Jim Harrison

Jim Harrison Poems

The cost of flight is landing.
On this warm winter day in the southwest,
down here on the edge of the border I want
to go to France where we all came from
...

The moon comes up.
The moon goes down.
This is to inform you
that I didn't die young.
...

Out the window of the bar I'm watching
a circle of girls stretching and yawning
across the street. It's late January and 74
degrees. They love the heat because
...

At dawn I heard among bird calls
the billions of marching feet in the churn
and squeak of gravel, even tiny feet
still wet from the mother's amniotic fluid,
...

I love these raw moist dawns with
a thousand birds you hear but can't
quite see in the mist.
My old alien body is a foreigner
struggling to get into another country.
The loon call makes me shiver.
Back at the cabin I see a book
and am not quite sure what that is.
...

I envied the dog lying in the yard
so I did it. But there was a pebble
under my flank so I got up and looked
for the pebble, brushed it away
and lay back down. My dog thus far
overlooked the pebble. I guess it's her thick
Lab fur. With my head downhill the blood gorged
me with ideas. Not good. Got up. Turned around. Now I
see hundreds of infinitesimal ants. I'm on an
ant home. I get up and move five feet.
The dog hasn't moved from her serene place.
Now I'm rather too near a thicket where
I saw a big black snake last week that might decide
to join me. I moved near the actual dog this time
but she got up and went under the porch. She doesn't like
it when I'm acting weird. I'm failing as a dog
when my own kind rejects me, but doing better
than when I envied birds, the creature the least
like us, therefore utterly enviable. To be sure
I cheeped a lot but didn't try to fly.
We humans can take off but are no good at landing.
...

Yes, we'll gather by the river,
the beautiful, the beautiful river.
They say it runs by the throne of God.
This is where God invented fish.
Wherever, but then God's throne is as wide
as the universe. If you're attentive you'll
see the throne's borders in the stars. We're on this side
and when you get to the other side we don't know
what will happen if anything. If nothing happens
we won't know it, I said once. Is that cynical?
No, nothing is nothing, not upsetting just
nothing. Then again maybe we'll be cast
at the speed of light through the universe
to God's throne. His hair is bounteous.
All the 5,000 birds on earth were created there.
The firstborn cranes, herons, hawks, at the back
so as not to frighten the little ones.
Even now they remember this divine habitat.
Shall we gather at the river, this beautiful river?
We'll sing with the warblers perched on his eyelashes.
...

1
The Saturday morning meadowlark
came in from high up
with her song gliding into tall grass
still singing. How I'd like
to glide around singing in the summer
then to go south to where I already was
and find fields full of meadowlarks
in winter. But when walking my dog
I want four legs to keep up with her
as she thunders down the hill at top speed
then belly flops into the deep pond.
Lark or dog I crave the impossible.
I'm just human. All too human.


2
I was nineteen and mentally
infirm when I saw the prophet Isaiah.
The hem of his robe was as wide
as the horizon and his trunk and face
were thousands of feet up in the air.
Maybe he appeared because I had read him
so much and opened too many ancient doors.
I was cooking my life in a cracked clay
pot that was leaking. I had found
secrets I didn't deserve to know.
When the battle for the mind is finally
over it's late June, green and raining.

3
A violent windstorm the night before
the solstice. The house creaked and yawned.
I thought the morning might bring a bald earth,
bald as a man's bald head but not shiny.
But dawn was fine with a few downed trees,
the yellow rosebush splendidly intact.
The grass was all there dotted with Black
Angus cattle. The grass is indestructible
except to fire but now it's too green to burn.
What did the cattle do in this storm?
They stood with their butts toward the wind,
erect Buddhists waiting for nothing in particular.
I was in bed cringing at gusts,
imagining the contents of earth all blowing
north and piled up where the wind stopped,
the pile sky-high. No one can climb it.
A gopher comes out of a hole as if nothing happened.

4
The sun should be a couple of million miles
closer today. It wouldn't hurt anything
and anyway this cold rainy June is hard
on me and the nesting birds. My own nest
is stupidly uncomfortable, the chair
of many years. The old windows don't keep
the weather out, the wet wind whipping
my hair. A very old robin drops dead
on the lawn, a first for me. Millions
of birds die but we never see it—they like
privacy in this holy, fatal moment or so
I think. We can't tell each other when we die.
Others must carry the message to and fro.
'He's gone,' they'll say. While writing an average poem
destined to disappear among the millions of poems
written now by mortally average poets.

