Members Who Read Most Number Of Poems

Live Scores

Click here to see the rest of the list

(11 September 1700 – 27 August 1748 / Ednam in Roxburghshire, Scotland)

Biography of James Thomson

James Thomson poet

James Thomson was a Scottish poet and playwright, known for his masterpiece The Seasons and the lyrics of Rule, Britannia!.

Scotland, 1700-1725

James Thomson was born in Ednam in Roxburghshire around 11 September 1700 and baptised on 15 September. The fourth of nine children of Thomas Thomson and Beatrix Thomson (née Trotter). Beatrix Thomson was born in Fogo, Berwickshire and was a distant relation of the house of Hume. Thomas Thomson was the Presbyterian minister of Ednam until eight weeks after Thomson’s birth, when he was admitted as minister of Southdean, where Thomson spent most of his early years.

Thomson may have attended the parish school of Southdean before going to the grammar school in Jedburgh in 1712. He failed to distinguish himself there. Shiels, his earliest biographer, writes: 'far from appearing to possess a sprightly genius, [Thomson] was considered by his schoolmaster, and those which directed his education, as being really without a common share of parts'. He was, however, encouraged to write poetry by Robert Riccaltoun (1691–1769), a farmer, poet and Presbyterian minister; and Sir William Bennet (d. 1729), a whig laird who was a patron of Allan Ramsay. While some early poems by Thomson survive, he burned most of them on New Year’s Day each year.

Thomson entered the College of Edinburgh in autumn 1715, destined for the Presbyterian ministry. At Edinburgh he studied metaphysics, Logic, Ethics, Greek, Latin and Natural Philosophy. He completed his arts course in 1719 but chose not to graduate, instead entering Divinity Hall to become a minister. In 1716 Thomas Thomson died, with local legend saying that he was killed whilst performing an exorcism. At Edinburgh Thomson became member of the Grotesque Club, a literary group, and he met his lifelong friend David Mallet. After the successful publication of some of his poems in the ‘’Edinburgh Miscellany’’ Thomson followed Mallet to London in February 1725 in an effort to publish his verse.

London, 1725-1727

In London Thomson became a tutor to the son of Charles Hamilton, Lord Binning, through connections on his mother’s side of the family. Through David Mallet, by 1724 a published poet, Thomson met the great English poets of the day including Richard Savage, Aaron Hill and Alexander Pope. Thomson’s mother died on 12 May 1725, around the time of his writing ‘Winter’, the first poem of ‘‘The Seasons’’. ‘Winter’ was first published in 1726 by John Millian, with a second edition being released (with revisions, additions and a preface) later the same year.

By 1727 Thomson was working on Summer, published in February, and was working at Watt’s Academy, a school for young gentlemen and a bastion of Newtonian science. In the same year Millian published a poem by Thomson titled ‘A Poem to the Memory of Sir Isaac Newton’ (who had died in March). Leaving Watt’s academy Thomson hoped to earn a living through his poetry, helped by his acquiring several wealthy patrons including Thomas Rundle, the countess of Hertford and Charles Talbot, 1st Baron Talbot.

Later Life, 1728-1748

He wrote Spring in 1728 and finally Autumn in 1730, when the set of four was published together as The Seasons. During this period he also wrote other poems, such as to the Memory of Sir Isaac Newton, and his first play, The Tragedy of Sophonisba (1729). The latter is best known today for its mention in Samuel Johnson's Lives of the English Poets, where Johnson records that one 'feeble' line of the poem - "O, Sophonisba, Sophonisba, O!" was parodied by the wags of the theatre as, "O, Jemmy Thomson, Jemmy Thomson, O!".

In 1730, he became tutor to the son of Sir Charles Talbot, then Solicitor-General, and spent nearly two years in the company of the young man on a tour of Europe . On his return Talbot arranged for him to become a secretary in chancery, which gave him financial security until Talbot's death in 1737. Meanwhile there appeared his next major work, Liberty (1734).

In 1740, he collaborated with Mallet on the masque Alfred which was first performed at Cliveden, the country home of the Frederick, Prince of Wales. Thomson's words for "Rule Britannia", written as part of that masque and set to music by Thomas Arne, became one of the most well-known British patriotic songs - quite apart from the masque which is now virtually forgotten. The Prince gave him a pension of £100 per annum. He had also introduced him to George Lyttelton, who became his friend and patron.

In later years, Thomson lived in Richmond upon Thames, and it was there that he wrote his final work The Castle of Indolence, which was published just before his untimely death on August 27, 1748. Johnson writes about Thomson's death, "by taking cold on the water between London and Kew, he caught a disorder, which, with some careless exasperation, ended in a fever that put end to his life"

A dispute over the publishing rights to one of his works, The Seasons gave rise to two important legal decisions (Millar v. Taylor; Donaldson v. Beckett) in the history of copyright.

Thomson's The Seasons was translated into German by Barthold Heinrich Brockes (1745). This translation formed the basis for a work with the same title by Gottfried van Swieten, which became the libretto for Haydn's oratorio The Seasons.

