Chris Price

Chris Price Poems

1.

We were on the rebound
from perfection, piling on the dirt —

a mellotron, the wheezy breath
of old vinyl, character
...

If this were child's play
and I could choose

I'd be the dog —
body a soft black curve
...

(for Gertrude Elion, Nobel Prize-winning chemist)


It begins with the swing of limbs,
simple as catching
a ball: the rhythm of release
...

Imagining transcendence
we pinned the wings
of swans to the blunt
nubs of our shoulder-blades
...

If David Beach is right, and
a poem is an opening line
plus work, then how to work
up this opening line when it has
...

for Jonathan Besser

The sadness of bells sitting silent
shelved like a library of hearts
...

After raiding your wardrobe
I feel so much more myself.

I feel so much more myself
that I do a little dance
...

Of course his clothes don't fit
no longer even look like him

and the blue light doesn't suit
whatever tone it is his skin
...

All of my best lines are accidents.

You cannot generate an accident.
You can only put yourself
...

Chris Price Biography

Chris Price was born in 1966 in Reading, England. She is a poet, editor, and educator. Her collections of poetry include Husk (2002) and The Blind Singer (2009). She has also published an eccentric biographical dictionary that samples the lives of both real and fictional characters called Brief Lives (2006). Price has won and been shortlisted for several nationally recognized literary awards, and in 2008 she was the Auckland University Writer in Residence at the Michael King Writers' Centre. Recently she has been awarded the prestigious New Zealand Post Mansfield Writer in Residence scholarship in Menton, France.)

The Best Poem Of Chris Price

Mix

We were on the rebound
from perfection, piling on the dirt —

a mellotron, the wheezy breath
of old vinyl, character

sounds. We argued over psycho-acoustic
noise optimisation, where

to put the vocals — I wanted walk-in
wardrobe, you favoured aircraft hangar.

Time signatures exercised us into
the small hours. Finally we had to admit

something was wrong
with the voice, the original

performance. Intonation? We thought
we could fix it in the mix

auto-tuned within an inch of its life
to no effect. There was a spike

that wouldn't be softened.
After that you left for London citing

artistic differences. I opted for a cool edit
of the whole performance, released

selected tracks to friends
and family, trashed the backup

sold the gear. I hear you're big
in the clubs over there. Good luck.

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