Emily Rosko

Emily Rosko Poems

There's loneliness and there's this—
an unfrequented song, a startling voice
across years. A shifting position, hymn
...

Everywhere is a nowhere,
and here we are
in the middle of it.
...

Round and round they go
with a ribbon and garlanded
flowers in hand.

The bark won't unravel,
the tree spells solidness—we
grand, oaken, elmed selves

of the ancients. Our pith
is clean. There's no pining
away for tomorrow, we are

in current respiration,
we move with the wind.
Singular, we are

stunning. In horde,
we are dense, differing
dream. The autumnal

flashiness these days
is drought-determined.
We barely go beyond

the red. Our hollows
are never vacant. We live
to board; we take

the ax. Marbled inside
the original stem. We were
born we don't know when.
...

There was no room for us to have feelings.
Under the Queen, we were foiled, our faces blanked of wonder.
A pitiful ordeal, our cheap toil. We hated her for stealing.

Our crooked backs ached; our knees bled from kneeling,
the whole sum of our treasures given up to fund her.
There was no room for us to have feelings,

so we made our way quietly; we arranged our own dealings,
checked what we clocked. Each swallowed their thunder
and railed within. Nothing left out for stealing.

But pound for pound, we grew skinny, weary, reeling
from the new rules she devised. We had to watch and mind her.
There was no room for us to have feelings.

We were audited, then fined. We abided her schooling.
Then, all music stopped. All solitude filled, we couldn't ponder
our losses. We tried to forget how much she was stealing.

Our patron saints left us; the stars took to jeering, leering
at our lessened state. We hardened at our blunder.
There was no room to have any feelings.
What of us? Not a pittance. No worth there for stealing
...

We were thinking of starting a band,
all lined up like ducks in a shooting gallery.

This one would be gem, that one
metamorphic, the rest pebbles and some

laboratory-grown, semi-precious stones. The trees
were in it for the long-run; they swayed or stood

stoic, sheltered what they could. We made the cast
as an idle grouping: we played the trump, the idiot,

the glue. We backdropped with hearts hardly
beating, our eyes set straight in our heads: the bombed-

out school kids, the oilfields scrubbed in turns. We chewed
the fat amongst ourselves. You said, this place

should be more festive: a lightning bolt, a snail, a fraud. I set
a crumb aside for the local roof rat; you tallied the droppings,

the amputees, the gold. I blew my top when you lost
'Dominion.' You said, what can be done? It's gone,

it's gone. Wind started in through the rift-way, buzzed
over our slate-blue bones. All the leaves have aged

with kindness, all our pretend
looped and windowed raggedness went largely

unseen. We were on stage the whole performance, held
our breath for the final moments with cheeks rent

and red. No neck was slit on our backs; no distraught
lover jumped from our cliff's edge. There was a stirring backstage

we could sense it: a temptress, some anger, some
sin. Weeds came thick around us. The act

had been bungled sorely. We withheld our opinions, sat in wait.
We were good for a throwing.
...

Emily Rosko Biography

Emily Rosko earned her BA from Purdue University, her MFA from Cornell University, and her PhD from the University of Missouri-Columbia. Her collections of poetry include Raw Goods Inventory (2006), which won an Iowa Poetry Prize and a Glasgow Prize for Emerging Writers, and Prop Rockery (2012), winner of an Akron Poetry Prize. She edited the volume A Broken Thing: Poets on the Line (2011). Rosko was a Stegner Fellow at Stanford University, and her honors and awards include Ruth Lilly and Jacob K. Javits fellowships. The poetry editor of Crazyhorse, Rosko is an assistant professor of English at the College of Charleston.)

The Best Poem Of Emily Rosko

Aubade

There's loneliness and there's this—
an unfrequented song, a startling voice
across years. A shifting position, hymn
from the hard bench, sharp something in
there, glass-glinted. If the movement
of trees in the weather front were enough.
If the notes were off-pitch but piercing
(which they are) as birdcall across
the stirring hour. In the woods,
a rustling of creatures we have no
idea of. Outcrops of limestone, wet leaves
lush and deadly. There's a time for killing,
some tell us, in the corner
of the who-knows-whereabouts. Everywhere,
the roadside lilies in thick morning
dew open orange and in numbers, one
after the other. Sun so strange it's as
though our looking, for a time, is first.

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