Biography of Bai Juyi
Bai Juyi (pinyin: Bái Juyì; Wade-Giles: Po Chü-i was a Chinese poet of the Tang dynasty. Many of his poems concern his career or observations made as a government official, including as governor of three different provinces. Bai Juyi was also renowned in Japan. Burton Watson says of Bai Juyi: "he worked to develop a style that was simple and easy to understand, and posterity has requited his efforts by making him one of the most well-loved and widely read of all Chinese poets, both in his native land and in the other countries of the East that participate in the appreciation of Chinese culture. He also, thanks to the translations and biographical studies by Arthur Waley, one of the most accessible to English readers". Today the fame of Bai Juyi is worldwide.
Pinyin: Bó Juyì or Bái Juyì
Wade-Giles: Po Chü-i or Pai Chü-i
Zì : Lètian
Hào : Xiangshan Jushì
Shì Wén (hence referred
to as Bái Wéngong )
Bai Juyi often referred to himself in life as Letian, the older English transcription version being Lo-t'ien, meaning something like "happy-go-lucky". Later in life, he referred to himself as the Hermit of Xiangshan.
Bai Juyi lived during the Middle Tang period. This was a period of rebuilding and recovery for the Tang Empire, following the An Shi Rebellion, and following the poetically flourishing era famous for Li Bo (701-762), Wang Wei (701-761), and Du Fu (712-770). Bai Juyi lived through the reign of eight or nine emperors, being born in the Dali regnal era (766-779) of Emperor Daizong of Tang. He had a long and successful career both as a government official and a poet, although these two facets of his career seemed to have come in conflict with each other at certain points. Bai Juyi was also a devoted Chan Buddist.
Birth and childhood
Bai Juyi was born in 772, in Taiyuan, Shanxi, which was then a few miles from location of the modern city. Although he was in Zhengyang, Henan for most of his childhood. His family was poor but scholarly, his father being an Assistant Department Magistrate of the second-class. At the age of ten he was sent away from his family to avoid a war that broke out in the north of China, and went to live with relatives in the area known as Jiangnan, more specifically Xuzhou.
Bai Juyi's official career was initially successful. He passed the jinshi examinations in 800. Bai Juyi may have taken up residence in the western capital city of Chang'an, in 801. Not long after this, Bai Juyi and formed a long friendship with a scholar Yuan Zhen. Bai Juyi's father died in 804, and the young Bai spent the traditional period of retirement mourning the death of his parent, which he did along the Wei River, near to the capital. 806 was the first full year of the reign of Emperor Xianzong of Tang. Also, 806 was the Bai Juyi was appointed to a minor post as a government official, at Zhouzhi, which was not far from the Chang'an (and also in Shaanxi province). He was made a member (scholar) of the Hanlin Academy, in 807, and Reminder of the Left from 807 until 815, except in 811 when his mother died. He spent the traditional three year mourning period again along the Wei River, and returned to court in the winter of 814, where he held the title of Assistant Secretary to the Prince's Tutor. It was not a high ranking position, but nevertheless one which he was soon to lose.
While serving as a minor palace official, 814, Bei Juyi managed to get himself in official trouble. He made a few enemies at court and with certain individuals in other positions. It was partly his written works which lead him into trouble. He wrote two long memorials, translated by Arthur Waley as "On Stopping the War", regarding what he considered to be an overly lengthy campaign against a minor group of Tatars; and he wrote a series of poems, in which he satirized the actions of greedy officials and highlighting the sufferings of the common folk.
At this time, one of the post-An Lushan warlords (jiedushi), Wu Yuanji in Henan, had seized control of Zhangyi Circuit (centered in Zhumadian), an act for which he sought reconciliation with the imperial government, trying to get an imperial pardon as a necessary prerequisite. Despite the intercession of influential friends, Wu was denied, thus officially putting him in the position of rebellion. Still seeking a pardon, Wu turned to assassination, blaming the Prime Minister (another Wu, Wu Yuanheng) and other officials: the imperial court generally began by dawn, requiring the ministers to rise early in order to attend in a timely manner; and, on July 13, 815, before dawn, the Tang Prime Minister Wu Yuanheng was set to go to the palace for a meeting with Emperor Xianzong. As he left his house, arrows were fired at his retinue. His servants all fled, and the assassins seized Wu Yuanheng and his horse, and then decapitated him, taking his head with them. The assassins also attacked another official who favored the campaign against the rebellious warlords, Pei Du, but was unable to kill him. The people at the capital were shocked and there was turmoil, with officials refusing to leave their personal residences until after dawn.
