Mary Kinzie

Mary Kinzie Poems

Asleep, alive, her shape makes me afraid.
Afraid to lose what lasts a little while—
A curl of light along her shoulder blade,
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2.

Older now, he is among us in diminished form,
clothes sagging, hat large on the fine head

He likes the largest stores acres of socks and tuna where
...

Mary Kinzie Biography

Honored as a teacher and critic, Mary Kinzie has published several collections of critical essays as well as poetry. She has an MA from the Johns Hopkins University Writing Seminars and a PhD in English from Johns Hopkins University. Her collections of poetry include Autumn Eros and Other Poems (1991), Ghost Ship (1996), Drift (2003), and California Sorrow (2007). In 2008 Kinzie received the Folger Shakespeare Library’s O.B. Hardison Jr. Poetry Prize in recognition of her work as a writer, teacher, and critic. Joshua Weiner, a judge for the prize, commented that Kinzie’s poems exhibited “investigative precision, openness to process, heartbreaking lyricism, and keen intellection.” He also noted the “formal rigor” of her early works and “musical flexibility” of more recent poems. Kinzie received a Guggenheim Fellowship in 1985 and the Celia B. Wagner Award from the Poetry Society of America in 1988. Kinzie is the author of a guide to poetry and prose, A Poet’s Guide to Poetry (1999). Other critical works include The Cure of Poetry in an Age of Prose: Moral Essays on the Poet’s Calling (1993) and The Judge Is Fury: Dislocation and Form in Poetry (1994). Kinzie has taught for many years at Northwestern University in Chicago.)

The Best Poem Of Mary Kinzie

Looking In at Night

Asleep, alive, her shape makes me afraid.
Afraid to lose what lasts a little while—
A curl of light along her shoulder blade,

One elbow up but the round ear in shade,
Mouth serious, eyes inward in denial
Of waking life—her shape makes me afraid.

She is like a statue they've displayed,
A maiden's (from the porch), with her unseeing smile.
Light is sketched along her shoulder blade

And weaves around her head like waves of braid,
Suggesting hair in an archaic style,
Asleep-alive. Her shape makes me afraid,

Every year the marble more decayed,
The lines less clear. Time starts its slide,
Curling the light along her shoulder blade

Then rubbing out the features we have made
To take the wing and numbers from the dial.
Alive in sleep her shape turns, unafraid,
Drawing the night along her shoulder blade.

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