Lola Ridge

(December 12, 1873- May 19, 1941 / Dublin)

Biography of Lola Ridge

Lola Ridge poet

an anarchist poet and an influential editor of avant-garde, feminist, and Marxist publications best remembered for her long poems and poetic sequences. She, along with other political poets of the early Modernist period, has been coming under increasing critical scrutiny at the beginning of the twenty-first century.

Life and Writings

Ridge grew up in New Zealand and Australia, and moved to the San Francisco in 1907.

Her first book, The Ghetto and Other Poems was published in 1918. The title poem portrays the Jewish community of Hester Street New York, and deals with the effects of capitalism, gender conflict and conflicts between generations on this immigrant community in ways that bear comparison to the works of Charles Reznikoff. The book was a critical success and led to her involvement with avant-garde magazines such as Others and Broom. Ridge went on to publish four more books of poetry. October 22, 1919, she married David Laws. In 1929, she went to Yaddo. In 1935, she was a Guggenheim Fellow. In 1936, she won the Shelley Memorial Award.

Her papers are held at Smith College.

Political Activities

Although never a member of any political party, she protested against the execution of Sacco and Vanzetti in 1927, for which she was arrested. She also supported Tom Mooney, and Warren Billings, who had been framed for a bombing at the Preparedness Day Parade in San Francisco in 1916. Her third book, Red Flag 1927 collected much of her political poetry.

Lola Ridge's Works:

The Ghetto, and Other Poems, Huebsch, 1918.
Sun-Up, and Other Poems, Huebsch, 1920; Lightning Source Inc, 2008
Red Flag, Viking, 1927.
Firehead, Payson & Clarke, 1929.
Dance of Fire, Smith & Haas, 1935.
Daniel Tobin, ed. (2007). Light in hand: selected early poems. Quale Press.

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PoemHunter.com Updates

Mother

Your love was like moonlight
turning harsh things to beauty,
so that little wry souls
reflecting each other obliquely
as in cracked mirrors . . .
beheld in your luminous spirit
their own reflection,
transfigured as in a shining stream,
and loved you for what they are not.

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