In this context, Bai Juyi overstepped his minor position by memorializing the emperor. As Assistant Secretary to the Prince's Tutor, Bai's memorial was a breach of protocol — he should have waited for those of censorial authority to take the lead before offering his own criticism. This was not the only charge which his opponents used against him. His mother had died, apparently caused by falling into a well while looking at some flowers, and two poems written by Bai Juyi — the titles of which Waley translates as "In Praise of Flowers" and "The New Well" — were used against him as a sign of lack of Filial Piety, one of the Confucian ideals. The result was exile: Bai Juyi was demoted to the rank of Sub-Prefect and banished from the court and the capital city to Jiujiang, then known as Xun Yang on the southern shores of the Yangtze River in northwest Jiangxi Province, China. After three years he was sent as Governor of a remote place in Sichuan. At the time, the main travel route there was up the Yangzi River. This trip allowed Bai Juyi a few days to visit his friend Yuan Zhen, who was also in exile and with whom he explored the rock caves located at Yichang. Bai Juyi was delighted by the flowers and trees for which his new location was noted. In 819, he was recalled back to the capital, ending his exile.
Return to the capital and a new emperor
In 819, Bai Juyi was recalled to the capital and given the position of second-class Assistant Secretary. In 821, China got a new emperor, Muzong. After succeeding to the throne, Muzong spent his time feasting and heavily drinking, and neglecting his duties as emperor. Meanwhile, the temporarily subdued regional military governors (jiedushi) began to challenge the central Tang government, leading to the new de facto independence of three circuits north of the Yellow River, which had been previously subdued by Emperor Xianzong. Furthermore, Muzong's administration was characterized by massive corruption. Again, Bai Juyi wrote a series of memorials in remonstrance.
As Governor of Hangzhou
Again, Bai Juyi was sent away from the court and the capital, but this time to the important position of the thriving town of Hangzhou, which was at the southern terminus of the Grand Canal and located in the scenic neighborhood of West Lake. Fortunately for their friendship, Yuan Zhen at the time was serving an assignment in nearby Ningbo, also in what is today Zhejiang, so the two could occasionally get together, at least until Bai Juyi's term as Governor expired.
As governor of Hangzhou Bai Juyi realised that the farmland nearby depended on the water of West Lake, but due to the negligence of previous governors, the old dike had collapsed, and the lake so dried out that the local farmers were suffering from severe drought. He ordered the construction of a stronger and taller dike, with a dam to control the flow of water, thus providing water for irrigation and so relieving the drought and improving the livelihood of the local people over the following years. Bai Juyi used his leisure time to enjoy the beauty of West Lake, visiting the lake almost every day. He ordered the construction of a causeway connecting Broken Bridge with Solitary Hill to allow walking on foot, instead of requiring the services of a boat. He then planted trees along the dike, making it a beautiful landmark. Afterwards, this causeway was named Bai Causeway, in Bai Juyi's honour.
Life Near Luoyang
In 824, Bai Juyi's commission as governor expired, and he received the nominal rank of Imperial Tutor, which provided more in the way of official salary than official duties, and he relocated his household to a suburb of the "eastern capital", Luoyang. At this time, Luoyang was the known as the 'Eastern Capital' of the empire and was a major metropolis with a population of around one million, and a reputation as the "cultural capital", as opposed to the more politically-oriented capital of Chang'an.
Governor of Suzhou
In 825, and fifty-three years old, Bai Juyi was given the position of Governor (or Prefect) of Suzhou, on the lower reaches of the Yangtze River and on the shores of Taihu Lake. For the first two years he enjoyed himself with feasts and picnic outings, but after a couple of years he became ill, and he was forced into a period of retirement.
After his time as Prefect of Hangzhou (822-824) and then Suzhou (825-827), Bai Juyi returned to the capital. He then served in various official posts in the capital, and then again as prefect/governor, this time of Henan province, which was the province in which Luoyang was part of. It was in Henan that his first son was born, though only to die prematurely the next year; and, in 831 Yuan Zhen died. For the next thirteen years, Bai Juyi continued to hold various nominal posts, but actually lived in retirement.
In 832, Bai Juyi repaired an unused part of the Xiangshan Monastery, at Longmen, about 7.5 miles south of Luoyang. Bai Juyi moved to this location, and began to refer to himself as the "Hermit of Xianshang".This area, now a UNESCO World Heritage Site, is famous for its tens of thousands of statues of Buddha and his disciples carved out of the rock. In 839, he experienced a paralytic attack, losing the use of his left leg, and became a bedridden invalid for several months. After his partial recovery, he spent his final years arranging his Collected Works, which he presented to the main monasteries of those localities in which he had spent time.
In 846, Bai Juyi died, leaving instructions for a simple burial in a grave at the monastery, with a plain style funeral, and not to have a posthumous title conferred upon him. He has a tomb monument, in Longmen, situated on Xiangshan, across the Yi River from the Longmen cave temples in the vicinity of Luoyang, Henan. It is a circular mound of earth 4 meters high, 52 meters in circumference, and with a 2.80 meter high Monument inscribed "Bai Juyi".
