Augustus Montague Toplady
Biography of Augustus Montague Toplady
Augustus Montague Toplady was an Anglican cleric and hymn writer. He was a major Calvinist opponent of John Wesley. He is best remembered as the author of the hymn "Rock of Ages". Three of his other hymns – "A Debtor to Mercy Alone", "Deathless Principle, Arise" and "Object of My First Desire" – are still occasionally sung today, though all three are far less popular than "Rock of Ages".
Background and Early Life, 1740–55
Augustus Toplady was born in Farnham, Surrey, England in November 1740. His father, Richard Toplady, was probably from Enniscorthy, County Wexford in Ireland. Richard Toplady became a commissioned officer in the Royal Marines in 1739; by the time of his death, he had reached the rank of major. In May 1741, shortly after Augustus' birth, Richard participated in the Battle of Cartagena de Indias (1741), the most significant battle of the War of Jenkins' Ear (1739–1742), during the course of which he died, most likely of yellow fever, leaving Augustus' mother to raise the boy alone.
Toplady's mother, Catherine, was the daughter of Richard Bate, who was the incumbent of Chilham from 1711 until his death in 1736. Catherine and her son moved from Farnham to Westminster. He attended Westminster School from 1750 to 1755.
Trinity College, Dublin: 1755–60
In 1755, Catherine and Augustus moved to Ireland, and Augustus was enrolled in Trinity College, Dublin.
Shortly thereafter, in August 1755, the 15-year-old Toplady attended a sermon preached by James Morris, a follower of John Wesley (though in his Dying Avowal, Toplady denies that the preacher was directly connected to Wesley, with whom he had developed a bitter relationship), in a barn in Codymain, co. Wexford. He would remember this sermon as the time at which he received his effectual calling from God.
Having undergone his religious conversion under the preaching of a Methodist, Toplady initially followed Wesley in supporting Arminianism. In 1758, however, the 18-year-old Toplady read Thomas Manton's seventeenth-century sermon on John 17 and Jerome Zanchius's Confession of the Christian Religion (1562). These works convinced Toplady that Calvinism, not Arminianism, was correct.
In 1759, Toplady published his first book, Poems on Sacred Subjects.
Following his graduation from Trinity College in 1760, Toplady and his mother returned to Westminster. There, Toplady met and was influenced by several prominent Calvinist ministers, including George Whitefield, John Gill, and William Romaine. It was John Gill who in 1760 urged Toplady to publish his translation of Zanchius's work on predestination, Toplady commenting that "I was not then, however sufficiently delivered from the fear of man."
Church Ministry: 1762–78
In 1762, Edward Willes, the Bishop of Bath and Wells, ordained Toplady as an Anglican deacon, appointing him curate of Blagdon, located in the Mendip Hills of Somerset.
Toplady wrote his famous hymn "Rock of Ages" in 1763. A local tradition - discounted by most historians - holds that he wrote the hymn after seeking shelter under a large rock at Burrington Combe, a magnificent ravine close to Blagdon, during a thunderstorm.
Upon being ordained priest in 1764, Toplady returned to London briefly, and then served as curate of Farleigh Hungerford for a little over a year (1764–65). He then returned to stay with friends in London for 1765-66.
In May 1766, he became incumbent of Harpford and Venn Ottery, two villages in Devon. In 1768, however, he learned that he had been named to this incumbency because it had been purchased for him; seeing this as simony, he chose to exchange the incumbency for the post of vicar of Broadhembury, another Devon village. He would serve as vicar of Broadhembury until his death, although he received leave to be absent from Broadhembury from 1775 on.
Toplady never married, though he did have relationships with two women. The first was Selina Hastings, Countess of Huntingdon, the founder of the Countess of Huntingdon's Connexion, a Calvinist Methodist series of congregations. Toplady first met Huntingdon in 1763, and preached in her chapels several times in 1775 during his absence from Broadhembury. The second was Catherine Macaulay, whom he first met in 1773, and with whom he spent a large amount of time in the years 1773–77.
Animals and Natural World
Toplady was a prolific essayist and letter correspondent and wrote on a wide range of topics. He was interested in the natural world and in animals. He composed a short work "Sketch of Natural History, with a few particulars on Birds, Meteors, Sagacity of Brutes, and the solar system", wherein he set down his observations about the marvels of nature, including the behaviour of birds, and illustrations of wise actions on the part of various animals. Toplady also considered the problem of evil as it relates to the sufferings of animals in "A Short Essay on Original Sin", and in a public debate delivered a speech on "Whether unnecessary cruelty to the brute creation is not criminal?". In this speech he repudiated brutality towards animals and also affirmed his belief that the Scriptures point to the resurrection of animals. Toplady's position about animal brutality and the resurrection were echoed by his contemporaries Joseph Butler, Richard Dean, Humphry Primatt and John Wesley, and throughout the nineteenth century other Christian writers such as Joseph Hamilton, George Hawkins Pember, George N. H. Peters, Joseph Seiss, and James Macauley developed the arguments in more detail in the context of the debates about animal welfare, animal rights and vivisection.
Calvinist Controversialist: 1769–78
Toplady's first salvo into the world of religious controversy came in 1769 when he wrote a book in response to a situation at the University of Oxford. Six evangelical students had been expelled from St Edmund Hall because of their evangelical views. Thomas Nowell criticised these students for holding views inconsistent with the views of the Church of England. Toplady then criticised Nowell's position in his book The Church of England Vindicated from the Charge of Arminianism, which argued that Calvinism, not Arminianism, was the position historically held by the Church of England.
