Price, ed.; Romantic Poetry and Prose, Harold Bloom and Lionel Trilling, eds.; Victorian Prose and Poetry, Lionel Trilling and Harold Bloom, eds.; Modern British Literature, Frank Kermode and John Hollander, eds.).)
     
     

5   

  They yelleden as fiendes doon in hell;
The duckes cryden as men would them quell;
The geese for feare flewen over the trees;
Out of the hive came the swarm of bees.

 
(Geoffrey Chaucer (1340?-1400), British poet. The Nun's Priest's Tale (l. 623-626). . ; from THE CANTERBURY TALES Oxford Anthology of English Literature, The, Vols. I-II. Frank Kermode and John Hollander, general eds. (1973) Oxford University Press (Also published as six paperback vols.: Medieval English Literature, J. B. Trapp, ed.; The Literature of Renaissance England, John Hollander and Frank Kermode, eds.; The Restoration and the Eighteenth Century, Martin Price, ed.; Romantic Poetry and Prose, Harold Bloom and Lionel Trilling, eds.; Victorian Prose and Poetry, Lionel Trilling and Harold Bloom, eds.; Modern British Literature, Frank Kermode and John Hollander, eds.).)
     
     

6   

  she had a cock, hight Chanticleer.
In all the land, of crowing n'as his peer;
His voice was merrier than the merry organ
On masse-days that in the churche gone.
Well sikerer was his crowing in his lodge
Than is a clock or an abbey horologe.

 
(Geoffrey Chaucer (1340?-1400), British poet. The Nun's Priest's Tale (l. 83-88). . ; from THE CANTERBURY TALES Oxford Anthology of English Literature, The, Vols. I-II. Frank Kermode and John Hollander, general eds. (1973) Oxford University Press (Also published as six paperback vols.: Medieval English Literature, J. B. Trapp, ed.; The Literature of Renaissance England, John Hollander and Frank Kermode, eds.; The Restoration and the Eighteenth Century, Martin Price, ed.; Romantic Poetry and Prose, Harold Bloom and Lionel Trilling, eds.; Victorian Prose and Poetry, Lionel Trilling and Harold Bloom, eds.; Modern British Literature, Frank Kermode and John Hollander, eds.).)
Read more quotations about / on: gone
     
     

7   

  This carpenter hadde wedded newe a wif
Which that he loved more than his lif.

 
(Geoffrey Chaucer (1340?-1400), British poet. The Miller's Tale (l. 113-114). . ; from THE CANTERBURY TALES Oxford Anthology of English Literature, The, Vols. I-II. Frank Kermode and John Hollander, general eds. (1973) Oxford University Press (Also published as six paperback vols.: Medieval English Literature, J. B. Trapp, ed.; The Literature of Renaissance England, John Hollander and Frank Kermode, eds.; The Restoration and the Eighteenth Century, Martin Price, ed.; Romantic Poetry and Prose, Harold Bloom and Lionel Trilling, eds.; Victorian Prose and Poetry, Lionel Trilling and Harold Bloom, eds.; Modern British Literature, Frank Kermode and John Hollander, eds.).)
     
 

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