Treasure Island

Gertrude Stein

(3 February 1874 – 27 July 1946 / Allegheny, Pennsylvania)

Quotations

  • ''No sense in no sense innocence of what of not and what of delight. In no sense innocence in no sense and what in delight and not, in no sense innocence in no sense no sense what, in no sense and delight, and in no sense and delight and not in no sense and delight and not, no sense in no sense innocence and delight.''
    Gertrude Stein (1874-1946), U.S. author. (Written 1923), originally published in Oxford 1927 ( May 28, 1927). "Are There Arithmetics," Reflections on the Atomic Bomb, Black Sparrow Press (1973).
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  • ''What is marriage, is marriage protection or religion, is marriage renunciation or abundance, is marriage a stepping-stone or an end. What is marriage.''
    Gertrude Stein (1874-1946), U.S. author. Originally published with the vocal score as the libretto for the opera by Virgil Thomson, Music Press (1947). The Mother of Us All, Last Operas and Plays, Rinehart (1949).
  • ''It is always a mistake to be plain-spoken.''
    Gertrude Stein (1874-1946), U.S. author. (Written 1923). "As Eighty," Bee Time Vine, Yale University Press (1953).
  • ''Do you know because I tell you so, or do you know, do you know.''
    Gertrude Stein (1874-1946), U.S. author. The Mother Of Us All, Last Operas and Plays, Rinehart (1949). Originally published with the vocal score as the libretto for the opera by Virgil Thomson, Music Press (1947).
  • ''There are of course people who are more important than others in that they have more importance in the world but this is not essential and it ceases to be. I have no sense of difference in this respect because every human being comprises the combination form.''
    Gertrude Stein (1874-1946), U.S. author and patron of the arts; relocated to France. As quoted in What Are Masterpieces, afterword, by Robert Haas (1970). Said in a January 1946 interview with Haas.
  • ''Men cannot count, they do not know that two and two make four if women do not tell them so.''
    Gertrude Stein (1874-1946), U.S. author. (Written 1946), originally published with the vocal score as the libretto for the opera by Virgil Thomson, Music Press (1947). The Mother Of Us All, Last Operas and Plays, Rinehart (1949).
  • ''A writer should write with his eyes and a painter paint with his ears.''
    Gertrude Stein (1874-1946), U.S. author and patron of the arts; relocated to France. As quoted in What Are Masterpieces, afterword, by Robert Haas (1970). Said in a January 1946 interview with Haas.
  • ''Ladies there is no neutral position for us to assume.''
    Gertrude Stein (1874-1946), U.S. author. (Written 1946), originally published with the vocal score as the libretto for the opera by Virgil Thomson, Music Press (1947). The Mother Of Us All, Last Operas and Plays, Rinehart (1949).
  • ''Sinclair Lewis is the perfect example of the false sense of time of the newspaper world.... [ellipsis in source] He was always dominated by an artificial time when he wrote Main Street.... He did not create actual human beings at any time. That is what makes it newspaper. Sinclair Lewis is the typical newspaperman and everything he says is newspaper. The difference between a thinker and a newspaperman is that a thinker enters right into things, a newspaperman is superficial.''
    Gertrude Stein (1874-1946), U.S. author and patron of the arts; relocated to France. As quoted in What Are Masterpieces, afterword, by Robert Haas (1970). Said in a January 1946 interview with Haas. Sinclair Lewis (1885-1951), who wrote several popular novels of social criticism, started his career as a journalist.
  • ''I have declared that patience is never more than patient. I too have declared, that I who am not patient am patient.''
    Gertrude Stein (1874-1946), U.S. author. (Written 1946), originally published with the vocal score as the libretto for the opera by Virgil Thomson, Music Press (1947). The Mother Of Us All, Last Operas and Plays, Rinehart (1949).

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A Mounted Umbrella

WHAT was the use of not leaving it there where it would hang what was the use if there was no chance of ever seeing it come there and show that it was handsome and right in the way it showed it. The lesson is to learn that it does show it, that it shows it and that nothing, that there is nothing, that there is no more to do about it and just so muc

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