Bai Juyi has been known for his plain, direct, and easily comprehensible style of verse, as well as for his social and political criticism. Besides his surviving poems, several letters and essays are also extent.
One of the most prolific of the Tang poets, Bai Juyi wrote over 2,800 poems, which he had copied and distributed to ensure their survival. They are notable for their relative accessibility: it is said that he would rewrite any part of a poem if one of his servants was unable to understand it. The accessibility of Bai Juyi's poems made them extremely popular in his lifetime, in both China and Japan, and they continue to be read in these countries today.
Two of his most famous works are the long narrative poems The Song of Everlasting Sorrow, which tells the story of Yang Guifei, and The Song of the Pipa Player. Like Du Fu, he had a strong sense of social responsibility and is well known for his satirical poems, such as The Elderly Charcoal Seller.
Bai Juyi also wrote intensely romantic poems to fellow officials with whom he studied and traveled. These speak of sharing wine, sleeping together, and viewing the moon and mountains. One friend, Yu Shunzhi, sent Bai a bolt of cloth as a gift from a far-off posting, and Bai Juyi debated on how best to use the precious material:
About to cut it to make a mattress,
pitying the breaking of the leaves;
about to cut it to make a bag,
pitying the dividing of the flowers.
It is better to sew it,
making a coverlet of joined delight;
I think of you as if I'm with you,
day or night.
Bai Juyi was known for his interest in the old yuefu form of poetry, which was a typical form of Han poetry, namely folk ballad verses, collected or written by the Music Bureau. These were often a form of social protest. And, in fact, writing poetry to promote social progress was explicitly one of his objectives. He is also known for his well-written poems in the regulated verse style.
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Bai Juyi Poems
Song Of Unending Sorrow.
China's Emperor, craving beauty that might shake an empire, Was on the throne for many years, searching, never finding, Till a little child of the Yang clan, hardly even grown, Bred in an inner chamber, with no one knowing her,
Feelings On Watching The Moon
Time hard year famine life land empty Brothers live abroad each east west Fields gardens few fall shield spear after Bone flesh flow apart road road on
Boundless grasses over the plain Come and go with every season; Wildfire never quite consumes them -- They are tall once more in the spring wind.
Watching The Reapers
Tillers of the soil have few idle months; In the fifth month their toil is double-fold. A south-wind visits the fields at night: Suddenly the hill is covered with yellow corn.
Song Of The Guitar.
In the tenth year of Yuanhe I was banished and demoted to be assistant official in Jiujiang. In the summer of the next year I was seeing a friend leave Penpu and heard in the midnight from a neighbouring boat a guitar played in the manner of the capital. Upon inquiry, I found that the player had formerly been a dancing-girl there and in her maturity had been married to a merchant. I invited her to my boat to have her play for us. She told me her story, heyday and then unhappiness. Since my departure from the capital I had not felt sad; but that night, after I left her, I began to realize my banishment. And I wrote this long poem -- six hundred and twelve characters. I was bidding a guest farewell, at night on the Xunyang River, Where maple-leaves and full-grown rushes rustled in the autumn.
A Foresaken Garden
I enter the court Through the middle gate— And my sleeve is wet with tears. The flowers still grow
Flower No Flower
Flower no flower mist no mist arrives at midnight and leaves at dawn
Eating Bamboo Shoots
My new province is a land of bamboo-groves: Their shoots in spring fill the valleys and hills. The mountain woodman cuts an armful of them And brings them down to sell at the early market.
Startled at the cold stiffness of my pillow, I see that the window is a sheet of pure white. Deep in the night, the weight of snow increases Until I hear bamboo snapping in the darkness.
Fishing In The Wei River
In waters still as a burnished mirror's face, In the depths of Wei, carp and grayling swim. Idly I come with my bamboo fishing-rod And hang my hook by the banks of Wei stream.
A Song Of The Palace.
After eating lunch, I feel so sleepy. Waking later, I sip two bowls of tea, then notice shadows aslant, the sun already low in the southwest again.
Autumn Thoughts, Sent Far Away
We share all these disappointments of failing autumn a thousand miles apart. This is where autumn wind easily plunders courtyard trees, but the sorrows of distance never scatter away.
The Bloom Is Not A Bloom
Bloom not bloom mist not mist Night half come heaven bright go
Song Of The Guitar.
In the tenth year of Yuanhe I was banished and demoted to be assistant official in Jiujiang. In the summer of the next year I was seeing a friend leave Penpu and heard in the midnight from a neighbouring boat a guitar played in the manner of the capital. Upon inquiry, I found that the player had formerly been a dancing-girl there and in her maturit