Harivansh Rai Bachchan (27 November 1907 – 18 January 2003 / Allahabad, Uttar Pradesh / British India)
Biography of Harivansh Rai Bachchan
Harivansh Rai Shrivastav alias Bachchan (Hindi: हरिवंश राय बच्चन, Bengali: হরিবংশ রায় বচ্চন ) was a noted Indian poet of Chhayavaad literary movement (romantic upsurge) of early 20th century Hindi literature. He was also a famous poet of the Hindi Kavi Sammelan. He is best known for his early work Madhushala (मधुशाला). He is also the father of Bollywood megastar, Amitabh Bachchan.
Personal Life and Education
Born in a Srivastava Kayastha family, in the village of Babupatti (Raniganj) in the district of Pratapgarh, U.P. near Allahabad in the United Provinces (modern Uttar Pradesh) he was the eldest son of Pratap Narayan Shrivastav and Saraswati Devi. He was called bachchan (meaning Kid at home). He received his formal schooling in a municipal school and followed the family tradition of attending Kayastha Paathshaalas (कायस्थ पाठशाला) to learn Urdu as the first step to a career in law. He later studied at the Allahabad University and Banaras Hindu University. In this period, he came under the influence of the independence movement, then under the leadership of Mahatma Gandhi.
Realizing that this was not the path he wanted to follow, he went back to the university. However from 1941 to 1952 he taught in the English Department at the Allahabad University and after that he spent the next two years at St Catharine's College, Cambridge, Cambridge University doing his doctoral thesis on W.B. Yeats. It was then, that he used ‘Bachchan’ as his last name instead of Srivastava. Harivanshrai’s thesis got him his PhD at Cambridge. He is the second Indian to get his doctorate in English literature from Cambridge. After returning to India he again took to teaching and also served at All India Radio, Allahabad.
In 1926, at the age of 19, Bachchan married his first wife, Shyama, who was then 14 years old. However she died ten years later in 1936 after a long spell of TB at just 24 years of age. Bachchan again married, Teji Bachchan, in 1941. They had two sons, Amitabh and Ajitabh.
In 1955, Harivanshrai shifted to Delhi to join the External Affairs Ministry as an officer on Special duty and during the period of 10 years that he served he was also associated with the evolution of Hindi as the official language. He also enriched Hindi through his translations of major writings. As a poet he is famous for his poem Madhushala (a bar selling alcoholic drinks). Besides Omar Khayyam’s Rubaiyat, he will also be remembered for his Hindi translations of Shakespeare’s Macbeth and Othello and also the Bhagvad Gita. However in Nov 1984 he wrote his last poem ‘Ek November1984’ on Indira Gandhi’s assassination.
Harivanshrai was nominated to the Indian Rajya Sabha in 1966 and received the Sahitya Akademi award three years later. In 1976 he was honoured with the Padma Bhushan for his immense contribution to Hindi literature. He was also honoured with the Saraswati Samman, the Sovietland Nehru Award and the Lotus Award of the Afro-Asian writers’ conference, for his unique contribution to the world of letters. But if ever asked to introduce himself, he had a simple introduction: Mitti ka tan, masti ka man, kshan-bhar jivan — mera parichay. (A body of clay, a mind full of play, a moment’s life - that is me.).
In 1941 Bachchan began teaching English at Allahabad University, some ten years later an opportunity arose to apply for study in England. Although the principal objective was to study English-teaching methodology, Bachchan saw it as an opportunity to complete his previous studies on the Irish poet WB Yeats. His acceptance at Cambridge may well have rested more on his popular acclaim rather than his academic studies, but whilst at Cambridge he excelled, achieving his doctorate in English Literature for his work on Yeats.
Bachchan was a student of the renowned English literature don, Thomas Rice Henn. In June 1954 Henn wrote a reference for Bachchan describing his thesis as a:
"... genuine contribution to our knowledge, [that] will be of great assistance to future students of the work of WB Yeats … [Bachchan] has a tremendous enthusiasm for his subject, and an unusual sensibility to English poetry and its background in religion, philosophy and social history. He also has the outstanding advantage of being a poet in his own right."
