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Frankly, My Dear - Poem by gershon hepner

Scarlett O’ and Melanie,
presenting the dichotomies
of feminine near-felony
and law, would need lobotomies
to reconcile. If, frankly, dear,
you give a damn, you must decide
to which of them your heart is near,
allowing it to be your guide,
for if you choose them both the wind
will see that you are gone. Life ain’t
like Hollywood. If you have sinned,
don’t try to make out with a saint,
because there always is a clash
when opposites attempt to meet,
and if they do they tend to crash,
since those who cannot change must cheat.

Inspired by Michiko Kakutani’s review of Molly Haskell’s “‘Frankly My Dear: Gone With the Wind’ Revisited” (“Frankly My Dear: ” NYT, April 24,2009) :
Just as the dichotomy between Scarlett and Melanie, Rhett and Ashley gave the movie a classic bipolar architecture, so Cukor and Fleming became, in Ms. Haskell’s words, the movie’s stylistic “yin and yang”: Cukor providing “the delicate gradations of feeling between lovers and family” while Fleming supplied the movie’s “bold, sweeping movement through time and history.” At the same time, Ms. Haskell observes, the art director William Cameron Menzies endowed the sprawling opus with a visual coherence: “The expressionistic landscapes and character positionings designed by Menzies and his staff keep certain images as touchstones, in the forefront of consciousness — like the horse collapsing on the bridge, the fire in the background, the use of the new moon, ” even as his masterful use of the new process of Technicolor worked to heighten the drama of the story. In the end the real reason this movie with too many cooks miraculously worked, Ms. Haskell says, was “the fire and desperation of three people with strangely overlapping tastes and eccentricities”: “In ‘Gone With the Wind, ’ Mitchell’s only book, every crisis and trauma of her life is transmuted into narrative; Selznick seized the reins and threw himself into the making of the movie like a man possessed; and Leigh, whose casting was less accidental than legend has it, invested Scarlett with something beyond beauty, something altogether uncanny — a demonic energy, a feverishness that would later tip over into illness and pathology.” All three of these people, Ms. Haskell argues, were “possessed of fire-and-ice opposites that they projected into their lives and careers”: “Leigh, the mesmerizing mixture of bawdy sexpot and exquisite doll, echoed the Scarlett-Melanie sides of Margaret Mitchell, flapper turned matron. Mitchell, in turn, was attracted in fiction and in life to male opposites: the blackguard and the saint (she created one of each; she married one of each) .” As for Selznick, Ms. Haskell says, he liked to cast his protégées as “wide-eyed innocents” or “palpitating sexpots, ” who in turn were attracted “to good boy-bad boy opposites.” “The intensely personal energy of this dividedness, the deep-down tension in Mitchell, Selznick and Leigh between vulgarity and refinement, ” she concludes, “is what gives the archetypes in ‘Gone With the Wind’ their extraordinary human resonance, ” and thanks to the way the three of them threw themselves into the project, “that historical ‘costume’ story” never feels remotely past.


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Poems About Narrative

  1. 201. Frankly, My Dear , gershon hepner
  2. 202. Scarlett And Melanie , gershon hepner
  3. 203. Kara Mustafa , gershon hepner
  4. 204. When Life Is Not A Drama , gershon hepner
  5. 205. Deft , gershon hepner
  6. 206. Scripture Of Zen , gershon hepner
  7. 207. Scripture Of The Zen , gershon hepner
  8. 208. Words Of Wisdom For The Rare Homo Sapiens , Dilantha Gunawardana
  9. 209. Day Slice , Bill Grace
  10. 210. Joseph's Gloss On God , gershon hepner
  11. 211. If I Really Want It , RIC S. BASTASA
  12. 212. The Paparazzi Historian - Viii , Sadiqullah Khan
  13. 213. Tell Me , hasmukh amathalal
  14. 214. 2010/06/30 Siren Song (Rev.) , Margaret Alice
  15. 215. Boredom , gershon hepner
  16. 216. Smooth And Amiable, Opaque , gershon hepner
  17. 217. The Idea And The Image Of The Dark Daugh.. , Bijay Kant Dubey
  18. 218. Genius , gershon hepner
  19. 219. Each Morning At The Breakfast Table , gershon hepner
  20. 220. Alankar(Decor) -205 , Indira Renganathan
  21. 221. Endless End , Udaya R. Tennakoon
  22. 222. Speechless , Sadiqullah Khan
  23. 223. Psalm-41 , Walterrean Salley
  24. 224. Growing Darkness (Rev) , Margaret Alice Second
  25. 225. The Way It's Phrased , Ace Of Black Hearts
  26. 226. Open Up Your Wallets... , Lawrence S. Pertillar
  27. 227. The Classics , Rm.Shanmugam Chettiar.
  28. 228. It Isn'T Traditional , Lawrence S. Pertillar
  29. 229. Triptych , gershon hepner
  30. 230. All-Knowing Author (Rev.) , Margaret Alice Second
  31. 231. Alankar(Decor) -98 , Indira Renganathan
  32. 232. Kulwant Singh Gill As A Poet , Bijay Kant Dubey
  33. 233. (limerick) At Request Of Investors , WES Vogler
  34. 234. Camouflaged Flaws In Reality (Revised) , Margaret Alice Second
  35. 235. Girl And Gun , gershon hepner
  36. 236. From....Ll , Morgan Michaels
  37. 237. Deeds And Relationships , gershon hepner
  38. 238. The Foolish Servant Reads The Palm In Hi.. , nimal dunuhinga
  39. 239. Felons And Talons , Naveed Akram
  40. 240. Resonances Come From What We Don'T Under.. , gershon hepner
  41. 241. My Love's Avail , Maurice Harris
  42. 242. Pure Music , gershon hepner
  43. 243. What Is History? , Bijay Kant Dubey
  44. 244. Kebyar Dance , Ahmad Shiddiqi
  45. 245. Television , Anthony Weir
  46. 246. It Seems The English , Patti Masterman
  47. 247. Stirk , Edward Kofi Louis
  48. 248. My Battle , Satish Verma
  49. 249. A Day In Her Shadowy Life For The New Pope , Chenou Liu
  50. 250. The Golden Age , Bill Knott
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