Aram Saroyan

Rating: 4.33
Rating: 4.33

Aram Saroyan Poems

"Would you mind
If I headed up early?"
Says the husband
To his young wife.
"Follow when you like."
...

He was too excited to fall asleep.
The little dog wouldn't stop barking.
He took out his gun.
He took out his handkerchief.
...

Look
the moon.

Nuts look like wood
but taste good.
...

Aram Saroyan Biography

Aram Saroyan is a poet, novelist, memoirist, and playwright. He attended the University of Chicago, New York University, and Columbia University, but did not complete a degree. The son of the writer William Saroyan, Aram made his debut as a writer with six poems and a review of Robert Creeley's novel The Island in the April 1964 issue of Poetry magazine. He became famous for his one-word or “minimal” poems, a form he developed during the early and mid-1960s, and which is often linked to Concrete poetry. Saroyan is also frequently linked to Second Generation New York School Poets and conceptual art. Saroyan’s first books in this mode were Aram Saroyan (1968) and Pages (1969). Perhaps the most famous of Saroyan’s one-word poems is “lighght.” George Plimpton included it in The American Literary Anthology, an anthology paid for by the newly established National Endowment for the Arts. The poem became the center of a heated debate over government funding for the arts. Saroyan himself has said that, “apparently the crux of the poem is to try and make the ineffable, which is light—which we only know about because it illuminates something else—into a thing. An extra ‘gh’ does it… It’s sculptural on that level.” Saroyan’s Complete Minimal Poems (2007) won the William Carlos Williams Award and was republished in 2014. Other collections of Saroyan’s poetry include Day and Night: Bolinas Poems (1999). Saroyan has published numerous volumes of prose, including collections of essays and short stories such as Starting out in the Sixties (2001), Artists in Trouble: New Stories (2002), and Door to the River: Essays and Reviews from the 1960s into the Digital Age (2010). His memoirs include Friends in the World: The Education of a Writer (1992), Last Rites (1982), about the death of his father, and the autobiographical novel The Street (1974). He has written about the literary and artistic milieu in Genesis Angels: The Saga of Lew Welch and the Beat Generation (1980) and Trio: Oona Chaplin Carol Matthau and Gloria Vanderbilt: Portrait of an Intimate Friendship (1985) and his true-crime book Rancho Mirage: An American Tragedy of Madness, Manners, and Murder (1993) was a Literary Guild selection. His novel The Romantic (1988) was a Los Angeles Times Book Review Critic’s Choice selection. Saroyan’s honors and awards include fellowships from the National Endowment for the Arts. A former president of PEN USA West, he has previously taught on faculty in the Masters of Professional Writing Program at USC. He lives in Los Angeles.)

The Best Poem Of Aram Saroyan

The Clock in Literature

"Would you mind
If I headed up early?"
Says the husband
To his young wife.
"Follow when you like."

Later that evening
The beautiful face
And exquisite limbs
Will rise from the table
Of the Southern inn
Having been spied
By the antihero
Across the room
Reading an indifferent book.

Oh, quick — 
Let a storm kill the light!

But you might as well say it
To a wall.
We can't change
A single
Silver setting, or
Even by one day
Reduce
The bright full moon.

The clock in literature
Holds that moon.

"I know I can't say
A single thing to stop you,"
Says the old man at table
To the suddenly risen girl.
"But sleep on it, will you?"
Not now — 
Not ever.

The clock in literature
Holds the ancient rune.

"I wonder if I might
Have a word with you,"
Says the antihero
To the lissome
Dark-eyed angel.

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