Biography of Charles Churchill
Charles Churchill was an English poet and satirist.
Churchill was born in Vine Street, Westminster. His father, rector of Rainham, Essex, held the curacy and lectureship of St Johns, Westminster, from 1733, and Charles was educated at Westminster School, where he became a good classical scholar, and formed a close and lasting friendship with Robert Lloyd. He was admitted to St John's College, Cambridge on 8 July 1748. Churchill contracted a marriage within the rules of the Fleet in his eighteenth year, and never lived at Cambridge; the young couple lived in his father's house, and Churchill was afterwards sent to the north of England to prepare for holy orders. He became curate of South Cadbury, Somerset, and, on receiving priest's orders (1756), began to act as his fathers curate at Rainham. Two years later the elder Churchill died, and the son was elected to succeed him in his curacy and lectureship. His emoluments amounted to less than £100 a year, and he increased his income by teaching in a girls' school. His marriage proved unhappy, and he began to spend much of his time in dissipation in the society of Robert Lloyd. He was separated from his wife in 1761, and would have been imprisoned for debt but for the timely help of Lloyd's father, who had been an usher and was now a master at Westminster.
Churchill had already done some work for the booksellers, and his friend Lloyd had had some success with a didactic poem, The Actor. Churchill's knowledge of the theatre was now made use of in the Rosciad, which appeared in March 1761. This reckless and amusing satire described with the most disconcerting accuracy the faults of the various actors and actresses on the London stage; in a competition judged by Shakespeare and Jonson, Garrick is named the greatest English actor. Its immediate popularity was no doubt largely due to its personal character, but its vigour and raciness make it worth reading even now when the objects of Churchill's wit are forgotten. The first impression was published anonymously, and in the Critical Review, conducted by Tobias Smollett, it was confidently asserted that the poem was the joint production of George Colman the Elder, Bonnell Thornton and Robert Lloyd. Churchill immediately published an Apology addressed to the Critical Reviewers, which, after developing the subject that it is only authors who prey on their own kind, repeats the fierce attack on the stage. Incidentally it contains an enthusiastic tribute to John Dryden, of whom Churchill was a devotee. In the Rosciad he had praised Mrs Pritchard, Mrs Cibber and Mrs Clive, but no leading London actor, with the exception of David Garrick, had escaped censure, and in the Apology Garrick was clearly threatened. He deprecated criticism by showing every possible civility to Churchill, who became a terror to the actors. Thomas Davies wrote to Garrick attributing his blundering in the part of Cymbeline "to my accidentally seeing Mr Churchill in the pit, it rendering me confused and unmindful of my business."
Churchill's satire made him many enemies, and brought reprisals. In Night, an Epistle to Robert Lloyd (1761), he answered the attacks made on him, offering by way of defence the argument that any faults were better than hypocrisy. His scandalous conduct brought down the censure of the dean of Westminster, and in 1763 the protests of his parishioners led him to resign his offices, and he was free to wear his blue coat with metal buttons and much gold lace without remonstrance from the dean. The Rosciad had been refused by several publishers, and was finally published at Churchill's own expense. He received a considerable sum from the sale, and paid his old creditors in full, besides making an allowance to his wife.
He now became a close ally of John Wilkes, whom he regularly assisted with The North Briton weekly newspaper. His next poem, The Prophecy of Famine: A Scots Pastoral (1763), was founded on a paper written originally for that newspaper. This violent satire on Scottish influence fell in with the current hatred of Lord Bute, and the Scottish place-hunters were as much alarmed as the actors had been. When Wilkes was arrested he gave Churchill a timely hint to retire to the country for a time, the publisher, Kearsley, having stated that he received part of the profits from the paper. His Epistle to William Hogarth (1763) was in answer to the caricature of Wilkes made during the trial, in it Hogarth's vanity and envy were attacked in an invective which Garrick quoted as shocking and barbarous. Hogarth retaliated by a caricature of Churchill as a bear in torn clerical bands hugging a pot of porter and a club made of lies and North Britons.
