On the tip of a hill, the silhouette is of something not of this world,
the body silent in the birth of another shadow, swelling still
among stars & veins. The sun dropping below the mountains left
...
Between the train's long slide and the sun
ricocheting off the sea, anyone
would have fallen silent in those words,
the language of age in her face, the birds
...
A basket of apples brown in our kitchen,
their warm scent is the scent of ripening,
and my sister, entering the room quietly,
takes a seat at the table, takes up the task
...
We thought nothing of it, he says,
though some came so close to where we slept.
I try to see him as a boy,
back in the Philippines, waking
...
Jon Pineda (born Charleston, South Carolina) is an American poet, memoirist, and novelist. Jon Pineda was raised in Chesapeake, Virginia. He graduated from James Madison University and Virginia Commonwealth University. His work has appeared in Poetry Northwest, The Literary Review, Sou'wester, Prairie Schooner, Many Mountains Moving, Asian Pacific American Journal, Puerto del Sol, and elsewhere. He is the author of the novel Apology, winner of the 2013 Milkweed National Fiction Prize. His memoir Sleep in Me was a 2010 Barnes & Noble Discover Great New Writers selection. His poetry collections include The Translator's Diary, winner of the 2007 Green Prize for Poetry from New Issues Press, and Birthmark, first place winner in the 2003 Crab Orchard Series in Poetry Open Competition Awards. He currently teaches in the low-residency MFA program at Queens University of Charlotte and is a member of the creative writing faculty at the University of Mary Washington.)
The Muse, Or Stars Out On Interstate 81 South
On the tip of a hill, the silhouette is of something not of this world,
the body silent in the birth of another shadow, swelling still
among stars & veins. The sun dropping below the mountains left
hardly any light, except what glimmers on the membrane & slips
into the high grass. Alone, I pulled over to the side
of 81 where semis' blowing horns descend
beyond the sloped field. Pieces of barbed wire snapped from the line.
I stepped through the fence, its blood-colored rust rubbed into my hands.
For a moment, it is something that stays with me, like a memory
that does not give up easily. I try wiping my hands onto my jeans, but nothing.
It is anything it wants to be—calf, half-life, angel—its fur a glaze
of cricket sounds & cool air, a thing of stars burnt into hooves, a haze,
& I stood there, not knowing whether it would be right to touch the one
not breathing, its nose drying in the grass next to my hands, grit
in the creases & burning now with the dust of splinters. Like flies,
my fingers hover over the dead face.