5
Solstice at the cabin deep in the forest.
The full moon shines in the river, there are pale
green northern lights. A huge thunderstorm
comes slowly from the west. Lightning strikes
a nearby tamarack bursting into flame.
I go into the cabin feeling unworthy.
At dawn the tree is still smoldering
in this place the gods touched earth.
...

I worry much about the suffering
of Machado. I was only one when he carried
his mother across the border from Spain to France
in a rainstorm. She died and so did he
a few days later in a rooming house along a dry canal.
To carry Mother he abandoned a satchel
holding his last few years of poetry.
I've traveled to Collioure several times
to search for Machado's lost satchel.
The French fed him but couldn't save him.
There's no true path to a death —
we discover the path by walking.
We turn a corner on no road
and there's a house on a green hill
with a thousand colorful birds sweeping in a circle.
Are the poems in the basement of the house on the hill?
We'll find out if we remember earth at all.
...

10.

I feel my failure intensely
as if it were a vital organ
the gods grew from the side of my head.
You can't cover it with a hat and I no longer
can sleep on that side it's so tender.
I wasn't quite faithful enough
to carry this sort of weight up the mountain.
When I took my vows at nineteen
I had no idea that gods were so merciless.
Fear makes for good servants
and bravery is fraudulent. When I awoke
I wasn't awake enough.
...

A secret came a week ago though I already
knew it just beyond the bruised lips of consciousness.
The very alive souls of thirty-five hundred dead birds
are harbored in my body. It's not uncomfortable.
I'm only temporary habitat for these not-quite-
weightless creatures. I offered a wordless invitation
and now they're roosting within me, recalling
how I had watched them at night
in fall and spring passing across earth moons,
little clouds of black confetti, chattering and singing
on their way north or south. Now in my dreams
I see from the air the rumpled green and beige,
the watery face of earth as if they're carrying
me rather than me carrying them. Next winter
I'll release them near the estuary west of Alvarado
and south of Veracruz. I can see them perching
on undiscovered Olmec heads. We'll say goodbye
and I'll return my dreams to earth.
...

Jim Harrison Biography

im Harrison spent much of his life in Michigan on a farm near where he was born. His connection to rural landscapes was evident in his free-verse, imagistic poetry, which often explores human and animal drives set against an unforgiving natural world. Noting the poetry’s relation to Hemingway’s prose style in a review of Harrison’s Selected & New Poems 1961–1981, poet and critic Richard Tillinghast declared in the New York Times that “Mr. Harrison has few equals as a writer on outdoor life, the traditional heritage and proving ground of the American male.” Educated at Michigan State University, Harrison taught briefly at SUNY Stony Brook. After the publication of his first collection of poetry, Plain Song (1965), he returned to Michigan, where he worked as a freelance journalist and laborer until he began to earn a living from his writing. Harrison published more than a dozen collections of poetry and has also built a reputation as a fiction writer, publishing numerous novels and collections. His book Legends of the Fall (1979), received considerable critical acclaim and was made into a 1995 feature film. Harrison wrote several screenplays for Warner Bros. and other studios. Harrison was poetry editor of The Nation and co-editor of Sumac. He wrote a food column, “The Raw and the Cooked,” for Esquire magazine, and his collection of essays, Just Before Dark (1991), includes some of his food writing along with literary and nature essays. He died in 2016.)

The Best Poem Of Jim Harrison

The Present

The cost of flight is landing.
On this warm winter day in the southwest,
down here on the edge of the border I want
to go to France where we all came from
where the Occident was born near the ancient
caves near Lascaux. At home I'm only
sitting on the lip of this black hole, a well
that descends to the center of the earth.
With a big telescope aimed straight down
I see a red dot of fire and hear the beast howling.
My back is suppurating with disease,
the heart lurches left and right,
the brain sings its ditties.
Everywhere blank white movies wait to be seen.
The skylark dove within inches of the rocks
before it stopped and rose again.
God's toes are buried deep in the earth.
He's ready to run. But where?

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