The Duellist (1763) is a virulent satire on the most active opponents of Wilkes in the House of Lords, especially on Bishop Warbuxton. He attacked Dr Johnson among others in The Ghost as "Pomposo, insolent and loud, Vain idol of a scribbling crowd". Other poems are The Conference (1763); The Author (1763), highly praised by Churchill's contemporaries; Gotham (1764), a poem on the duties of a king, didactic rather than satiric in tone; The Candidate (1764), a satire on John Montagu, fourth earl of Sandwich, one of Wilkes's bitterest enemies, whom he had already denounced for his treachery in The Duellist (Bk. iii.) as too infamous to have a friend; The Farewell (1764); The Times (1764); Independence, and an unfinished Journey.
In October 1764 he went to Boulogne to join Wilkes. There he was attacked by a fever of which he died on the 4th of November. He left his property to his two sons, and made Wilkes his literary executor with full powers. Wilkes did little. He wrote an epitaph for his friend and about half a dozen notes on his poems, and Andrew Kippis acknowledges some slight assistance from him in preparing his life of Churchill for the Biographia (1780). There is more than one instance of Churchill's generosity to his friends. In 1763 he found his friend Robert Lloyd in prison for debt. He paid a guinea a week for his better maintenance in the Fleet, and raised a subscription to set him free. Lloyd fell ill on receipt of the news of Churchill's death, and died shortly afterwards. Churchill's sister Patty, who was engaged to Lloyd, did not long survive them. William Cowper was his schoolfellow, and left many kindly references to him.
A partial collection of Churchill's poems appeared in 1763.
Charles Churchill's Works:
Poetical Works (1763)
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Charles Churchill Poems
Accursed the man, whom Fate ordains, in spite, And cruel parents teach, to read and write! What need of letters? wherefore should we spell?
Health to great Glo'ster!--from a man unknown, Who holds thy health as dearly as his own, Accept this greeting--nor let modest fear
Happy the bard (though few such bards we find) Who, 'bove controlment, dares to speak his mind; Dares, unabash'd, in every place appear,
Lines Written In Windsor Park
These verses appeared with Churchill's name to them in the London Magazine for , and there is no reason to doubt their being genuine.
Laughs not the heart when giants, big with pride, Assume the pompous port, the martial stride; O'er arm Herculean heave the enormous shield,
The Duellist - Book Ii
Deep in the bosom of a wood, Out of the road, a Temple stood: Ancient, and much the worse for wear,
The Duellist - Book I
The clock struck twelve; o'er half the globe Darkness had spread her pitchy robe: Morpheus, his feet with velvet shod,
Some of my friends (for friends I must suppose All, who, not daring to appear my foes, Feign great good-will, and not more full of spite
Gotham - Book I
Far off (no matter whether east or west, A real country, or one made in jest, Nor yet by modern Mandevilles disgraced,
Grace said in form, which sceptics must agree, When they are told that grace was said by me; The servants gone to break the scurvy jest
_P_. Farewell to Europe, and at once farewell To all the follies which in Europe dwell; To Eastern India now, a richer clime,
The Ghost - Book Iv
Coxcombs, who vainly make pretence To something of exalted sense 'Bove other men, and, gravely wise, Affect those pleasures to despise,
Unknowing and unknown, the hardy Muse Boldly defies all mean and partial views; With honest freedom plays the critic's part,
The Ghost: Book Iii (Excerpt)
... Horrid, unwieldly, without form, Savage, as ocean in a storm, Of size prodigious, in the rear,
The Time hath been, a boyish, blushing Time,
When Modesty was scarcely held a crime,
When the most Wicked had some touch of grace,
And trembled to meet Virtue face to face,
When Those, who, in the cause of Sin grown grey,
Had serv'd her without grudging day by day,
Were yet so weak an awkward shame to feel,
And strove that glorious service to conceal;
We, better bred, and than our Sires more wise,