James Thomson's Works:

Winter. A Poem (London: Printed for J. Millan & sold by J. Roberts & N. Blandford, 1726).
Summer. A Poem (London: Printed for J. Millan, 1727).
A Poem Sacred to the Memory of Sir Isaac Newton (London: Printed for J. Millan, 1727).
Spring. A Poem (London: Printed & sold by A. Millar & G. Strahan, 1728).
Britannia. A Poem, anonymous (London: Printed for T. Warner, 1729).
The Tragedy of Sophonisba. Acted at the Theatre-Royal in Drury-Lane. By His Majesty's Servants (London: Printed for A. Millar, 1730).
The Seasons (London: Printed for the author, 1730; revised and enlarged edition, London: Printed by A. Millar, 1744; revised again, 1746; Philadelphia: Printed & sold by Robert Bell, 1777).
Autumn. A Poem ... The Second edition (London: Printed by N. Blandford for J. Millan, 1730).
Antient [sic] and Modern Italy Compared: being the First Part of Liberty, a Poem (London: Printed for A. Millar, 1735).
Greece: being the Second Part of Liberty, a Poem (London: Printed for A. Millar, 1735).
Rome: being the Third Part of Liberty, a Poem (London: Printed for A. Millar, 1735).
Britain: being the Fourth Part of Liberty, a Poem (London: Printed for A. Millar, 1736).
The Prospect: being the Fifth Part of Liberty. A Poem (London: Printed for A. Millar, 1736).
A Poem to the Memory of the Right Honourable the Lord Talbot (London: Printed for A. Millar, 1737).
Agamemnon. A tragedy. Acted at the Theatre-Royal in Drury-Lane, by His Majesty's Servants (London: Printed for A. Millar, 1738).
The Works of Mr. Thomson, 2 volumes (London: Printed for A. Millar, 1738).
Edward and Eleonora. A tragedy. As it was to have been acted at the Theatre-Royal in Covent-Garden (London: Printed for the author & sold by A. Millar, 1739).
Alfred: a Masque. Represented before Their Royal Highnesses the Prince and Princess of Wales, at Clieffden, on the first of August, 1740, by Thomson and David Mallet (London: Printed for A. Millar, 1740).
Tancred and Sigismunda. A Tragedy. As it is acted at the Theatre-Royal in Drury-Lane (London: Printed for A. Millar, 1745).
The Castle of Indolence: an Allegorical Poem. Written an Imitation of Spenser (London: Printed for A. Millar, 1748).
Coriolanus. A tragedy. As it is acted at the Theatre-Royal in Covent-Garden (London: Printed for A. Millar, 1749).

Editions and Collections

The Works of James Thomson, 4 volumes, edited by George Lyttelton (London: Printed for A. Millar, 1750). 

The Works of James Thomson, with his last corrections and improvements. To which is prefixed an account of his life and writings, edited by Patrick Murdoch (London: Printed for A. Millar, 1762; revised edition, 1768; Boston: Little, Brown, 1865). 

The Castle of Indolence and Other Poems, edited by Alan Dugald McKillop (Lawrence, Kan.: University of Kansas Press, 1961). 

The Seasons, edited by James Sambrook (Oxford: Clarendon Press, 1981).
Liberty, The Castle of Indolence, and Other Poems, edited by Sambrook (Oxford: Clarendon Press, 1986).

Play Production

Sophonisba, London, Theatre Royal in Drury Lane, 28 February 1730. 

Agamemnon, London, Theatre Royal in Drury Lane, 6 April 1738. 

Alfred, by Thomson and David Mallet, Cliefden, 1 August 1740; London, Theatre Royal in Drury Lane, 20 March 1745. 

Tancred and Sigismunda, London, Theatre Royal in Drury Lane, 18 March 1745. 

Coriolanus, London, Theatre Royal in Covent Garden, 13 January 1749.

Other

"Of a Country Life," "Verses on Receiving a Flower from his Mistress," and "Upon Happiness," in The Edinburgh Miscellany: consisting of Original Poems, Translations, etc. By Various Hands (January 1720), I: 193-204. 

"Hymn on Solitude," "A Paraphrase on the Latter Part of the Sixth Chapter of St. Matthew," "The Happy Man," and "The Incomparable Soporifick Doctor," in Miscellaneous Poems by Several Hands, publish'd by Mr. Ralph (London, 1729). 

Preface to Areopagitica: A speech for the liberty of unlicens'd printing, to the Parliament of England. First published in the year 1644, by John Milton (London: Printed for A. Millar, 1738). 

Prologue to Mustapha, by David Mallet (London, 1739).

Letters

James Thomson (1700-1748), Letters and Documents, edited by Alan Dugald McKillop (Lawrence, Kan.: University of Kansas Press, 1958). 

McKillop, "Two More Thomson Letters," Modern Philology, 60 (November 1962): 128-130.

This page is based on the copyrighted Wikipedia James Thomson; it is used under the Creative Commons Attribution-ShareAlike 3.0 Unported License. You may redistribute it, verbatim or modified, providing that you comply with the terms of the CC-BY-SA.

Hymn on Solitude

Hail, mildly pleasing solitude,
Companion of the wise and good;
But, from whose holy, piercing eye,
The herd of fools, and villains fly.
Oh! how I love with thee to walk,
And listen to thy whisper'd talk,
Which innocence, and truth imparts,
And melts the most obdurate hearts.

PoemHunter.com Updates

[Hata Bildir]