Biography of Kenneth Patchen
an American poet and novelist. Though he denied any direct connection, Patchen's work and ideas regarding the role of artists paralleled those of the Dadaists, the Beats, and Surrealists. Patchen's ambitious body of work also foreshadowed literary art-forms ranging from reading poetry to jazz accompaniment to his late experiments with visual poetry (which he called his "picture poems").
In 1911, Kenneth Patchen was born in Niles, Ohio. His lifelong romance with writing commenced at age twelve, when he took up keeping a diary and reading the works of famous writers. His first published work was in his high school newspaper. After working for two years with his father, Patchen when on to college in Alexander Meiklejohn's Experimental College for one year, and then to the University of Wisconsin. He grew bored of his studies, and began to wander around the US. He continued his writing, and in 1934, he married Miriam Oikemus. Patchen dislocated a disk in his spine, an incessantly painful injury, which he lived with for a span of nearly thirty years, before seeking treatment. He died in 1972.
Over the course of his career, which included about forty books, Patchen tried his hand at several types of poetry: concrete poetry, drama, prose, jazz, verse, and the anti-novel. He even published self-illustrated writings, in his own words, were "painted books." Henry Miller called Patchen "The Man of Anger and Light". In his lifetime, he produced many books and poems. His poetry on atrocities of war is especially remembered.
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- As We Are So Wonderfully Done With Each ...
- Let Us Have Madness
- Fall of the Evening Star
- We Go Out Together In the Staring Town
- When We Were Here Together
- The Artist's Duty
- The Slums
- There Are Not Many Kingdoms Left
- The Orange Bears
- Saturday Night in the Parthenon
- In the footsteps of the walking air
- The Hangman's Great Hands
- The Naked Land
Let Us Have Madness
Let us have madness openly.
O men Of my generation.
Let us follow
The footsteps of this slaughtered age:
See it trail across Time's dim land
Into the closed house of eternity
With the noise that dying has,
With the face that dead things wear--
nor ever say