Bachchan and Henn built a close relationship during his time at Cambridge and remained in touch on his return to India. Eleven years after leaving the University Bachchan's thesis was published to coincide with the Yeats centenary; Dr Henn wrote the preface.
In his autobiography, Bachchan describes his first impressions of the city:
"Cambridge enchanted me from very first glimpse: the banks of the slowly-flowing Cam, flanked by rows of centuries-old buildings and crossed by bridges of various designs … Even slight knowledge of history would project the faces of Newton, Bacon, Darwin, Spenser, Cromwell and Milton onto the scene—and of Marlowe, Gray, Thackeray, Wordsworth, Byron and Tennyson; and from my own country, Ramanujam, Aurobindo, Iqbal, Subhas Bose and Jawaharlal. I saw Cambridge in both its contemporary and its historical dimension, and if I were to describe my first reactions, I would have to say I was overwhelmed: entranced by its cultivated beauty, humbled by its extraordinary gifts to the world."
Bachchan was awarded his doctorate after two years at Cambridge: the significance of this achievement should not be underestimated. He had left his wife and two children in India whilst he studied; he and his family endured financial hardship and the trials of a long separation, including malicious rumours levelled against him and his family. Achieving his doctorate was vindication of the sacrifices they had made and meant that ‘his honour was saved’. His wife had the news of his success printed in the local papers.
After returning to India, Bachchan taught briefly and then worked as a producer for All India Radio in Allahabad. In 1955, he moved to Delhi to join the Ministry of External Affairs of the Government of India and was closely involved with the evolution of Hindi as the country's official language.
Bachchan published about 30 volumes of poetry throughout his lifetime and translated several English works into Hindi. He is best known for his early lyric poem Madhushala (The House of Wine) which was inspired by Edward Fitzgerald's translation The Rubaiyat of Omar Khayyam; first published in 1935 it brought him instant fame and his recitals were met with wild enthusiasm from the huge audiences he attracted. The poem has been choreographed and performed on stage, and set to music. Madhushala is one of the most enduring works of Hindi literature and has been translated into English and many regional Indian languages.
Bachchan was nominated to the Rajya Sabha, the Upper House of the Indian Parliament, in 1966 and received many honours for his contribution to Hindi and Asian literature. In 2003, an Indian postage stamp was released in his memory. The enduring popularity and influence of Bachchan was evident at his funeral in January 2003. Thousands of people attended his funeral procession, and tributes were paid by politicians, industrialists and Bollywood stars. His son, Bollywood star Amitabh Bachchan, visited St Catharine's in 2007 and spoke movingly of his father's time at the College.
Bachchan died on January 18, 2003, at the age of 95, as a result of various respiratory ailments. His wife Teji Bachchan died four years later in 2007, at the age of 93.
At present, more people may know Bachchan as being father to India’s best-known film actor, Amitabh Bachchan, than know his reputation as a poet.
The creator of the great collection ‘Madhushala ‘ is often thought to be a great admirer of wonder solutions himself. It is wrongly believed that the creator of one of the most famous poems on wine (Madhushala) never drank liquor. In reality, he had never drank liquor till the time he completed Madhushala. He did drink, although sparingly, later in his life, a fact that he admits to in his autobiography.
One of his inspirational poems, “agneepath” was used as the title and the theme for the 1991 blockbuster movie Agneepath (translates: path of fire) featuring his superstar son Amitabh Bachchan as a ruthless mafia don. This movie was a massive success earning Amitabh Bachchan a National Award for his performance. You can see Amitabh narrating the poem through out the movie.
The poem describes the entire gamut of sufferings that the human race had gone through and is going through.