1769 also saw Toplady publish his translation of Zanchius's Confession of the Christian Religion (1562), one of the works which had convinced Toplady to become a Calvinist in 1758. Toplady entitled his translation The Doctrine of Absolute Predestination Stated and Asserted. This work drew a vehement response from John Wesley, thus initiating a protracted pamphlet debate between Toplady and Wesley about whether the Church of England was historically Calvinist or Arminian. This debate peaked in 1774, when Toplady published his 700-page The Historic Proof of the Doctrinal Calvinism of the Church of England, a massive study which traced the doctrine of predestination from the period of the early church through to William Laud. The section about the Synod of Dort contained a footnote identifying five basic propositions of the Calvinist faith, arguably the first appearance in print of the summary of Calvinism known as the "five points of Calvinism".
The relationship between Toplady and Wesley that had initially been cordial, involving exchanges of letters in Toplady's Arminian days, became increasingly bitter and reached its nadir with the "Zanchy affair". Wesley took exception to the publication of Toplady's translation of Zanchius's work on predestination in 1769 and published, in turn, an abridgment of that work titled "The Doctrine of Absolute Predestination Stated and Asserted", adding his own comment that "The sum of all is this: One in twenty (suppose) of mankind are elected; nineteen in twenty are reprobated. The elect shall be saved, do what they will; the reprobate will be damned, do what they can. Reader believe this, or be damned. Witness my hand." Toplady viewed the abridgment and comments as a distortion of his and Zanchius's views and was particularly enraged that the authorship of these additions were attributed to him, as though he approved of the content.
Toplady published a response in the form of "A Letter to the Rev Mr John Wesley; Relative to His Pretended Abridgement of Zanchius on Predestination". Wesley never publicly accepted any wrongdoing on his part and seemingly denied his authorship of the comments contained in his abridgement when, in his 1771 work "The Consequenses Proved" that responded to Toplady's letter, he ascribed his additions to Toplady.Subsequently Wesley avoided direct correspondence with Toplady, famously stating in a letter of 24 June 1770 that "I do not fight with chimney-sweepers. He is too dirty a writer for me to meddle with. I should only foul my fingers. I read his title-page, and troubled myself no farther. I leave him to Mr Sellon. He cannot be in better hands."
Toplady spent his last three years mainly in London, preaching regularly in a French Calvinist chapel, most spectacularly in 1778, when he appeared to rebut charges being made by Wesley's followers that he had renounced Calvinism on his deathbed.
Toplady died of tuberculosis on 11 August 1778. He was buried at Whitefield's Tabernacle, Tottenham Court Road.
Augustus Montague Toplady's Works:
Poems on Sacred Subjects (1759)
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Augustus Montague Toplady Poems
Rock Of Ages, Cleft For Me
Rock of Ages, cleft for me, Let me hide myself in Thee! Let the Water and the Blood, From thy riven Side which flow'd,
How Vast The Benefits Divine
How vast the benefits divine which we in Christ possess! We are redeemed from guilt and shame and called to holiness. But not for works which we have done, or shall hereafter do, Hath God decreed on sinful men salvation to bestow.
Grace, 'Tis A Charming Sound
Grace, ’tis a charming sound, Harmonious to mine ear; Heaven with the echo shall resound, And all the earth shall hear.
A Debtor To Mercy Alone
A debtor to mercy alone, of covenant mercy I sing; Nor fear, with Thy righteousness on, my person and off’ring to bring. The terrors of law and of God with me can have nothing to do; My Savior’s obedience and blood hide all my transgressions from view.
Father Of Love, To Thee I Bend
Father of love, to thee I bend My heart, and lift mine eyes; O let my pray'r and praise ascend As odours to the skies.
God Of Love
God of love, whose truth and grace Reach unbounded as the skies, Hear thy creature's feeble praise, Let my ev'ning sacrifice
Lord, Save Us, We Perish
Pilot of the soul, awake, Save us for thy mercies' sake; Now rebuke the angry deep, Save, O save thy sinking ship!
If, On A Quiet Sea
If, on a quiet sea, toward heaven we calmly sail, With grateful hearts, O God, to Thee, We’ll own the favoring gale, With grateful hearts, O God, to Thee,
Hymn Of Sovereign Grace
Formed for thyself, and turned to thee, Thy praises, Lord , I show; No more, with sacrilegious pride, I rob thee of thy due.
Jesus, By Whose Grace I Live
Jesus, by whose grace I live, From the fear of evil kept, Thou has lengthen'd my reprieve, Held in being while I slept.
Great God, whom heav'n, and earth, and sea. With all their countless hosts, obey, Upheld by whom the nations stand, And empires fall at thy command:
Desiring To Be Given Up To God
That my heart was right with thee, And lov'd thee with a perfect love! O that my Lord would dwell in me, And never from his seat remove!
Fountain Of Never-Ceasing Grace
Fountain of never ceasing grace, Thy saints’ exhaustless theme, Great object of immortal praise, Essentially supreme;
He Dwelleth In You
Saviour, I thy word believe, My unbelief remove; Now thy quick'ning Spirit give, The unction from above;
Great God, whom heav'n, and earth, and sea.
With all their countless hosts, obey,
Upheld by whom the nations stand,
And empires fall at thy command:
Beneath thy long suspended ire
Let papal Antichrist expire;
Thy knowledge spread from sea to sea,
'Till every nation bows to thee.