Harivansh Rai Bachchan's Works:
Tera Har (तेरा हार) (1932)
Madhushala (मधुशाला) (1935)
Madhubala (मधुबाला) (1936)
Madhukalash (मधुकलश) (1937)
Nisha Nimantran (निशा निमंत्रण) (1938)
Ekaant Sangeet (एकांत संगीत) (1939)
Aakul Antar (आकुल अंतर) (1943)
Satarangini (सतरंगिनी) (1945)
Halaahal (हलाहल) (1946)
Bengal ka Kaavya (बंगाल का काव्य) (1946)
Kaadi ke Phool (खादी के फूल) (1948)
Soot ki Maala (सूत की माला) (1948)
Milan Yamini (मिलन यामिनी) (1950)
Pranay Patrika (प्रणय पत्रिका) (1955)
Dhaar ke idhar udhar (धार के इधर उधर) (1957)
Aarti aur Angaare (आरती और अंगारे) (1958)
Buddha aur Naachghar (बुद्ध और नाचघर) (1958)
Tribhangima (त्रिभंगिमा) (1961)
Chaar kheme Chaunsath khoonte (चार खेमे चौंसठ खूंटे) (1962)
Do Chattane (दो चट्टानें) (1965)
Bahut din beete (बहुत दिन बीते) (1967)
Kat-ti pratimaaon ki awaaz (कटती प्रतिमाओं की आवाज़) (1968)
Ubharte pratimaano ke roop (उभरते प्रतिमानों के रूप) (1969)
Jaal sameta (जाल समेटा) (1973)
Bachpan ke saath kshan bhar (बचपन के साथ क्षण भर) (1934)
Khaiyyam ki madhushala (खय्याम की मधुशाला) (1938)
Sopaan (सोपान) (1953)
Jangeet (जनगीता) (1958)
Omar Khaiyyam ki rubaaiyan (उमर खय्याम की रुबाइयाँ) (1959)
Kaviyon ke saumya sant: Pant (कवियों के सौम्य संत: पंत) (1960)
Aaj ke lokpriya Hindi kavi: Sumitranandan Pant (आज के लोकप्रिय हिन्दी कवि: सुमित्रानंदन पंत) (1960)
Aadhunik kavi: 7 (आधुनिक कवि: ७) (1961)
Nehru: Raajnaitik jeevanchitra (नेहरू: राजनैतिक जीवनचित्र) (1961)
Naye puraane jharokhe (नये पुराने झरोखे) (1962)
Abhinav sopaan (अभिनव सोपान) (1964)
Chausath roosi kavitaayein (चौसठ रूसी कवितायें) (1964)
W.B. Yeats and Occultism (1968)
Markat dweep ka swar (मरकट द्वीप का स्वर) (1968)
Naagar geet (नागर गीत) (1966)
Bachpan ke lokpriya geet (बचपन के लोकप्रिय गीत) (1967)
Bhaasha apni bhaav paraaye (भाषा अपनी भाव पराये) (1970)
Pant ke sau patra (पंत के सौ पत्र) (1970)
Pravaas ki diary (प्रवास की डायरी) (1971)
King Lear (1972)
Tooti Chooti kadiyan (टूटी छूटी कड़ियां) (1973)
Meri kavitaayi ki aadhi sadi (मेरी कविताई की आधी सदी) (1981)
So-ham hans (सोहं हंस) (1981)
Aathve dashak ki pratinidhi shreshth kavitaayein (आठवें दशक की प्रतिनिधी श्रेष्ठ कवितायें) (1982)
Meri shreshth kavitaayein (मेरी श्रेष्ठ कवितायें) (1984)
Jo beet gai so Bat gai
Kya bhooloon kya yaad karoon (क्या भूलूं क्या याद करूं) (1969)
Need ka nirmaan fir (नीड़ का निर्माण फिर) (1970)
Basere se door (बसेरे से दूर) (1977)
Dashdwaar se sopaan tak (दशद्वार से सोपान तक) (1985), In the Afternoon of Time
Bachchan rachanavali ke nau khand (बच्चन रचनावली के नौ खण्ड) (1983)
- Andhere Kaa Deepak
- Din Jaldi - Jaldi Dhalta Hai!
- Hai Andheri Raat Par Diva Jalana Kab Man...
- Is Par Us Par
- Jiban Ki Apadapi Mein
- Kabi Ko Bashona
- Kahte Hain Taare Gaate Hain
- Kis Kar Mei Yah Bina Dhar Du
- Ksana Bhar Ko Kyo Pyar Kiya Tha?
- Lo Din Bitaa, Lo Raat Gayi
- Mujhe Pukaar Lo
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